Doll African American Artist Faith Ringgold Signed Tar Beach Very Rare

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Seller: memorabilia111 ✉️ (808) 100%, Location: Ann Arbor, Michigan, US, Ships to: US & many other countries, Item: 176270372992 DOLL AFRICAN AMERICAN ARTIST FAITH RINGGOLD SIGNED TAR BEACH VERY RARE. A FAITH RINGGOLD DOLL FROM TAR BEACH BY THIS GREAT LEGENDARY AFRICAN AMERICAN ARTIST VERY RARE SIGNED IN SHARPIE ON THE DOLL MEASURING APPROXIMATELY 11" INCHES. OBTAINED FROM FAITH DIRECTLY MANY YEARS AGO. 















Ringgold, Faith (Elizabeth). (b. New York, NY, 1930; active Englewood, NJ, 2012)   Bibliography and Exhibitions MONOGRAPHS AND SOLO EXHIBITIONS: Allentown (PA). Allentown Art Museum. FAITH RINGGOLD: A View from the Studio. March 6-August 14, 2005. 96 pp. exhib. cat. Text by curator Curlee Raven Holton, Ringgold's long-time collaborator and principal printmaker. Includes the Jazz Series and a selection of additional work (story quilts, painting, sculpture) spanning 35 years of Ringgold's artistic production. traveling exhibition. [Traveled to Levy Gallery, Moore College of Art, Philadelphia, PA, September 16-October 30, 2005.] Sq. 8vo (8.1 x 8 in.), boards. Amherst (MA). Fine Arts Center, University of Massachusetts. FAITH RINGGOLD: Story Quilts. September 9-October 20, 1989. Solo exhibition. Baltimore (MD). Baltimore Museum of Art. FAITH RINGGOLD: Painted Story Quilts. November 17, 1987-February 28, 1988. Exhib. cat., illus. Baraka, Amiri. FAITH. 1985. In: Black American Literature Forum 19, No. 1 (Spring 1985):12-13. Article on Faith Ringgold. Bass, R. FAITH RINGGOLD. 1984. In: ARTnews 83, no. 7 (1984): 152. 4to, wraps. Baton Rouge (LA). Louisiana Art & Science Museum. Anyone Can Fly: FAITH RINGGOLD, A Survey. January 20-March 6, 2005. Solo exhibition. [Traveled to: Morris Museum, Morristown, NJ, August 23-December 31, 2005] Baton Rouge (LA). Louisiana State University. FAITH RINGGOLD: Political Landscapes and Posters. 1972. Solo exhibition. BEARDEN, ROMARE. Black Art: What Is It?. 1970. In: The Art Gallery 3 (April 1970):32-35. Includes statements by Tom Lloyd, Hughie Lee-Smith and Faith Ringgold. Bethlehem (PA). Lehigh University. FAITH RINGGOLD: Black and Feminist Art. 1983. Solo exhibition. Boone, K Victoria. FAITH RINGGOLD: an artist of political themes. 1990. Unpublished thesis, University of Oklahoma, 1990. Bowling Green (KY). Bowling Green State University. FAITH RINGGOLD: Story Quilts. 1996. Solo exhibition. Buffalo (NY). Museum of African and African-American Art. FAITH RINGGOLD: Soft Sculpture. 1980. Exhib. cat. Chambersburg (PA). Wilson College. FAITH RINGGOLD: The Wake and Resurrection of the Bicentennial Negro. 1976. Solo exhibition. Tableau of mixed media soft sculpture. [This exhibition seems to have traveled to: Hamilton-Kirkland College, Clinton, NY; William Smith College, Geneva, NY, 1977; St. Edwards University, Austin, TX, 1978; University of Minnesota, Minneapolis, MN, 1978; Pima Community College, Tucson, AZ, 1978; University of Massachusetts, Amherst, MA, 1980; Trinity College, Hartford, CT, 1981.] Chattanooga (TN). University of Tennessee. FAITH RINGGOLD: Paintings, Sculpture and Masks. 1974-1976. Solo exhibition. [Traveled to: University of Northern Iowa, Cedar Falls, IA; Southeastern Missouri State College, Springfield, MO; University of Wisconsin, Superior, WI; University of Wisconsin, White Water, WI; Bowdoin College, Bowdoin, ME; Polk Community College, Winterhaven, FL, 1976.] Cohn, Terri. Fractured fairy tales [FAITH RINGGOLD]. 1998. In: Artweek 29, no. 7 (July/Aug 1998):13. Fairfield (CT). Thomas J. Walsh Art Gallery, Fairfield University. FAITH RINGGOLD. January 28-March 4, 2006. Solo exhibition. Farrington, Lisa E. FAITH RINGGOLD (David C. Driskell Series of African American Art, v. 3). San Francisco: Pomegranate, 2004. x, 116 pp., b&w and mostly color illus., bibliog., index. 4to (29 cm.; 11.3 x 9 in.), cloth, pictorial d.j. First ed. Farrington, Lisa E. FAITH RINGGOLD: the early works and the evolution of the thangka paintings. 1997. Thesis, City University of New York, 1997. Farrington, Lisa E. and Faith Ringgold. Art on Fire: The Politics of Race and Sex in the Paintings of FAITH RINGGOLD. Millennium Fine Arts Publishing, 1998. 240 pp. Analysis of Ringgold's early work. 8vo (7.8 x 5.1 in.), wraps. Framingham (MA). Danforth Museum. FAITH RINGGOLD: Story Quilts. November 22, 2008-March 1, 2009. Solo exhibition. Included: Ringgold's "Aunt Harriet’s Underground Railway in the Sky." Freeman, Linda (Prod.) and David Irving (Dir.). ELIZABETH CATLETT: Sculpting the Truth (Video). Chappaqua (NY): L&S Video Inc., 1999. Documentary film. Covers the range of Catlett's feminist figure sculpture in wood, stone and terra cotta. Hosted by Faith Ringgold. Written and directed by David Irving; created and produced by Linda Freeman. VHS-NTSC: color; sd; 28 min. Freeman, Linda (Prod.) and David Irving (Dir.). FAITH RINGGOLD: Paints Crown Heights (Video). Chappaqua (NY): L&S Video Inc., 1995. Written and directed by David Irving; created and produced by Linda Freeman. VHS-NTSC: color; sd; 28 min. Freeman, Linda (Prod.) and David Irving (Dir.). FAITH RINGGOLD: The Last Story Quilt (Video). Chappaqua (NY): L&S Video Inc., 1998. Written and directed by David Irving; created and produced by Linda Freeman. [Seems to have been made in 1991.] VHS-NTSC: color; sd; 28 min. Freeman, Linda (Prod.) and David Irving (Dir.). I Can Fly Part II: Kids, Painting & Art Appreciation (Video). Chappaqua (NY): L&S Video Inc.. Documentary film designed for school children. Explores five key elements of painting: color (at 2 minutes), light (at 7 minutes), style (at 11 minutes), texture (at 17 minutes), and subject (at 23 minutes). Includes Faith Ringgold, Jacob Lawrence and Romare Bearden (along with Rembrandt, the Impressionists, Van Gogh, Matisse). Hosted by teenager Austin Eve Irving. Written and directed by David Irving; created and produced by Linda Freeman. VHS-NTSC: color; sd; 28 min. Galligan, Gregory. The Quilts of FAITH RINGGOLD. 1987. In: Arts Magazine 61 (January 1987):62-63. 4to, wraps. Gouma-Peterson, Thalia. FAITH RINGGOLD's Narrative Quilts. 1987. In: Arts Magazine 61 (January 1987):64- 69. 4to, wraps. Graulich, Melody and Mara Witzling. The Freedom to Say What She Pleases: A Conversation with FAITH RINGGOLD. 1994. In: NWSA 6, no. 1 (1994): 1-27. [Reprinted in Jacqueline Bobo, ed. Black Feminist Cultural Criticism.] Greenville (SC). Greenville County Museum of Art. FAITH RINGGOLD. 1991. Solo exhibition. Gregg, Gail. The RINGGOLD Cycle. 1999. In: ARTnews Vol. 98, no. 6 (June 1999):112-115, Illus (color), portrait. Feature article on Faith Ringgold. 4to, wraps. Hampton (VA). Hampton Institute. FAITH RINGGOLD: Harlem '78. 1978. Solo exhibition. Harrisonburg (VA). Sawhill Gallery, James Madison University. FAITH RINGGOLD: Stories of Compassion and Conscience. January 9-February 5, 1990. Solo exhibition. Hartford (CT). Real Art Ways. Change: FAITH RINGGOLD's New Work. 1987. Solo exhibition. Hempstead (NY). Fine Arts Museum of Long Island. FAITH RINGGOLD: A 25 Year Survey. 1990. 65 pp., 35 illus. (some in color). 4to, wraps. First ed. Indiana (PA). Indiana University of Pennsylvania. FAITH RINGGOLD: Masks and Dolls. November, 1995. Solo exhibition. Keene (NH). Thorne-Sagendorf Art Gallery, Keene State College. FAITH RINGGOLD. September 8-November 23, 2008. Solo exhibition including quilts, masks and dolls. Keene (NH). Thorne-Sagendorph Art Gallery, Keene State College. African / American Influences: The Art of FAITH RINGGOLD. September 8-November 23, 2008. Solo exhibition of quilts, oils, prints, dolls, soft sculpture and works on paper. King, Dr. Martin Luther, Jr. and FAITH RINGGOLD (serigraphs). Letter from Birmingham City Jail. New York: The Limited Editions Club, 2008. Dr. King's historic text, printed in 54 leaves, illustrated with eight multi-colored serigraph prints by Faith Ringgold and signed by the artist in the colophon. Afterword by Dr. C.T. Vivian. Designed, set in Monotype Garamond and printed by Michael and Winifred Bixler. [The eight serigraph prints were printed by Curlee Raven Holton and were also issued as a separate print portfolio with individually signed prints numbered 1-75 with 5 artist proofs, 5 hors commerce, 2 printers proofs, 2 archival and 1 BAT.] 4to (60 cm.), red linen with gilt-lettered morocco label inset, in matching clamshell box. Edition of 420 numbered copies. Lancaster (PA). Community Gallery. FAITH RINGGOLD. 1990. Solo exhibition. LE TIGRE. Hot Topic (song). 1999. Feminist punk single from the album Hot Topic (1999), released on 7" and Maxi-CD in 1999 by Wiiija Records. Mentions numerous visual artists, including: Lorraine O'Grady, Marlon Riggs, Faith Ringgold, and Kara Walker. New Brunswick (NJ). Douglass College Art Gallery, Rutgers University. Women Artists Series, Year 7: FAITH RINGGOLD. 1978. Solo exhibition. Curated by Lynn F. Miller. "Woman on a Pedestal" series. New Brunswick (NJ). Mason Gross School of the Arts, Rutgers University. Declaration of Independence: Fifty Years of Art by FAITH RINGGOLD. May 17-June 26, 2009. 53 pp. exhib. cat., 2 b&w and 70 color illus., portraits. Curated by Judith K. Brodsky and Ferris Olin. Text by Tanya Sheehan; comments by Michele Wallace. 4to (22 x 28 cm.), wraps. New Brunswick (NJ). Rutgers University. FAITH RINGGOLD: California Dah. 1984. Solo exhibition. New Brunswick (NJ). Voorhees Gallery, Rutgers University. FAITH RINGGOLD: 10 Year Retrospective. 1973. Exhib. cat., illus. 4to, wraps. New Orleans (LA). Simms Fine Art. FAITH RINGGOLD: Paintings/Quilts. February 14-March 24, 1989. Solo exhibition. New Orleans (LA). Sims Gallery. FAITH RINGGOLD. 1988. Solo retrospective exhibition. New York (NY). ACA Galleries. FAITH RINGGOLD: 40 Years of Selected Works. October 5-November 4, 1996. Solo exhibition of paintings and drawings spaning four decades. [Review: Reagan Upshaw, "Faith Ringgold at ACA," Art in America, March 1, 1996.] New York (NY). ACA Galleries. FAITH RINGGOLD: Coming To Jones Road, II, and Other Story Quilts. September 9-October 9, 2010. Solo exhibition. New York (NY). ACA Galleries. FAITH RINGGOLD: Coming to Jones Road, Part I. January 27-February 24, 2001. 18 pp., 8 color plates. [See also article by Moira Roth in NKA.] New York (NY). ACA Galleries. FAITH RINGGOLD: Jazz Stories: Mama Can Sing, Papa Can Blow. December 18, 2004-February 5, 2005. An exhibition of story quilts, drawings, and prints which celebrate the heritage of Jazz and the performers who contributed to its development. New York (NY). ACA Galleries. FAITH RINGGOLD: Recent Work. December 2, 2010-January 29, 2011. Solo exhibition. New York (NY). Acts of Art, Inc. FAITH RINGGOLD. May 17-June 9, 1973. Solo exhibition. New York (NY). Artists Talk on Art (ATOA). Faith Ringgold and Nancy Azara in dialog (Video). Artists Talk on Art (ATOA), 2005. Videotape of dialogue held at Gene Stavis Theater, November 4, 2005. The two artist/writers discuss their richly-woven histories, the present scene and the future of art--including the role of women artists. VHS-NTSC: color, sd. New York (NY). Bernice Steinbaum Gallery. FAITH RINGGOLD Change: Painted Story Quilts. January 13-February 7, 1987. 28 pp. exhib. cat., b&w and color illus., photo of artist on cover. Includes text by Moira Roth, "Faith Ringgold: The Field and the Drawing Room." 4to (28 cm.), wraps. First ed. New York (NY). Bernice Steinbaum Gallery. FAITH RINGGOLD: The French Collection. January 18-February 18, 1992. Solo exhibition. New York (NY). Essence. FAITH RINGGOLD makes dolls on art. 1979. In: Essence, Vol. 10, no. 3 (July 1979):112-114. 4to, wraps. New York (NY). New Museum of Contemporary Art. Dancing at the Louvre: FAITH RINGGOLD's French Collection and Other Story Quilts. Berkeley: University of California Press, 1998. ix, 167 pp., 102 illus (40 in color), biog., exhibs., bibliog., index, texts from the quilts. Texts by Dan Cameron, Richard J. Powell, Michele Wallace, Patrick Hill, Thalia Gouma-Peterson, Moira Roth, and Ann Gibson. The essays examine the stylistic development, social and political content of Ringgold's work. The first major collection of critical writing on Ringgold, designed to accompany a traveling retrospective. [Traveled to: Akron Art Museum, Akron, OH, January 24-March 22; University Art Museum and Pacific Film Archive, Berkeley, CA, May 6-August 30; New Museum of Contemporary Art, NY, September 29-December 20; Baltimore Museum of Art, Baltimore, MD, January 27-April 11, 1999; Fort Wayne, IN, April 30-July 18, 1999; Chicago Cultural Center, Chicago, IL, August 7-October 10, 1999.] Sq. 4to (10.38 x 10.38 in.), wraps. First ed. New York (NY). Spectrum Gallery. FAITH RINGGOLD. 1967. Solo exhibition of The American People Series. Ringgold's first solo show. [Reviewed in Arts and ARTnews.] New York (NY). Spectrum Gallery. FAITH RINGGOLD: America Black. 1970. Solo exhibition of the Black Light Series including Ego Painting (1969), U.S. American Black (1969), Flag for the Moon: Die Nigger (1969), et al. Ringgold's second solo exhibition. [Review in Art News.] New York (NY). Studio Museum in Harlem. FAITH RINGGOLD: Twenty Years of Painting, Sculpture and Performance (1963-1983). April 8-September 4, 1984. 48 pp. exhib. cat. of 112 works, 16 illus., 5 full-page color plates, chronol., bibliog. (including Ringgold's writings), exhibs. Texts by Terrie S. Rouse, Moira Roth, Frieda High-Wasikhongo, Eleanor Munro, Lucy Lippard, Michele Wallace. A poster was also printed for this exhibition. 4to (28 cm.), wraps. First edition. New York (NY). Summit Gallery. FAITH RINGGOLD: Paintings from the Sixties. 1979. Solo exhibition. Oakdale (NY). Anthony Giordano Gallery, Dowling College. FAITH RINGGOLD: Color and Cloth. July-September 26, 2004. Solo exhibition included some of Ringgold's early work of the 1970s. Purchase (NY). Neuberger Museum of Art, SUNY-Purchase. American People, Black Light: FAITH RINGGOLD's Paintings of the 1960s. September 11-December 19, 2010. 136 pp. exhib. cat., 94 illus. (77 in color). Curated by Thom Collins and Tracy Fitzpatrick. A first-time gathering of two landmark series from the 60s: American People (1963-1967) and Black Light (1967-1971), along with related murals and political posters. [Traveled to: Miami Art Museum, Miami, FL, November 6, 2011-January 1, 2012.] 4to (28 x 23 cm.), wraps. RINGGOLD, FAITH. Aunt Harriet's Underground Railroad in the Sky. Dragonfly Books, 1995. 32 pp., 24 color illus. from Ringgold's painting. Based on Harriet Tubman's account of a dream she had while very sick, of flying to freedom and enhanced with historical facts and magic realism. Ringgold's story transports her characters from Tar Beach back to the slave holding plantations of the South, roughly one hundred fifty years ago, where they experience a terrifying, yet exhilarating journey to freedom. 4to (12 x 9.25 in.), cloth. RINGGOLD, FAITH. Bonjour, Lonnie. New York: Hyperion, 1996. 32 pp., 28 color plates. French phrases and delightful illustrations of Paris by Ringgold. The story of a boy of African American Jewish ancestry who traces his roots in Paris with the help of the love bird. Sq. 8vo, boards, pictorial d.j. First ed. RINGGOLD, FAITH. Cassie's Word Quilt. New York: Alfred A. Knopf, 2002. 32 pp., color illus. of quilts to match each part of the story. Cassie (heroine of Tar Beach) takes beginning readers on a tour of her 1930s-era Harlem home, school, and neighborhood. 4to (11.8 x 10.3 in.), cloth, d.j. First ed. RINGGOLD, FAITH. Dinner at Aunt Connie's House. New York: Hyperion, 1993. 32 pp., 25 color illus. from a story quilt produced for the book. A family dinner frames the 12 stories of a selection of important African American women: Rosa Parks, Fannie Lou Hamer, Mary McLeod Bethune, Zora Neale Hurston, and others. Black feminist history for young readers told in an engaging and informative way. 4to, cloth, d.j. RINGGOLD, FAITH. HENRY OSSAWA TANNER: His Boyhood Dream Comes True. Bunker Hill Publishing, 2011. Children's book. Ages 4-8. 32 pp., color illus. Oblong 4to, boards, d.j. First ed. RINGGOLD, FAITH. If a Bus Could Talk: The Story of Rosa Parks. New York: Simon & Schuster, 1999. 32 pp., 28 color illus. The story of Rosa Parks straight from Rosa's bus itself. A rather bizarre narrator covers Rosa's childhood through the Montgomery bus boycott. Not Ringgold's most successful book for young readers. 4to (10.4 x 12 in.), cloth, d.j. First ed. RINGGOLD, FAITH. My Dream of Martin Luther King. New York: Alfred A. Knopf, 1995. 32 pp., 27 color illus. A personal interpretation of King's legacy from his childhood, the bus boycott, through to his adulthood and assassination. 4to (11.5 x 9.2 in.), laminated boards, d.j. First ed. RINGGOLD, FAITH. No Name Masked Performance #2 (Film). 1983. Filming of important early performance piece. [Distributed by San Antonio College, Texas.] 16mm. Sd., col. RINGGOLD, FAITH. Seven Passages to a Flight. San Diego (CA): Brighton Press, 1995. Livre d'artiste. Nine hand-painted and hand-stenciled etchings with autobiographical text, printed on linen, housed in a clamshell box covered in hand-painted linen and fabric inlays. Limited signed numbered ed. of 30 copies. [A deluxe edition of 10 including a quilt also published.) RINGGOLD, FAITH. Tar Beach. New York: Crown, 1991. Children's book. 32 pp., illustrated throughout with 22 color plates of Ringgold's quilt paintings. The story of an 8 year-old Depression-era Harlem girl's imaginative flight over New York and the symbols of racism in her life. A story from Ringgold's quilt created in 1988. A Caldecott Medal winner; winner Coretta Scott King illustration award, 1992. 4to (12 x 9.5 in.), cloth, d.j. First ed. RINGGOLD, FAITH. Tar Beach with FAITH RINGGOLD (Film). Distrib. Scholastic, 1994. Film. VHS-NTSC. Sd., col. 15 min. RINGGOLD, FAITH. The French Collection Part 1. New York: B Mow Press, 1992. 40 pp., 11 b&w illus., text and images by Ringgold for all 8 quilts in the series, as well as by Michele Wallace and Moira Roth. Also includes text and image for Change 3: Faith Ringgold's Over 100 Pounds Weight Loss Performance Story Quilt. A rich text which adds a great deal to the images. Oblong 4to, stapled wraps. First ed. RINGGOLD, FAITH. The Invisible Princess. New York: Alfred E. Knopf, 1998. 32 pp., 19 color illus. from Ringgold's paintings. A magical fairy tale set on a slave plantation that draws on slave myths. 4to (11 x 9 in), cloth, d.j. First ed. RINGGOLD, FAITH. We Flew Over the Bridge: The Memoirs of FAITH RINGGOLD. Boston: Bulfinch Press, 1995. 288 pp. autobiography. 101 b&w photos, 40 full-page color illus., chronol., colls., index. Small sq. 4to, 1/4 cloth, d.j. First ed. Ringgold, Faith, Linda Freeman and Nancy Roucher. Talking to FAITH RINGGOLD. New York: Alfred A. Knopf, 1995. 48 pp., 16 color plates, 50 b&w illus. Juvenile audience publication. 4to (10.3 x 8 in.), wraps. Roth, Moira. FAITH RINGGOLD: putting Jones Road on the map. 2001. In: NKA: Journal of contemporary African art 13/14 (Spring-Summer 2001):18-25, illus. 4to, wraps. Roth, Moira (interviewer). FAITH RINGGOLD, Artist and Author. New York: Hatch-Billops Collection, 1995. Oral history interview, December 2, 1995. In: Artist and Influence 15 (1996):220-237, photo of Ringgold. 8vo, wraps. San Antonio (TX). San Antonio College. FAITH RINGGOLD: Paintings, Sculpture and Masks. 1983. Solo exhibition. [Maybe same as exhibition at Appalachian State University, Boone, NC, 1984.) San Antonio (TX). Southwest Craft Center. FAITH RINGGOLD: Painted Story Quilts. January 11-February 10, 1990. Solo exhibition. Savannah (GA). Savannah College of Art & Design [SCAD]. FAITH RINGGOLD: A Retrospective, Works from 1964-1998. 2003. 16 pp. exhib. cat., 13 color plates, many full-page (including cover illus.), notes. Text by Laura Cunningham. 4to, stapled pictorial wraps. First ed. Seattle (WA). Henry Art Gallery, University of Washington. FAITH RINGGOLD. 1989. Solo exhibition. Shaw, Gwendolyn Dubois. Seeing the Unspeakable: The Art of KARA WALKER. Durham: Duke University Press, 2004. 195 pp., 10 color illus., 34 b&w illus., notes. Examination of Walker’s striking wall-sized black-and-white silhouettes, gouache drawings, and prints, The book primarily analyzes the inspiration for and reception of four of Walker’s pieces: "The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven," "John Brown, A Means to an End," and Walker's self-portrait "Cut." Chapter 1, a historical examination of the silhouette genre, includes consideration of Moses Williams, a 19th-century cutter of profile silhouettes. Chapter 2 positions Walker's work within the context of contemporary African American visual culture and the work of contemporary artists including Faith Ringgold, John Sims, Beverly McIver, Carrie Mae Weems and Michael Ray Charles. Chapter 3 includes some discussion of Jacob Lawrence's and William H. Johson's representations of John Brown's life in comparison with Walker's approach. Chapter 4 on "Censorship and Reception" includes discussion of the outrage in reponse Walker's work to the similar reception of Robert Colescott's postmodern satires. Chapter 5 the relationship between Andy Warhol and Jean-Michel Basquiat leads to a discussion of White patriarchal power, agency, and control for young, talented African American art superstars like Basquiat and Walker. Discussion of the consequent strategies for self-definition undertaken by artists under such pressure includes Edmonia Lewis and Glenn Ligon who, like Walker, attest to the issue of becoming racial spectacles as African American artists. 8vo (9 x 6 in.), cloth, d.j. First ed. St. Louis (MO). St. Louis Art Museum. Currents 57: FAITH RINGGOLD. March 22-May 18, 1994. Exhib. brochure. Solo exhibition. Curated by Jacquelyn Lewis-Harris. St. Louis (MO). Vaughn Cultural Center. FAITH RINGGOLD: Paintings & Sculpture. 1988. Solo exhibition. Syracuse (NY). Community Folk Art Gallery, Syracuse University. The Genius of FAITH RINGGOLD: From the George Washington Bridge to Tar Beach. August 25-October 20, 2007. Solo exhibition. Tempe (AZ). Arizona State University Art Museum. FAITH RINGGOLD: Quilts. October 28-December 16, 1990. Solo exhibition. Turner, Robyn Montana. FAITH RINGGOLD. Boston: Little, Brown, 1993. Children's book. 32 pp., illus. Biography. Washington (DC). Archives of American Art, Smithsonian Institution. FAITH RINGGOLD Oral history interview, 1972. 1972. Transcript: 11 pp. Washington (DC). Dupont Gallery and Lee University, Lexington, VA. FAITH RINGGOLD: Story Quilts. February 27-March 22, 1991. Solo exhibition. Washington (DC). Textile Museum. Inspirations: Exploring the Art of FAITH RINGGOLD. April 2-September 19, 1993. Solo exhibition. Wellesley (MA). Wellesley College Art Museum. FAITH RINGGOLD: Paintings and Masks. 1973. Solo exhibition. West Hartford (CT). St. Joseph College. FAITH RINGGOLD: Selections from her painted story quilts and illustrations from her story book, The Invisible Princess. March 8-April 27, 2002. Solo exhibition. Four of the story quilts were from the Coming to Jones Road, Part I series. Withers, Josephine. Art, FAITH RINGGOLD. 1980. In: Feminist Studies Vol. 6, no. 1 (Spring 1980):207. Wooster (OH). College of Wooster Art Museum. FAITH RINGGOLD: Painting, Sculpture, Performance. 1985. 32 pp. exhib. cat., 12 illus., artist's statement and story, chronol., bibliog., list of works. Text by Thalia Gouma-Peterson and Kathleen McManus Zurko. Small sq. 4to, wraps. First ed. Yonkers (NY). Hudson River Museum. FAITH RINGGOLD: The French Collection Story Quilts. February 2-March 3, 1996. Solo exhibition. Youngstown (OH). Youngstown State University. FAITH RINGGOLD: Soft Sculpture. 1982. Solo exhibition. GENERAL BOOKS AND GROUP EXHIBITIONS: ANDREWS, BENNY and Rudolf Baranik, eds. Attica Book. South Hackensack, NJ: Customs Communications Systems, 1972. By the Black Emergency Cultural Coalition and Artists and Writers Protest Against the War in Vietnam. ix, 47 leaves, b&w illus. Artists & poets. Includes numerous African American artists: Benny Andrews, Romare Bearden, Camille Billops, Vivian Browne, Dana Chandler, Leroy Clarke, Art Coppedge, J. Brooks Dendy, Melvin Edwards, Al Hollingsworth, Manuel Hughes, Cliff Joseph, Jacob Lawrence, Faith Ringgold, Vincent Smith. (Numerous leftist white artists involved as well: Antonioni Frasconi, Leon Golub, Jacob Landau, Alice Neel, Robert Morris, Nancy Spero, Ronald King, D. Cusic, among others.) Folio (36 x 28 cm.), pictorial wraps. First ed. APPIAH, KWAME ANTHONY and HENRY LOUIS GATES, Jr. Africana: The Encyclopedia of the African and African American Experience. Oxford University Press, 1999; 2005. 5 Vols. 4500 pp., 1000 photographs, maps, illus. Expanded to 8 vols. No new information or in-depth discussion of the visual arts. Names of visual artists included in the accounts of each period of black history are often lumped into a one sentence list; very few have additional biographical entries. [As of 2011, far more substantial information on most of the artists is available from Wikipedia than is included in this Encyclopedia.] Includes mention of: James Presley Ball, Jean-Michel Basquiat, David A. Bailey, Edward M. Bannister, Richmond Barthé, Cornelius Battey, Romare Bearden, Dawoud Bey, Everald Brown, Elizabeth Catlett, Dana Chandler, Roland Charles, Barbara Chase-Riboud, Albert V. Chong, Robert H. Colescott, Allan R. Crite, Beauford Delaney, Joseph Delaney, Murry Depillars, Jeff Donaldson, Aaron Douglas, Robert S. Duncanson, Meta Vaux Warrick Fuller, the Goodridge Brothers, Rex Goreleigh, Tapfuma Gutsa, Palmer Hayden, Lyle Ashton Harris, Chester Higgins, Joshua Johnson, Sargent Johnson, William H. Johnson, Ben Jones, Seydou Keita, Lois Mailou Jones, William (Woody) Joseph, Wifredo Lam, Jacob Lawrence, Edmonia Lewis, Fern Logan, Stephen Marc, Lynn Marshall-Linnemeier, Willie Middlebrook, Scipio Moorhead, Archibald Motley, Gordon Parks, Horace Pippin, Prentiss H. Polk, James A. Porter, Elizabeth Prophet, Faith Ringgold, Alison Saar, Betye Saar, Chéri Samba, Augusta Savage, Jeffrey Scales, Addison L. Scurlock, Charles Sebree, Johannes Segogela, Twins Seven-Seven, Coreen Simpson, Lorna Simpson, Moneta Sleet, Marvin & Morgan Smith, Renée Stout, Henry Ossawa Tanner, Hank Willis Thomas, Dox Thrash, James Vanderzee, Christian Walker, the Wall of Respect, Laura Wheeler Waring, Augustus Washington, Carrie Mae Weems, Charles White, Cynthia Wiggins, Carla Williams, Pat Ward Williams, et al. The entry on African Women Artists includes an odd and out-of-date collection of names: Elizabeth Olowu, Agnes Nyanhongo, Alice Sani, Iriji Efflatoun, Grace Chigumira, Thersa Musoke, Palma Sintoa, Elsa Jacob, and Terhas Iyassu. Hopefully future editions will follow the path of the substantially expanded edition of 2005 and will alter the overall impression that black visual artists are not worth the time and attention of the editors. [Note: Now out-of-print and available only through exorbitant subscription to the Oxford African American Studies Center (OAASC) a single database incorporating multiple Oxford encyclopedias, ongoing addiitions will apparently be unavailable to individuals or to most small libraries in the U.S. or worldwide.] 4to (29 cm.; 10.9 x 8.6 in.), cloth. Seond ed. ARLINGTON (VA). Arlington Arts Center. She’s So Articulate: Black Women Artists Reclaim the Narrative. June 10-July 19, 2008. Group exhibition. Curated by collector Henry Thaggert. 11 artists including: Maya Freelon Asante, Renée Cox, Stephanie Dinkins, Djakarta, Nekisha Durrett, Torkwase Dyson, Faith Ringgold, Erika Ranee, Nadine Robinson, Renée Stout, and Lauren Woods. [Review: Jessica Dawson, "Standing in the Shadow of the Silhouette Figure," The Washington Post, Friday, June 20, 2008: C02.] ATHENS (OH). Dairy Barn. The Illustrator's Art. September 29-October 29, 1995. Group exhibition. Included: Faith Ringgold. ATLANTA (GA). Hammonds House Museum. Telling It Like It Is: The Art of Curlee Raven Holton: Prints, Drawings and Selections from the Experimental Printmaking Institute. July 20-August, 2008. Group exhibition. Included: Benny Andrews, Emma Amos, Berrisford Boothe, Barbara Bullock, Gregory Coates, Roy Crosse, Allan Rohan Crite, Dexter Davis, David Driskell, John Dowell, Allan Edmunds, Melvin Edwards, Wanda Ewing, Sam Gilliam, Robin Holder, Joseph Holston, Kofi Kayiga, Paul Keene, Lynn Linnemeier, Al Loving Ulysses Marshall, Carlton Parker, Janet Taylor Pickett, Faith Ringgold, James Rose, Charles Sallee, William T. Williams. ATLANTA (GA). National Black Arts Festival. Selected Essays: Art & Artists from the Harlem Renaissance to the 1980's. July 30-August 7, 1988. Ed. Crystal A. Britton. Exhibs., biogs., bibliog. Foreword by A. Michelle Smith. Texts by Richard Long, M. Akua McDaniel, Tina M. Dunkley, Judith Wilson, Dr. Leslie King-Hammond, Gylbert Coker, Lisa Tuttle, Richard Hunt, Beverly Buchanan, Lucinda H. Gedeon, Amalia Amaki, Published to accompany the inaugural exhibition of the National Black Arts Festival. 145 featured artists include: Charles Alston, Emma Amos, William Anderson, Benny Andrews, Anna Arnold, John W. Arterbery, William Artis, Ellsworth Ausby, Herman Kofi Bailey, Henry Bannarn, Ellen Banks, Richmond Barthé, Romare Bearden, Garry Bibbs, John Biggers, Camille Billops, Robert Blackburn, Shirley Bolton, Michael D. Brathwaite, William A. Bridges, Jr., Vivian A. Browne, Beverly Buchanan, Calvin Burnett, David Butler, Carole Byard, Felix Casas, David Mora Catlett, Elizabeth Catlett, Colin Chase, Ed Clark, Kevin Cole, Larry W. Collins, Noel Copeland, Lonnie Crawford, Robert S. Duncanson, Damballah (Dolphus Smith), Alonzo Davis, Roy DeCarava, Joseph Delaney, Chuck Douglas, Sam Doyle, David C. Driskell, James E. Dupree, Melvin Edwards, Michael Ellison, Jonathan Eubanks, James Few, Thomas Jefferson Flanagan, Frederick C. Flemister, Roland L. Freeman, John W. Gaines, IV, Herbert Gentry, Eddie M. Granderson, Kevin Hamilton, Michael Harris, William Harris, Palmer Hayden, William M. Hayden, Charnelle D. Holloway, Jenelsie W. Holloway, Manuel Hughes, Margo Humphrey, Malvin G. Johnson, William H. Johnson, Frederick Jones, Lois Mailou Jones, Seitu Ken Jones, Jack Jordan, Robert W. Kelly, Gary Jackson Kirksey, Frank D. Knox, Jacob Lawrence, Spencer Lawrence, Thomas Laidman, Ron Lee, Roosevelt Lenard, Leon Leonard, Samella Lewis, Henri Linton, Romeyn Van Vleck Lippman, Juan Logan, Ulysses Marshall, Richard Mayhew, Geraldine McCullough, Juanita Miller, Gary Lewis Moore, George W. Mosely, J.B. Murry, Frank W. Neal, Otis Neals, Cecil D. Nelson, Jr., James Newton, Ronnie A. Nichols, Hayward Oubré, John Payne, Maurice Pennington, K. Joy Ballard-Peters, Howardena Pindell, John Pinderhughes, Gary Porter, Hugh Lawrence Potter, Richard J. Powell, Leslie K. Price, Mavis Pusey, Patricia Ravarra, James Reuben Reed, Calvin Reid, Patricia Richardson, Gregory D. Ridley, Jr., Faith Ringgold, Malkia Roberts, Christopher Wade Robertson, John D. Robertson, Sandra Rowe, Mahler B. Ryder, Martysses Rushin, JoeSam, Jewel W. Simon, Karl Sinclair, William G. Slack, Dolores S. Smith, Hughie Lee-Smith, Mary T. Smith, Mei Tei-Sing Smith, Henry Spiller, Freddie L. Styles, Henry O. Tanner, James 'Son' Thomas, Phyllis Thompson, Chris Walker, King Walker, Larry Walker, Delores West, Charles White, Charlotte Riley-Webb, Emmett Wigglesworth, Carleton F. Wilkinson, Michael Kelly Williams, William T. Williams, Ellis Wilson, Stanley C. Wilson, John Wilson, Hale Woodruff, Richard Yarde. Oblong 4to, wraps. First ed. ATLANTA (GA). Sage. Artists and Artisans. Atlanta: Sage Women's Educational Press, 1987. 85 pp., photos, illus. Special issue of Sage: A scholarly journal of Black women Vol. 4, no. 1 (Spring 1987). Includes: Harriet Powers: portrait of a Black quilter / Gladys-Marie Frye; African-American women artists: an historical perspective / Arna Alexander Bontemps and Jacqueline Fonvielle-Bontemps; Afrofemcentrism in the art of Elizabeth Catlett and Faith Ringgold / Freida High Tesfagiorgis; Caneweaving : a nineteen-year quest / Annette Jones White;.Sometimes a poem is twenty years of memory, 1967-1987 / Carroll Parrott Blue; Portrait of self contemplating self: the narrative of a Black female artist / Malaika Favorite; Memoirs of an artist / Mildred Thompson; Nancy Elizabeth Prophet, sculptor / Blossom S. Kirschenbaum; The grande dame of Afro-American art: Lois Mailou Jones / Betty LaDuke; The International Sweethearts of Rhythm / Liz Sher; Nike Twins Seven Seven: Nigerian batik artist / Betty LaDuke; Ayoka Chenzira, filmmaker / Afua Kafi-Akua; Faith Ringgold : an American artist / Jacqueline Jones Royster. ATLANTA (GA). Spelman College. Showcase & Tell: Treasures from the Spelman College Permanent Collection. January 29-May 16, 2009. Group exhibition of more than 60 works. Included: James Adair, Amalia Amaki, Herman "Kofi" Bailey, Romare Bearden, iona rozeal brown, Elizabeth Catlett, Sam Gilliam, Debra Johnson, Jacob Lawrence, Nancy Elizabeth Prophet, Faith Ringgold, Freddie Styles, Henry Ossawa Tanner, Jacqueline Tarry, Jenelsie Walden Holloway, Hale Woodruff, and many others. ATLANTA (GA). Spelman College Museum. Bearing Witness: Contemporary Works by African-American Women Artists. 1996. 176 pp. exhib. cat., 80 color plates, 14 b&w illus., chronol., extensive bibliog., index. Ed. Jontyle Theresa Robinson; foreword by Maya Angelou, six essays, chronol., bibliog., index. A beautiful book with fine scholarly texts by African American women art historians covering the accomplishments of important women artists whose work has been absent from many other surveys. Includes: Amalia Amaki, Emma Amos, Hilda Wilkinson Brown, Beverly Buchanan, Selma H. Burke, Nanette Carter, Elizabeth Catlett, Barbara Chase-Riboud, Sarah Mapps Douglass, Meta Vaux Warrick Fuller, Maren Hassinger, Freida High, Charnelle Holloway, Varnette P. Honeywood, Stephanie Johnson, Lois Mailou Jones, Jean Lacy, Mary Edmonia Lewis, Valerie Maynard, Geraldine McCullough, Howardena, Pindell, Stephanie Pogue, Harriet Powers, Debra Priestly, Elizabeth Prophet, Rachelle Puryear, Faith Ringgold, Malkia Roberts, Alison Saar, Betye Saar, Augusta Savage, Joyce J. Scott, Lorna Simpson, Alma W. Thomas, Annie E.A. Walker, Carrie Mae Weems, Philemona Williamson, Beulah Ecton Woodard. [Traveled to: Tuskegee University Art Gallery, Tuskegee, AL; Fort Wayne Museum of Art, Fort Wayne, IN; St. Paul Museum, St. Paul, MN; Museum of African-American Culture, Fort Worth, TX; Portland Museum of Art, Portland, OR; Museum of Fine Arts, Houston, TX.] 4to, cloth, dust jacket. First ed. ATLANTA (GA). Woodruff Arts Center Space. Lasting Impressions: Master Artists and Master Printmakers at The Experimental Printmaking Institute. July 16-25, 2004. Exhibition of a portfolio created by 16 artists and master printmakers and additional works. Curated by Curlee Raven Holton, founder and director of Lafayette College's Experimental Printmaking Institute (EPI), Lafayette College, Eaton, PA. African American artists include Emma Amos, Berrisford Boothe, Barbara Bullock, Greg Coates, Alan Rohan Crite, Roy Crosse, Dexter Davis, David Driskell, Wanda Ewing, Sam Gilliam, Curlee Raven Holton, Kofi Kayiga, Paul Keene, Hughie Lee-Smith, Lynn Linnemeier, Al Loving, Lois Mailou Jones, Ulysses Marshall, Carlton Parker, Faith Ringgold, and Charles Sallee. [Traveled to Heights Arts, Cleveland Heights, OH, October 9-November 7, 2004, but the exhibition seems to have been substantially reduced at this venue.] ATLANTA (GA). Woodruff Arts Center, Atlanta College of Art Gallery. 1938-1988, The Work of Five Black Women Artists. July 8-August 7, 1988. (10) pp., 5 color illus., exhib. checklist of 34 works, notes on the artists. Text by Lisa Tuttle. Includes: Camille Billops, Margo Humphrey, Lois Mailou Jones, Howardena Pindell, Faith Ringgold. Exhibition held in conjunction with the National Black Arts Festival. 10-sided folding sheet. Folded to 23 cm. AUSTIN (TX). Archer M. Huntington Art Gallery, University of Texas at Austin. Sniper's Nest: Art That Has Lived With Lucy R. Lippard. 1996-97. Exhib. cat., illus. Ed. by David Frankel. Texts by (partial list): Lucy Lippard, Maurice Berger, and interview with Lippard by Neery Melkonian; reminiscences by Julie Ault, Rudolph Baranik, Judy Chicago, Jimmie Durham, Leon Golub, Harmony Hammond, Suzanne Lacy, Nancy Spero, Michelle Stuart, and Kathy Vargas. Exhibition of small works by over 100 artists. Curated by Lucy Lippard. Includes among others: Bessie Harvey, Lyle Ashton Harris, Noah Jemison, Howardena Pindell, Faith Ringgold, Tim Rollins and K.O.S., Juan Sanchez, Lorna Simpson and Grace Williams. [Traveled to six venues, including the Museum of Fine Arts, Santa Fe where it remained as a gift to the museum.] Oblong 4to, wraps. BALTIMORE (MD). James E. Lewis Museum of Art, Morgan State University. Selections from the Permanent Collection. 2008. Group exhibition. Included: Charles Alston, Benny Andrews, Beauford Delaney, Melvin Edwards, Jacob Lawrence, Russell Murray, Faith Ringgold, Jack White, William T. Williams, and sculpture by Elizabeth Catlett. BALTIMORE (MD). Maryland Institute College of Art. Art as a Verb: The Evolving Continuum: Installations, Performances and Videos by 13 Afro-American Artists. November 21, 1988-January 8, 1989. Unpag. (42 pp.) exhib. cat., 14 illus. (11 in color)., biogs., awards, exhibs. for each of the 13 artists, bibliog. Texts by Leslie King-Hammond and Lowery Stokes Sims. Includes: Charles Abramson, David Hammons, Maren Hassinger, Candace Hill-Montgomery, Martha Jackson-Jarvis, Senga Nengudi, Lorraine O'Grady, Howardena Pindell, Adrian Piper, Faith Ringgold. Betye Saar, Joyce Scott, Kaylynn Sullivan. [Traveled to Met Life Gallery, March 6-April 8, 1989; Studio Museum in Harlem, March 12-June 18, 1989.] [Review: Arlene Raven, "Mojotech," Village Voice (March 28, 1989):93.] Sq. 8vo (23 x 23 cm.), wraps. First ed. BALTIMORE (MD). Richman Gallery and Davison Lobby, The Park School. If I Didn't Care: Generational Artists Discuss Cultural Histories. January 30-March 30, 2009. Group exhibition. Curated by Rick Delaney. Included: Laylah Ali, Emma Amos, Elizabeth Axtman, Margaret Burroughs, Nine Buxenbaum, Debra Edgerton, Wanda Ewing, Howardena Pindell, Karen Powell, Faith Ringgold, Deborah Roberts, Aminah Brenda Lynn Robinson, Joyce J. Scott, Pamela Sunstrum, Tamasha Williamson, Paula Williams, Flo Oy Wong, Saya Woolfalk. [Review: Alex Ebstein, "Her Stories," Baltimore City Paper, February 18, 2009:lengthy descriptive review.] BANFF, Alberta (Canada). Whyte Museum of the Canadian Rockies. Quilts in Context. 1991. Group exhibition. Included: Faith Ringgold. BERGER, MAURICE. How Art Becomes History: Essays on Art, Society, and Culture in Post-New Deal America. New York: HarperCollins / Icon, 1992. 200 pp., 62 illus., notes, index. Including topics such as racial and cultural politics of the museum, sexual liberation, and avant-garde film, the politics of artists' writings in the 1980s, Adrian Piper, interviews with Henry Louis Gates, Jr., Pat Ward Williams, Johnetta Cole. Brief mention of Africobra, Benny Andrews, Robert Colescott, Roy DeCarava, William Edmondson, Melvin Edwards, Maren Hassinger, Joe Lewis, Howardena Pindell, Faith Ringgold, Betye Saar, Carrie Mae Weems. 8vo, cloth, dust jacket. First ed. BERKELEY (CA). Berkeley Art Center. Ten by Ten (10x10): Ten Women, Ten Prints. March-April, 1995. Slender exhibition booklet and loose color cards, contained in square white envelope announcing issue of a limited edition print portfolio. The portfolio and other works by these women were exhibited at the Berkeley Art Center coinciding with International Women’s Month and in commemoration of 75 years of women’s suffrage. Susannah Hays and Robert Schildgen, eds. Four African American artists included: Mildred Howard, Mary Lovelace O'Neal, Faith Ringgold, and Carrie Mae Weems. Sq. 12mo, stapled wraps; loose cards, envelope. BERKELEY (CA). University Art Museum. Made in the U.S.A.: Americanization in Modern Art in the '50s and '60s. April 4-June 21, 1987. xv, (1), 280 pp. exhib. cat., 198 color and b&w illus., notes, chronol., bibliog., index. Text by Sidra Stich. Group exhibition. Included: Faith Ringgold. [Traveled to: Nelson-Atkins Museum, Kansas City, MO, July 25-September 6, 1987; Virginia Museum of Fine Art, Richmond, VA, October 7-December 7, 1987.] 4to, cloth, d.j. First ed. BETHLEHEM (PA). Banana Factory, Lehigh University. Contemporary Printmaking / Innovative Printmaking Workshops. Thru May 29, 1999. Exhib. cat., illus. Text by Curlee Raven Holton. The show included work produced with three small independent studios, including the Experimental Printmaking Institute at Lafayette College, which Holton directs. Group exhibition. Included: Gregory Coates, Curlee Holton, Faith Ringgold. BILBAO (Portugal). Bilbao Fine Arts Museum. Kiss Kiss Bang Bang. Thru September 9, 2007. Group exhibition of 45 artists. The show focuses on the struggle between the imposed sexuality placed on women (Kiss Kiss) and the violence that such impositions mandate (Bang Bang). Included: Faith Ringgold, Fatima Tuggar, Carrie Mae Weems. BILLINGSLEA-BROWN, ALMA JEAN. Crossing Borders through Folklore: African American Women's Fiction and Art. Columbia: University of Mississippi Press, 1999. 160 pp., 15 illus. Includes discussion of the art of Faith Ringgold and Betye Saar. 8vo (24 x 16 cm.), wraps. BILLINGSLEA-BROWN, ALMA JEAN. The folk aesthetic in contemporary African American women's fiction and visual art. Ann Arbor: UMI Dissertation Services, 1998. xi, 263 leaves : illus. (some col.) Thesis (Ph. D.)--University of Texas at Dallas, 1989. Includes: Faith Ringgold, Betye Saar. 8vo (21 cm.). Photocopy. BLOCKSON, CHARLES, ed. Catalogue of the Charles L. Blockson Afro-American Collection, a Unit of the Temple University Libraries. Philadelphia: Temple University Press, 1990. 820 pp., a dozen photographs, excellent title, name and detailed subject indices, approximately 11,000 entries describing a variety of historical artifacts: printed books, pamphlets, addresses and speeches, art catalogues, newspapers, periodicals, manuscripts, broadsides, handbills, lithographs, tape recordings, stamps, coins, maps, oil paintings, and sculpture that all relate to African, African American, and Caribbean life and history. Intro by Dorothy Porter Wesley. The strength of the collection is such that even though the focus was not on art, there are nonetheless at least 250 art and architecture-related holdings. Bibliography entries specifically on the Fine Arts (including African art): items 640-806 (pp. 35-43); photography pp. 392-3. Artists mentioned (generally as authors rather than artists) include: Benny Andrews, Richmond Barthé, Romare Bearden, John Biggers, Jacqueline Fonvielle Bontemps, Clarence C. Bullock, E. Simms Campbell, Barbara Chase-Riboud, Leroy P. Clarke, William A. Cooper, Allan Rohan Crite, Beauford Delaney, David Driskell, Robert Duncanson, Elton Fax, Tom Feelings, Oliver (Ollie) Harrington, Malvin Gray Johnson, Sargent Johnson, Joshua Johnston, Ida Ella Jones, Lois Mailou Jones, Jacob Lawrence, Jesse Aaron, John L. Moore, Archibald Motley, Henry O. Tanner, Carroll Simms, Samella Lewis, Horace Pippin, James A. Porter, Martin Puryear, Faith Ringgold, Thomas Sills, Augusta Savage, Jeanne Moutoussamy-Ashe, Richard Samuel Roberts, James Vanderzee, Ruth Waddy, Deborah Willis (Ryan), Charles White. BOBO, JACQUELINE, ed. Black Feminist Cultural Criticism. Malden, MA: Blackwell, 2001. xxv, 337 pp., bibliog., index. Visual arts essays include: Daughters of the dust / Jacqueline Bobo; Below the line: (re)calibrating the filmic gaze / C.A. Griffith; In my mother's house: African-American women artists: an historical perspective / Arna Alexander Bontemps and Jacqueline Fonvielle-Bontemps; In search of a discourse and critique/s that center the art of Black women artists / Freida High W. Tesfagiorgis; In their own image / Kellie Jones; The freedom to say what she pleases: a conversation with Faith Ringgold / Melody Graulich and Mara Witzling; African American quilts: paradigms of Black diversity / Cuesta Benberry; Harriet Powers: portrait of an African-American quilter / Gladys-Marie Fry. 8vo (24 cm), cloth. BOLDEN, TONYA. Wake up our Souls: A Celebration of Black American Artists. New York: Abrams in association with Smithsonian American Art Museum, 2004. 128 pp., photo of each artist and 1-3 color illustrations for each, notes, glossary of art terms, bibliog., suggested reading, index. Written for young adults. Includes 32 artists illustrated with art from the Smithsonian's collection: Edward Mitchell Bannister, Romare Bearden, John Biggers, Roy DeCarava, Beauford Delaney, Joseph Delaney, Robert S. Duncanson, Melvin Edwards, James Hampton, Palmer Hayden, Felrath Hines, Earlie Hudnall, Jr., William H. Johnson, Joshua Johnson, Lois Mailou Jones, Malvin Gray Johnson, Jacob Lawrence, Edmonia Lewis, Norman Lewis, Sister Gertrude Morgan, Winnie Owens-Hart, Gordon Parks, James Porter, Faith Ringgold, Betye Saar, Augusta Savage, Renée Stout, Hughie Lee-Smith, Henry Ossawa Tanner, Alma Thomas, James VanDerZee, Hale Woodruff. 4to (27 cm.; 10 x 8 in), cloth, d.j. First ed. BONTEMPS, ARNA, ed. Forever Free: Art by African-American Women 1862-1980. Hampton: Hampton University and Stephenson Inc., Alexandria, VA, 1980. 214 pp. exhib. cat., 44 color plates, 4 b&w illus., plus b&w thumbnail photos of artists, checklist of 118 works, biogs., bibliogs., colls, exhibs. for each artist. Intro. David Driskell; intro. by Roslyn A. Walker, book-length text by Arna Bontemps and Jacqueline Fonvielle-Bontemps; afterword by Keith Morrison; biogs. by Alan M. Gordon (often with quotes from the artists.) Artists include: Rose Auld, Camille Billops, Betty Blayton, Vivian E. Browne, Selma Burke, Margaret Burroughs, Yvonne Catchings, Elizabeth Catlett, Catti, Barbara Chase-Riboud, Minnie Evans, Meta Fuller, Ethel Guest, Maren Hassinger, Adrienne Hoard, Varnette Honeywood, Margo Humphrey, Clementine Hunter, Suzanne Jackson, Marie Johnson-Calloway, Lois Mailou Jones, Vivian Key, Edmonia Lewis, Geraldine McCullough, Victoria Susan Meek, Eva Hamlin-Miller, Mary Lovelace O'Neal, Winnie Owens, Delilah Pierce, Georgette Powell, Nancy Prophet, Helen Ramsaran, Faith Ringgold, Betye Saar, Augusta Savage, Sylvia Snowden, Shirley Stark, Ann Tanksley, Alma Thomas, Mildred Thompson, Yvonne Tucker, Annie Walker, Laura Waring, Deborah Wilkins, Viola Wood, Shirley Woodson, Estella Wright, Barbara Zuber. [Traveled to: Center for Visual Arts, Normal, IL; Montgomery Museum of Fine Arts, Montgomery, AL; Indianapolis Museum of Art.] [Review by Susan Willand Worteck, Feminist Studies, Vol. 8, No. 1. (Spring, 1982):97-108.] Large 4to, cloth, pictorial d.j. First ed. BOSTON (MA). Boston University Art Gallery. Contemporary Quilts USA. 1990. 64 pp. exhib. cat., color illus. of textile art, quiltmaking, patchwork. Text by Arlette Klaric. Included: Faith Ringgold. [Traveled to Africa.] 4to (27 x 21 cm.), wraps. BOSTON (MA). Boston University Art Gallery. Syncopated Rhythms: 20th-Century African American Art from the George and Joyce Wein Collection. November 18, 2005-January 22, 2006. 100 pp. exhib. cat., 64 color illus. Curated with text by Patricia Hills and catalogue entries by Hills and Melissa Renn; foreword by Ed Bradley. Includes 60 works (paintings, sculpture, drawings and a painted story quilt.) Exhibition of a range of works done in the late 1920s through the 1990s and is particularly strong in works of the 1940s-'70s. Artists include: Charles Alston, Benny Andrews, Ernie Barnes, Richmond Barthé, Romare Bearden, John Biggers, Bruce Brice, Elizabeth Catlett, Eldzier Cortor, Allan Rohan Crite, Miles Davis, Beauford Delaney, Joseph Delaney, Aaron Douglas, Minnie Evans, Palmer Hayden, Oliver Johnson, William H. Johnson, Lois Mailou Jones, Wifredo Lam, Jacob Lawrence, Hughie Lee-Smith, Norman Lewis, Sister Gertrude Morgan, Faith Ringgold, Betye Saar, Augusta Savage, Bob Thompson, Charles White, Michael Kelly Williams, William T. Williams, Ellis Wilson, John Wilson, Hale Woodruff and Richard Yarde. 4to (28 x 22 cm.), wraps. BOSTON (MA). Massachusetts College of Art. In the Mirror. 1974. Exhib. cat. Group exhibition. Included: Faith Ringgold. BOSTON (MA). Museum of Fine Arts. Jubilee: Afro-American Artists on Afro-America. 1975. 46 pp. exhib. cat., 35 illus., 4 color plates, plus frontis. group photo, biogs., exhibs. for each artist, exhibition checklist. Text by Barry E. Gaither. Includes: Charles Alston, Benny Andrews, Kwasi Seitu Asante, Roland Ayers, Romare Bearden, Camille Billops, Calvin Burnett, Dana Chandler, Eldzier Cortor, Ernest Crichlow, Allan Rohan Crite, Barkley Hendricks, Earl Hooks, Arnold James Hurley, Milton Johnson (aka Milton Derr), William H. Johnson, Lois Mailou Jones, Jacob Lawrence, Pierre Le Clere, Archibald Motley, Nefertiti, James Phillips, Anderson Pigatt, Faith Ringgold, Augusta Savage, Charles Searles, Afred J. Smith, Jr., Edgar Sorrells, Nelson Stevens, Barbara Ward, Richard Watson, Pheoris West, Charles White, John Wilson, and Richard Yarde. 4to (28 cm.), stapled lime green wraps, lettered in black. First ed. BOSTON (MA). Museum of the National Center of Afro-American Artists. Spiral: Afro-American Art of the 70's. May 17-June 15, 1980. 20 pp. exhib. cat., illus. Text by curator Edmund B. Gaither. Included: Faith Ringgold, et al. BOSTON (MA). Museum of the National Center of Afro-American Artists. TCB: Takin' Care of Business. April 27-May 6, 1971. Group exhibition. Included: Benny Andrews, Kofi Bailey, Dana C. Chandler, Bill Howell, Ben Jones, Cliff Joseph, Faith Ringgold. [Traveled to: University of New Hampshire, Durham, NH; Currier Gallery, Manchester, NH.] BOSTON (MA). Museum of the National Center of Afro-American Artists. TCB: Taking Care of Business. April 27-May 6, 1971. Group exhibition of political art. Included: Benny Andrews, Kofi Bailey, Dana Chandler, Bill Howell, Ben Jones, Cliff Joseph, Faith Ringgold. [Traveled to: the University of New Hampshire, Durham; Currier Gallery of Art, Manchester, NH, February 9-March 7, 1971.] BRITTON, CRYSTAL A. African-American Art: The Long Struggle. New York: Smithmark, 1996. 128 pp., 107 color plates (mostly full-page and double-page), notes, index. Artists include: Terry Adkins, Charles Alston, Amalia Amaki, Emma Amos, Benny Andrews, William E. Artis, Radcliffe Bailey, Xenobia Bailey, James P. Ball, Jean-Michel Basquiat, Romare Bearden, Edward Mitchell Bannister, John T. Biggers, Camille Billops, Willie Birch, Bob Blackburn, Betty Blayton, David Bustill Bowser, Grafton Tyler Brown, James Andrew Brown, Kay Brown, Vivian Browne, Beverly Buchanan, Selma Burke, Margaret Burroughs, Carole Byard, Elizabeth Catlett, Dana Chandler, Barbara Chase-Riboud, Ed Clark, Robert Colescott, Houston Conwill, Eldzier Cortor, Renée Cox, Ernest Crichlow, Allan Rohan Crite, Giza Daniels-Endesha, Dave [the Potter], Thomas Day, Beauford Delaney, Joseph Delaney, Jeff Donaldson, Aaron Douglas, Leonardo Drew, Robert S. Duncanson, William Edmondson, Melvin Edwards, Minnie Evans, William Farrow, Gilbert Fletcher, James Forman, Meta Vaux Warrick Fuller, Michele Godwin, David Hammons, Edwin Harleston, William A. Harper, Palmer Hayden, Thomas Heath, white artist Jon Hendricks (no illus.), Robin Holder, May Howard Jackson, Wadsworth Jarrell, Malvin Gray Johnson, Sargent Johnson, William H. Johnson, Joshua Johnston, Napoleon Jones-Henderson, Barbara Jones-Hogu, Lois Mailou Jones, Cliff Joseph, Jacob Lawrence, Hughie-Lee Smith, Edmonia Lewis, Norman Lewis, Juan Logan, Valerie Maynard, Dindga McCannon, Sam Middleton, Scipio Moorhead, Keith Morrison, Archibald J. Motley, Jr., Sana Musasama, Marilyn Nance, Gordon Parks, Marion Perkins, Howardena Pindell, Adrian Piper, Horace Pippin, James A. Porter, Harriet Powers, Nancy Elizabeth Prophet, Martin Puryear, Patrick Reason, Gary Rickson, Faith Ringgold, Alison Saar, Betye Saar, Raymond Saunders, Augusta Savage, Joyce J. Scott, William E. Scott, Charles Sebree, Lorna Simpson, William H. Simpson, Clarissa Sligh, Frank Smith, Vincent D. Smith, Nelson Stevens, Renée Stout, Freddie L. Styles, Henry Ossawa Tanner, Alma Thomas, Jean Toche (no illus.), Lloyd Toone, Bill Traylor, James Vanderzee, Annie E. Walker, William Walker, Laura Wheeler Waring, Carrie Mae Weems, James Lesesne Wells, Charles White, Grace Williams, Michael Kelly Williams, Pat Ward Williams, William T. Williams, Ellis Wilson, Fred Wilson, Hale Woodruff, et al. 4to (32 cm.), pictorial boards, d.j. First ed. BRONX (NY). Bronx Museum of the Arts. Afro-American Art in the 20th Century: Three Episodes. January 15-March 8, 1980. Group exhibition. Curated by Linda Goode-Bryant, Leslie King-Hammond and Lowery Sims, in collaboration with the Jamaica Arts Center. Included: Houston Conwill, Cynthia Hawkins, Senga Nengudi, Howardena Pindell, Faith Ringgold, Randy Williams, et al. BRONX (NY). Bronx Museum of the Arts. Division of Labor: Women's Work in Contemporary Art. February 17-June 11, 1995. 84 pp., illus., checklist, biogs. and bibliogs. for all 35 artists, bibliog. Texts on feminist art by curator Lydia Yee, Arlene Raven, Michele Wallace ("Feminism, race, and the division of labor"), Judy Chicago, Miriam Schapiro, Mary Kelly, Amalia Mesa-Bains. Black artists include: Emma Amos, Xenobia Bailey, Faith Ringgold, and Joyce Scott. [Traveled to: Museum of Contemporary Art, MOCA, Los Angeles, CA, September 24-January 7, 1996.] [Review: Juan Hugo, Frieze 26 (January-February, 1996.] 4to, wraps. First ed. BRONX (NY). Fashion Moda. Art Against Apartheid. 1987. Group exhibition. Included: Faith Ringgold. BRONX (NY). Fashion Moda. Expressions Afrikan. February 2-March 18, 1987. Group exhibition. Includes Benny Andrews, Bob Blackburn, Carole Byard, Mel Edwards, Faith Ringgold. BRONX (NY). Lehman College Art Gallery, CUNY. Bronx Public Art: The Spotlight Series. October 14-December 16, 2003. The exhibition features 8 artists including two African American artists (Faith Ringgold and Carrie Mae Weems) who have created public works in the Bronx. The show exhibited other works: Faith Ringgold created a large-scale quilt commemorating the life of teacher, philosopher, and writer Eugenio Maria de Hostos for whom the college is named. Eugenio Maria de Hostos: The Man, His Life and His Dream, 1994, is found in the atrium of Hostos Community College, Allied Health building. In the Spotlight exhibition Faith Ringgold is represented by Weeping Woman #4, 1973-89, and two quilts including Tar Beach #2, 1990-92, with scenes from her popular children's book Tar Beach; Weems created a piece for Walton High School entitled Mind, Health, Spirit, Body, 1999. It was translated into mosaics for the installation. In the Lehman exhibition she exhibited In the Lehman exhibition, four works representing her interests over the past decade and a recent photograph After Manet from May Days Long Forgotten, 2003. BRONX (NY). Lehman College Art Gallery, CUNY. Humor, Satire, Irony: Definitions & Discoveries. October 19-December 18, 1990. Group exhibition. Included: Faith Ringgold. BRONX (NY). Lehman College Art Gallery, CUNY. The Children Among Us. 1991. Group exhibition. Included: Faith Ringgold. BRONX (NY). Longwood Arts Gallery. Blue Angel: The Decline of Sexual Stereotypes in Post-Feminist Sculpture. October 10-November 14, 1987. 35 pp. exhib. cat., illus. Text by Juli Carson, Howard McCalebb. Included: Maren Hassinger and Faith Ringgold. [Traveled to: Space 111, Birmingham, AL, January 2-31, 1988; A.I.R. Gallery, New York.] 8vo (21 cm.), stapled wraps. BROOKLYN (NY). Brooklyn Museum of Art. Witness: Art and Civil Rights in the Sixties. March 7-July 6, 2014. 176 pp. exhib. cat., color and b&w illus., notes, bibliog., index. Texts by Kellie Jones, Connie H. Choi, Teresa A Carbone, Cynthia A. Young; chronol. by Dalila Scruggs. Includes: Chalres Alston, Benny Andrews, Emma Amos, Romare Bearden, Frank Bowling, Elizabeth Catlett, Barbara Chase-Riboud, LeRoy P. Clarke, Roy DeCarava, Jeff Donaldson, Emory Douglas, Melvin Edwards, Sam Gilliam, David Hammons, Ben Hazard, Barkeley Hendricks, Jae Jarrell, Daniel Larue Johnson, Barbara Jones-Hogu, Jacob Lawrence, Norman Lewis, Tom Lloyd, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Gordon Parks, Ben Patterson, Noah Purifoy, Faith Ringgold, John T. Riddle, Betye Saar, Raymond Saunders, Robert A. Sengstacke, Merton D. Simpson, Moneta J. Sleet, Jr., Bob Thompson, Charles White, Jack Whitten, William T. Williams, Ernest C. Withers. Dozens of others mentioned in passing. 4to (11.2 x 9.7 in.), boards. First ed. BROOKLYN (NY). Salena Gallery, Long Island University. In Celebration: Seven Black Artists. February 9-29, 1988. Group exhibition. Included: Faith Ringgold. BROOKLYN (NY). Where We At Black Women Artists. A Tapestry of Many Fine Threads. 1982. 25 pp., b&w illus., biog., statement for each artist. Includes: Carole Blank, Jennifer Bowden, Brenda Branch, Kay Brown, Cecelia Davidson Bryan, Linda Cousins, Pat Davis, Jeanne Downer, Miriam Francis, Rafala Green, Linda Hiwot, Robin Holder, Akweke King-Songho, Dindga McCannon, Crystal McKenzie, Stella McKeown, Mari Morris, Madeline Nelson, Charlotte Richardson, Hurtha Robinson, Saeeda Stanley, Modu Tanzania, Priscilla Taylor, Ann Wallace. Other artist-members mentioned who were not in this exhibition: Sharon Brittan, Viola Burley, Janette (Fela) Burrows, Carole Byard, Gylbert Coker, Catti James, Jerrolyn Crooks, Stephanie Douglas, Claudia Hutchinson, Doris Kane, Mai Mai Leabua, Onnie Millar, Millie Pilgrim, Faith Ringgold, Gail Steele, Ann Tanksley. The text also mentions earlier exhibitions organized by the group. 4to (28 cm.), wraps. BROOKLYN (NY). Williamsburg Art & Historical Center (WAH Center). Women Forward. March 7-April 12, 2009. Two-part group exhibition of 32 artists. Curated by Yuko Nii. Part I included serigraphs by Faith Ringgold (one of four guest seminal artists.) BROOKVILLE (NY). Hillwood Art Museum, Long Island University. BOB BLACKBURN's Printmaking Workshop: Artists of Color. 1992. 62, (2) pp., 74 illus. (8 color plates), biographies of over fifty artists. Intro. by Kay Walkingstick; text by Noah Jemisin. One of the early references to Blackburn's profound influence on the printmaking world, and still not focusing on his own prints. A tribute to the Printmaking Workshop with illus. of more than 70 artists who worked with Blackburn (approximately two thirds of those included are Black artists.) Includes: Charles Alston, Emma Amos, Benny Andrews, William Artis, Ellsworth Ausby, Henry Bannarn, Romare Bearden, Hameed Benjamin, John Biggers, Camille Billops, Willie Birch, Betty Blayton, Marion Brown, Vivian Browne, Selma Burke, Nanette Carter, Elizabeth Catlett, Ed Clark, Adger Cowans, Ernest Crichlow, Nadine DeLawrence, Louis Delsarte, Aaron Douglas, Melvin Edwards, Herbert Gentry, (John) Solace Glenn, Michele Godwin, Rex Goreleigh, Manuel Hughes, Zell Ingram, Noah Jemison, Ronald Joseph, Mohammad Omer Khalil, Jacob Lawrence, Spencer Lawrence, Norman Lewis, Norma Morgan, Sara Murrell, Otto Neals, Nefertiti, Lee Pate, Faith Ringgold, Betye Saar, Augusta Savage, AJ Smith, Jr., Vincent Smith, Maxwell Taylor, Luther Vann, Charles White, Michael Kelly Williams, William T. Williams. [One of the most widely circulated exhibitions of African American art. Traveled to: Bronx River Art Center and Gallery, Bronx, NY; Bergstrom-Mahler Museum, Neenah, WI, October 3-November 21, 1993; ; Chicago Public Library, Chicago, IL, July 10-August 28, 1994; Telfair Academy of Art and Sciences, Savannah, GA, December 12, 1994-January 30, 1995; Fisk University, Nashville, TN, September 18, 1994-January 15, 1995; Albany Institute of History & Art, Albany, NY, September 3-December 31, 1995; Edwin A. Ulrich Museum of Art, Wichita State University; Wichita, KS, April 16-June 4, 1995; The Roger Guffey Gallery; Federal Reserve Bank of Kansas City, Kansas City, MO, February 5-March 26, 1995.] Small oblong 4to, wraps. First ed. BROOKVILLE (NY). Hillwood Art Museum, Long Island University. The Doll Show: Artists' Dolls and Figurines. December 11-January 29, 1985. 72 pp. exhib. cat., 8 color and 52 b&w illus. Texts by Judy Collischan van Wagner and Carol Becker Davis. Includes: Faith Ringgold and Alison Saar. 4to, wraps. BROUDE, NORMA and MARY D. GARRARD. The Power of Feminist Art. New York: Abrams, 1994. One of the first attempts to incorporate the history of Black feminism into the usual account of the feminist art movement. Artists and groups mentioned include: Carole Blank, Kay Brown, Beverly Buchanan, Viola Burley, Selma Burke, Carole Byard, Gylbert Coker, Jerrolyn Crooks, Iris Crump, Pat Davis, Margret Gallegos, Janet Olivia Henry, Jamillah Jennings, Lois Mailou Jones, Doris Kane, Mai Mai Leabua, Dindga McCannon, Senga Nengudi, Lorraine O'Grady, Howardena Pindell, Adrian Piper, Willi Posey; Charlotte Richardson, Faith Ringgold, Betye Saar, Elizabeth Scott, Joyce Scott, Akweke Singho, Clarissa Sligh, Ann Tanksley, Jean Taylor, Judith Wilson. Groups mentioned include: Artists for Black Art Liberation (WSABAL), founded in 1970 by Faith Ringgold and her daughter Michele Wallace; Coast to Coast; Where We At Black Women Artists. 4to, cloth, d.j. First ed. BROUDE, NORMA and MARY D. GARRARD, eds. The Expanding Discourse: Feminism and Art History. Icon, 1992. Includes: Freida High Tesfagiorgis, "Afrofemcentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold," 475-85 [originally published in Sage 4, no. 1 (Spring 1987): 25­32.] 8vo, cloth, d.j. BROWN, CAROLINE A. The Black Female Body in American Literature and Art : Performing Identity. Rutgers University Press, 2012. xvi, 289 pp., illus., bibliog., index. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwige Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, modernist and postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar and Faith Ringgold. 8vo (24 cm.), cloth, d.j. CAIRO (Egypt). Cairo Biennial. Strategies of Narration: 5th International Cairo Bienniale. 1994. Exhib. cat. Group exhibition. American section was curated by Debbie Cullen (Printmaking Workshop, NY). Artists included: Bob Blackburn, Melvin Edwards, Faith Ringgold, Juan Sanchez, and Michael Kelly Williams. The total Biennial exhibition included 197 artists from 37 countries. Also included: Marcia Kure, et al. 4to, stapled wraps. CANTON (NY). Richard F. Brush Art Gallery, Saint Lawrence University. Afro-America ’88: A Dream Deferred?. 1988. Group exhibition. Curated by Joe Lewis. Included: Charles Abramson, Jean-Michel Basquiat, Romare Bearden, Camille Billops, Eldrzier Cortor, Mel Edwards, Darrel Ellis, Sam Gilliam, Palmer Hayden, Jacob Lawrence, Joe Lewis, Al Loving, Sana Musasama, Tyrone Mitchell, Nefertiti, Reg Patrick, Elizabeth N. Prophet, Faith Ringgold, Alison Saar, Augusta Savage, Joyce Scott, Linda Whitaker. [Information courtesy Carole Mathey, Asst. Curator, Richard F. Brush Art Gallery.] Poster. CATTELL, JACQUES, ed. Who's Who in American Art 16. New York: Bowker, 1984. Curators who are not also artists are included in this bibliographic entry but are not otherwise listed in the database: We are NOT going to go through all of these volumes over the decades; this one is catalogued simply to record the degree to which living African American artists had entered the conciousness of the mainstream American art world as of 1984. [Should be consulted along with Falk's Who Was Who in American Art (1985) to complete the "awareness list" as of the mid-1980s.] 160 artists are included here along with 1000 pages of far more obscure white artists: p. 21, Benny Andrews, 33, Ellsworth Ausby, 50, Richmond Barthé; 57, Romare Bearden, 76, John Biggers, 83, Betty Blayton, 98, Frank Bowling, 108, Arthur Britt, 112, Wendell Brooks, 116, Marvin Brown, 117-18, Vivian Browne, 121, Linda Goode Bryant, 128, Calvin Burnett, 129, Margaret Burroughs, 132, Carole Byard, 133, Walter Cade, 148, Yvonne Pickering Carter, 168, Claude Clark, 178-79, Floyd Coleman, 179, Robert Colescott, 181, Paul Collins, 184, James Conlon, 188-89, Arthur Coppedge; 191, Eldzier Cortor, Averille Costley-Jacobs, 198, Allan Crite; 210, D'Ashnash-Tosi [Barbara Chase-Riboud], 213-14, Alonzo Davis, 219-20, Roy DeCarava, 222, Avel DeKnight, 226, Richard Dempsey, 228, Murry DePillars, 237, Raymond Dobard, 239, Jeff Donaldson, 243, John Dowell, 246, David Driskell, 256, Allan Edmunds, 256-57, James Edwards, 260, David Elder, 265, Whitney John Engeran, 267, Marion Epting, 270, Burford Evans, 271, Minnie Evans, 271-72, Frederick Eversley, 277, Elton Fax, 304, Charlotte Franklin, 315, Edmund Barry Gaither (curator), 317, Reginald Gammon, 325, Herbert Gentry, 326, Joseph Geran, 328, Henri Ghent (curator), 332, Sam Gilliam, 346, Russell Gordon, 354, Rex Goreleigh, 361, Eugene Grigsby, 375, Robert Hall, 380, Leslie King-Hammond (curator), 381, Grace Hampton, 385, Marvin Harden, 406, Barkley Hendricks, 418, Leon Hicks, 414, Freida High-Wasikhongo, 424-25, Al Hollingsworth, 428, Earl Hooks, 433, Humbert Howard, 439, Richard Hunt, 450, A. B. Jackson, Oliver Jackson; 451, Suzanne Jackson, 454, Catti James, Frederick James, 464, Lester L. Johnson; 467, Ben Jones, 467-68, Calvin Jones, 469, James Edward Jones, Lois Jones, 471, Theodore Jones, 489, Paul Keene; 492, James Kennedy, 495-96, Virginia Kiah, 535, Raymond Lark, 540-41, Jacob Lawrence, 546, Hughie Lee-Smith, 557, Samella Lewis, 586, Cheryl Ilene McClenney (arts admin.), 595, Anderson Macklin, 620, Philip Lindsay Mason, 625, Richard Mayhew, 597, Oscar McNary, 598, Kynaston McShine (curator), 610, 637, Marianne Miles a.k.a. Marianne; 638, Earl Miller, 640-41, Lev Mills, 649, Evangeline Montgomery; 653, Norma Morgan, 655, Keith Morrison, 657, Dewey Mosby (curator), 671, Otto Neals, 693, Ademola Olugebefola, 700, Hayward Oubré, John Outterbridge, Wallace Owens, 702, William Pajaud, 706, James Parks, 710, Curtis Patterson, 711, Sharon Patton (curator), 711-12, John Payne, 720, Regenia Perry (curator), 724, Bertrand Phillips; 727, Delilah Pierce, 728, Vergniaud Pierre-Noėl, 729, Stanley Pinckney, Howardena Pindell, 744, Leslie Price, Arnold Prince, 747, Mavis Pusey, 752, Bob Ragland, 759, Roscoe Reddix, 763, Robert Reid, 768, John Rhoden, 772, John Riddle, Gregory Ridley, 774, Faith Ringgold, 778, Lucille Roberts, 803, Mahler Ryder, 804, Betye Saar, 815, Raymond Saunders, 834, John Scott, 841, James Sepyo, 857, Thomas Sills, 859, Jewel Simon, 861, Merton Simpson, Lowery Sims (curator); 865, Van Slater, 869, Dolph Smith, 873, Vincent Smith, 886, Francis Sprout, 890-91, Shirley Stark, 898, Nelson Stevens, 920, Luther Stovall, 909, Robert Stull, 920, Ann Tanksley, James Tanner, 924, Rod Taylor, 922, William Bradley Taylor [Bill Taylor], 929, Elaine Thomas, 946, Curtis Tucker, 949, Leo Twiggs, 970, Larry Walker, 977, James Washington, 979, Howard Watson, 994, Amos White, 995, Franklin White, 996 Tim Whiten, 1001-2, Chester Williams, 1003, Randolph Williams, Todd Williams, Walter Williams, William T. Williams, 1005, Edward Wilson, George Wilson, 1005-6, John Wilson, 1007, Frank Wimberley, 1016, Rip Woods, 1017, Shirley Woodson, 1019, Bernard Wright, 1025, Charles Young, 1026, Kenneth Young, Milton Young. Cedco Book Collection Staff. Contemporary American Women Artists. San Rafael (CA): Cedco Publishing, 1991. 120 pp., full page color plates, brief biogs., featuring 24 visual artists. Includes Adrian Piper and Faith Ringgold. 8vo (9.75 x 8.5 in.), wraps. First ed. CHARLESTON (SC). Tippy Stern Fine Art. In the Shadow of the Flag. Thru June 30, 2000. Exhibition catalogue. Included: Radcliffe Bailey, Willie Cole, Faith Ringgold, Betye Saar, et al. [Review: Bruce Smith, "Look Away No More; In Charleston, Art Reflects on the Flag Debate" The Washington Post, June 3, 2000; "Flag Controversy Inspires Exhibit," Robesonian, June 3, 2000:2.] CHARLESTON (WV). Clay Center for the Arts & Sciences of West Virginia. African American Artists from the Permanent Collection. September 24-November 2, 2008. Group exhibition of prints, paintings, and sculpture by Romare Bearden, Rosa Bradford, Sam Gilliam, Leon Hicks, Gary Kirksey, Jacob Lawrence, Martin Puryear, Faith Ringgold and Betye Saar. CHARLOTTE (NC). Mint Museum of Art. Spirits of the Cloth: Contemporary Quilts by African American Artists. New York: Clarkson N. Potter, 1998. 192 pp., 150 color illus. Pref. Faith Ringgold; curated by Dr. Carolyn Mazloomi and David McFadden. A selection of 50 quilts which deploy a wide variety of materials and techniques, from abstract patterns to figurative works with cultural narratives. The exhibition, organized by the American Craft Museum, features the work of 30 members of the Women of Color Quilter's Network (an organization of 1,200 male and female quilters nationwide). Includes: Cathleen Richardson Bailey, Sandy Benjamin-Hannibal, Tina Williams Brewer, Donnette A. Cooper, Michael A. Cummings, Adriene Cruz, L'Merchie Frazier, Sandra K. German, Myrah Brown Green, Frances Hare, Virginia R. Harris, Peggy L. Hartwell, Kyra Hicks, Sharon Kerry-Harlan, Anita Holman Knox, Betty Leacraft, Sherry Whetstone McCall, Dindga McCannon, Winnie Akisi McQueen, Gwendolyn A. MaGee, Ed Johnetta Miller, Edna J. Patterson-Petty, Barbara Pietela, Faith Ringgold, Sandra Smith, Jim Smoote, II, Ruth A. Ward, Sherry Whetstone-McCall., and others. [Traveled to Renwick Gallery, Washington, DC; Blaffer Gallery, University of Houston, and other locations.] Sq. 8vo, cloth, d.j. First ed. CHIARMONTE, PAULA. Women Artists in the United States. A Selective Bibliography and Resource Guide on the Fine and Decorative Arts, 1750-1986. Boston: G.K. Hall & Co., 1990. Non-black or male artists who were erroneously included are omitted from this list: Eileen Abdulrashid, Mrs. Allen, Charlotte Amevor, Emma Amos, Dorothy Atkins, Joan Cooper Bacchus, Ellen Banks, Camille Billops, Betty Blayton, Gloria Bohanon, [as Bottanon], Shirley Bolton, Kay Brown, Vivian Browne, Beverly Buchanan, Selma Burke, Margaret Burroughs, Sheryle Butler, Carole Byard, Catti [as Caiti], Yvonne Catchings, Elizabeth Catlett, Barbara Chase-Riboud, Doris L. Colbert, Luiza Combs, Marva Cremer, Doris Crudup, Oletha Devane, Stephanie Douglas, Eugenia Dunn, Queen Ellis, Annette Lewis Ensley, Minnie Jones Evans, Irene Foreman, Miriam Francis, Meta Vaux Warrick Fuller, Ibibio Fundi [as Ibibin] (a.k.a. Jo Austin), Alice Gafford, Wilhelmina Godfrey [as Wihelmina], Amanda Gordon, Cynthia Hawkins, Kitty L. Hayden, Lana T. Henderson [as Lane], Vernita Henderson, Adrienne Hoard, Jacqui Holmes, Margo Humphrey, Clementine Hunter, Claudia Jane Hutchinson, Martha E. Jackson, May Howard Jackson, Suzanne Jackson, Rosalind Jeffries, Marie Johnson, Lois Mailou Jones, Barbara Jones-Hogu [as Jones-Hogn], Harriet Kennedy, Gwendolyn Knight, Edmonia Lewis, Samella Lewis, Ida Magwood, Mary Manigault, Valerie Maynard, Geraldine McCullough, Mrs. McIntosh, Dorothy McQuarter, Yvonne Cole Meo, Onnie Millar, Eva Hamlin Miller, Evangeline Montgomery, Sister Gertrude Morgan, Norma Morgan, Marilyn Nance, Inez Nathaniel-Walker, Senga Nengudi, Winifred Owens-Hart, Denise Palm, Louise Parks, Angela Perkins, Howardena Pindell, Adrian Piper, Stephanie Pogue, Harriet Powers, Elizabeth Prophet, Mavis Pusey, Faith Ringgold, Brenda Rogers, Juanita Rogers, Nellie Mae Rowe, Betye Saar, Augusta Savage, Elizabeth Scott, Joyce Scott, Jewel Simon, Shirley Stark, Della Brown Taylor [as Delia Braun Taylor], Jessie Telfair [as Jessi], Alma Thomas, Phyllis Thompson, Roberta Thompson, Betty Tolbert, Elaine Tomlin, Lucinda Toomer, Elaine Towns, Yvonne Tucker, Charlene Tull, Anna Tyler, Florestee Vance, Pinkie Veal, Ruth Waddy, Carole Ward, Laura W. Waring, Pecolia Warner, Mary Parks Washington, Laura W. Williams, Yvonne Williams. A few African American male artists are also included: Leslie Garland Bolling, Ademola Olugebefola [as Adennola]. CHICAGO (IL). Art Institute of Chicago. A Century of Collecting: African American Art in the Art Institute of Chicago. February 15-May 18, 2003. Group exhibition. Curated by Daniel Schulman, associate curator of modern and contemporary art. 60 artists (over half contemporary) including: Benny Andrews, Radcliffe Bailey, Richmond Barthé, Jean-Michel Basquiat, Romare Bearden, Dawoud Bey, Hilda Wilkinson Brown, Margaret Burroughs, William S. Carter, Elizabeth Catlett, Edward Clark, Kerry Stuart Coppin, Eldzier Cortor, Allan Rohan Crite, Charles C. Dawson, Aaron Douglas, John E. Dowell, Beauford Delaney, Joseph Delaney, Melvin Edwards, Walter Ellison, Sam Gilliam, David Hammons, William Harper, George Herriman, Earlie Hudnall, Jr., Richard Hunt, Joshua Johnson, Rashid Johnson, Sargent Johnson, Joseph Kersey, Jacob Lawrence, Norman Lewis, Glenn Ligon, Kerry James Marshall, Willie Middlebrook, Keith Morrison, Archibald J. Motley, Marion Perkins, Allie Pettway, Jessie T. Pettway, Robert Pious, Adrian Piper, Horace Pippin, Martin Puryear, Faith Ringgold, William Edouard Scott, Vincent Smith, Nelson Stevens, Alma Thomas, Bob Thompson, Henry Ossawa Tanner, James Vanderzee, Kara Walker, Carrie Mae Weems, Gearldine Westbrook, Charles White, Sarah Ann Wilson, Hale Woodruff, Joseph E. Yoakum. CHICAGO (IL). Art Institute of Chicago. Illustrations from Caldecott Books. April 15-October 15, 1995. Group exhibition. Included: Faith Ringgold. CHICAGO (IL). Illinois Arts Council and Illinois Bell Telephone Lobby Gallery. Black American Artists / 71. 1971-1972. 12 pp. catalogue of an important traveling exhibition circulated by the Illinois Arts Council and Illinois Bell; checklist of 136 works by 59 artists, 28 b&w illus., address list for many of the artists. Intro. and curated by Robert H. Glauber; statements by some of the artists on the topic of being a Black artist in 1971. Ralph Arnold, Sam Gilliam, Russell T. Gordon, Joseph B. Ross Jr., and by Edward K. Taylor (President of the Harlem Cultural Council.). Artists included in the exhibition: Benny Andrews, Ralph Arnold, Romare Bearden, Cleveland Bellow, Betty Blayton, Lynn Bowers, Vivian Browne, Robert Carter, Bernie Casey, LeRoy Clarke, Floyd Coleman, Dan Concholar, Dale Davis, Avel DeKnight, Richard Dempsey, David Driskell, Michael Esteves, Babatunde Folayemi, Sam Gilliam, Russell T. Gordon, David Hammons, Ben Hazard, Bill Howell, Raymond Howell, Manuel Hughes, Richard Hunt, Tonnie Jones, James DeWitt King, Jr., Jacob Lawrence, Leon Lank Leonard, Sr., Richard Mayhew, Geraldine McCullough, Charles McGee, Allie McGhee, Algernon Miller, Arthur Monroe, Keith Morrison, Ademola Olugebefola, Joe Overstreet, William Pajaud, Stephanie Pogue, Leslie Price, Noah Purifoy, Robert Reid, John T. Riddle, Gregory Ridley, Faith Ringgold, Joseph B. Ross, Jr., Raymond Saunders, John T. Scott, Vincent Smith, Alma Thomas, Timothy Washington, Charles White, Stanley Whitney, Walter J. Williams, Rip Woods, Kenneth Young, Milton Young. [Traveled to: Chicago, Illinois State Museum, Springfield (IL), Sloan Galleries, Valparaiso (IL), Peoria Art Guild, Peoria (IL), Burpee Gallery, Rockford (IL), Quincy (IL), Kalamazoo Institute of Arts, Kalamazoo [MI], University of Iowa Art Museum, Iowa City (IA), November 2, 1971-January 2, 1972, and perhaps other venues.] [Review: (Unattrib.) "Unknown black artists get chance to show their work," Jet (February 4, 1971):48-49, 4 b&w photos of artists and work.] 4to, stapled wraps. Individuated covers printed for at least two locations. CHICAGO (IL). Mayor's Office, City of Chicago. The Chicago Public Art Guide. Chicago: Dept. of Public Affairs,. 92 pp., approx. 150 color illus., intro. text by Gregory G. Knight. Contains index of works by region, branch library installations, special projects, map, index of artists with titles of work. Includes color illus. of the following works: Richard Hunt (Freeform, 1993, stainless steel sculpture, State of Illinois Building); Preston Jackson (Irv Kupcinet Memorial, 2006, bronze cast portrait sculpture, Wabash Ave./approach to Irv Kupcinet Bridge.) Works at the Harold Washington Library Center: Houston Conwill and Estella Conwill Majozo (Du Sable's Journey, 1991, terrazzo and inlaid brass floor design); Jacob Lawrence (Events in the Life of Harold Washington, 1991, ceramic tile mural.) Works in the collection of the Harold Washington Library Center: Faith Ringgold (The Winner, 1988, painted quilt); Muneer Bahauddeen (sculpture); John Bankston (painting); William Dawson (sculptures); Robert Dilworth (painting); Richard Hunt (drawing); Preston Jackson (sculpture); Calvin Jones (painting); Bertrand Phillips (painting); David Philpot (sculptures); Arnaldo Roche-Rabell (painting); Tim Rollins + K.O.S. (painting); Alison Saar (sculpture); Lorna Simpson (photographic print); Fan Warren (drawings). At the Legler Branch Library: Elizabeth Catlett (Floating Family, 1996, carved wood); and Kerry James Marshall (Knowledge and Wonder, 1996, mural painting). At the Austin Senior Satellite Center: Brook Collins (Family Mosaics, 2006, 15 photographs) and Melvin King (Follette Park and Selma March, 2006, paintings). At the Rosemont busline station: Martin Puryear (River Road Ring, 1986, wood sculpture). At the 4th District Police Station: Amir Nour (Untitled, 1980, rolled steel semi-spheres). In Bronzeville/along Dr. Martin Luther King Drive: Alison Saar (Monument to the Great Northern Migration, 1994, bronze figure sculpture); art benches by: Willie Cole, Geraldine McCullough; Ed Dwight (Blues Sculptures - Four Musicians, 2005, bronze sculptures, at 47th St./Dr. Martin Luther King Drive). Chicago Police Dept. Headquarters /Michigan Ave.: 4 quilts by Gladys Henry, Laverne Brackens, Sherry Byrd and Sara Byrd - four generations of African American quiltmakers. At Chicago International Airport: Dawoud Bey (Chicago Couples, 2000, photographic print); Richard Hunt (Flight Forms, 2001, stainless steel.) At the Thurgood Marshall Branch Library: Venus Blue (They All Had Something in Common, 1995, quilt). At the Woodson Branch Library: Bernard Williams (sculpture). At the Rogers Park Branch Library: Al Tyler (paintings). At the Uptown Branch Library: Mr. Imagination (installation). At Mabel Manning Branch Library: Dawoud Bey (photographs) and Willie Carter (painting). At Logan Square Branch Library: Arnaldo Roche-Rabell (paintings). At West Chicago Branch Library: Nick Cave (fabric). At Brainerd Branch Library: Preston Jackson (sculpture). At Douglass Branch Library: Emilio Cruz (banners.). At Woodson Branch Library: Richard Hunt (sculpture), Charles Searles (sculpture), and Bernard Williams (sculpture). At Wrightwood-Ashburn Branch Library: Candida Alvarez (stained glass) and Gerald Griffin (collage). At Avalon Branch Library: Stephen Marc (photographs). At Bessie Coleman Branch Library: Laverne Brackens (quilt) and Arbie Williams (quilt.) At Chicago Bee Branch Library: Carrie Mae Weems (painting/mixed media), Derek Webster (sculpture), and Gregg Spears (painting). At Jeffery Manor Branch Library: Marva Lee Pitchford Jolly (ceramic installation). At Kelly Branch Library: Robert Dilworth (painting) and Jacob Lawrence (lithograph). At Pullman Branch Library: Orisegun Olomidun (painting) and Bernard Williams (mural). At South Chicago: Kerry James Marshall (mural). At South Shore Branch Library: Muneer Bahauddeen (sculpture and mosaic) and Laverne Brackens (quilt). West Pullman Branch Library: Marcus Akinlana (mural and mixed media). [See: explorechicago.org] pdf file: www.explorechicago.org/etc/...art.../ENTIRE_PA_WEB.pdf CHICAGO (IL). Randolph Street Gallery. The Whole World is Still Watching. August 26-October 1, 1988. Exhib. cat., illus. Group exhibition. Included: Faith Ringgold. CLEVELAND (OH). Cleveland Center for Contemporary Art. Old Glory: The American Flag in Contemporary Art. June 14-August 14, 1994. 64 pp. exhib. cat., color and b&w illus. Intro. by Gary Sangster; text by curator David S. Rubin. Group exhibition of work by over 50 artists from the 1950s-90s. Included: Terry Adkins, Willie Cole, David Hammons, Faith Ringgold, Dread Scott. [Traveled to: Gallery of Contemporary Art, University of Colorado, Colorado Springs, CO, June 2-August 4, 1995; Phoenix Art Museum, Phoenix, AZ, March 16-June 16, 1996.] The exhibition displayed 80 works by over 50 artists, including several pieces from the controversial 1970 People's Flag Show. The showing in Phoenix provoked widespread controversy, was picketed by Veterans, and threatened with closure and the (unconsitutional) arrest of artists and museum personnel as well as closure by the State legislature. [Review: Kathleen Vanesian, "Deja Wow: Red, White and Snooze," Phoenix New Times, April 04, 1996; chronology of events involving the exhibition: http://www.esquilax.com/flag/PAMTimel.pdf.] CLEVELAND (OH). Cleveland Center for Contemporary Art. The Turning Point: Art and Politics in 1968. September 9-October 26, 1989. 64 pp., illus. The text by Nina Castelli Sundell is a useful summary of the highlights of the year African American art began to enter mainstream awareness. The exhibition included only a few artists: Benny Andrews, Sam Gilliam, Howardena Pindell, Adrian Piper, Faith Ringgold. [Also exhibited at Lehman College, New York, November 10-January 14, 1990.] CLEVELAND (OH). Museum of Contemporary Art. From Then To Now: Masterworks of Contemporary African American Art. January 29-May 9, 2010. Group exhibition of work by 27 artists. Curated by Margo Ann Crutchfield. Included: Radcliffe Bailey. Romare Bearden, Dawoud Bey, Chakaia Booker, Willie Cole, Robert Colescott, Dexter Davis, Leonardo Drew, Sam Gilliam, René Green, Trenton Doyle Hancock, Mark Howard, Richard Hunt, Rashid Johnson, Glenn Ligon, Alvin Loving, Kerry James Marshall, John L. Moore, Bradley McCallum and Jacqueline Tarry, Adam Pendleton, Faith Ringgold, Alison Saar, Lorna Simpson, Alma Thomas, Kara Walker, Carrie Mae Weems and Kehinde Wiley. the first time that holdings of contemporary African-American art from five local collections the AMAM, the Akron Art Museum, the Cleveland Museum of Art, the Cleveland Clinic Collection, and the Progressive Collection have been shown together. CLEVELAND HEIGHTS (OH). HeightsArts. Master Artists, Master Printmakers. October 9-November 7, 2004. Group exhibition. Organized by Experimental Printmaking Institute, Lafayette College, Easton, PA. Eight artists were invited to create a work of art with a printmaker. The exhibition includes these works, as well as a work by each printmaker. Included: Emma Amos paired with Quentin Mosley (Maryland Institute College of Art, Baltimore, MD); David C. Driskell with Curlee Raven Holton (Experimental Printmaking Institute); Sam Gilliam with Wayne Crothers (Ogawa Studio, Tokyo, Japan); Bodo Korsig with John Dowell (Tyler School of Art, Philadelphia, PA); Faith Ringgold with John Phillips (London Print Studio, United Kingdom); Kay Walkingstick with Allan Edmonds (Brandywine Print Workshop, Philadelphia, PA) COCKCROFT, EVA, JAMES COCKCROFT and JOHN PITMAN WEBER. Toward a People's Art: The Contemporary Mural Movement. New York: E.P. Dutton, 1998. xxviii, 292 pp., 114 b&w illus., 23 color plates, bibliog., index. Foreword to 1977 edition by Jean Charlot; foreword to 1998 edition by Lucy R. Lippard; intro. Ben Keppel; new author's foreword; afterword Timothy W. Drescher. Excellent survey of the contemporary mural movement in the early '70s written by two artists and a sociologist. An important record of the history of community involved art in America. Much of the work discussed is by African American, Latino and Chicano artists. African American artists include: John Pitman Weber, William Walker, Mitchell Caton, Justine DeVan, Eugene Eda, Doug Williams, Vanita Green, Turtel Onli, Robert Sengstacke, Adele Seronde, Dana Chandler, Gary Rickson, Al Smith, Chuck Milles, James Brown, Roy Cato, Jr., Sharon Dunn, Jim Higgins, Faith Ringgold, Nelson Stevens, Dewey Crumpler, Janet Henry, Keithen Carter, John Robinson, William T. Williams, Clarence Wood, Donald McIlvaine, Mirna Weaver, Eliot Hunter, Jeff Donaldson, Edward Christmas, Carolyn Lawrence, Roy Lewis, Wadsworth Jarrell, Wyatt T. Walker, Will Hancock, Florence Hawkins, Barbara Jones, Darryl Colror, Billy Abernathy, Jr., Norman Perris. Brett Cook-Dizney, Calvin Jones, Clement Roach, Clarence Talley, Sylvia Abernathy, Carleton Baxter, Marie Burton, Elaine Jarrell, Noni Olabisi. 8vo, wraps. Reprint of 1977 ed. with additional foreword. COHEN, MICHELE. Public Art for Public Schools. Monacelli, 2009. Includes: Romare Bearden and Faith Ringgold. COLLEGE PARK (MD). David C. Driskell Center, University of Maryland. African American Art Since 1950: Perspectives from the David C. Driskell Center. September 13-December 21, 2012. Exhib. cat., illus. Text by Julie L. McGee. Group exhibition of work by 54 artists including: Emma Amos, Benny Andrews, Herman Kofi Bailey, Radcliffe Bailey, Romare Bearden, Sanford Biggers, Camille J. Billops, Robert Blackburn, Chakaia Booker, Sheila Pree Bright, Moe Brooker, Elizabeth Catlett, Nick Cave, Kevin Cole, Willie Cole, Bob Colescott, Jeff Donaldson, David C. Driskell, Allan Edmunds, Melvin Edwards, Vanessa German, Sam Gilliam, Barkley Hendricks, Felrath Hines, Robin Holder, Joseph Holston, Curlee Holton, Margo Humphrey, Jacob Lawrence, Whitfield Lovell, Kerry James Marshall, Keith Morrison, Floyd Newsum, Mary Lovelace O'Neal, Howardena Pindell, Jefferson Pinder, Stephanie Pogue, William Pope.L, Martin Puryear, Faith Ringgold, Alison Saar, Betye Saar, John T. Scott, Lorna Simpson, Clarissa Sligh, Frank Smith, Lou Stovall, Alma Thomas, Hank Willis Thomas, Kara Walker, Carrie Mae Weems, James Lesesne Wells, William T. Williams, Deborah Willis. [The exhibition is a collaboration between SITES and the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora at the University of Maryland, College Park.] COLLEGE PARK (MD). University of Maryland Art Gallery. Master Artist / Master Printmaker Portfolio. September 9-October 2, 2004. Exhibition of fifteen works by sixteen artists and printmaker Curlee Raven Holton, using a variety of printing techniques, including etching, lithography, serigraphy, and woodcut. Holton is the director of the Experimental Printmaking Institute (EPI) at Lafayette College, Easton, PA. 7 African American artists included: Emma Amos, John E. Dowell, Jr., David C. Driskell, Allan Edmunds, Sam Gilliam, Curlee Raven Holton, Faith Ringgold COLLEGE PARK (MD). University of Maryland Art Gallery. Successions: Prints by African-American Artists from the Jean and Robert Steele Collection. April 1-29, 2002. 48 pp. exhib. cat., 26 color & b&w illus., checklist of 62 works by 45 artists, glossary of terms. Intro. by David C. Driskell; statement by the collectors, text by Adrienne L. Childs. Includes: Emma Amos, Benny Andrews, Romare Bearden, Camille Billops, Robert Blackburn, Moe Brooker, Calvin Burnett, Nora Mae Carmichael, Elizabeth Catlett, Kevin Cole, Robert Colescott, Allan Rohan Crite, Louis Delsarte, David Driskell, Allan Edmunds, Melvin Edwards, Sam Gilliam, Varnette Honeywood, Margo Humphrey, Paul Keene, Wadsworth Jarrell, Lois Mailou Jones, Gwendolyn Knight, Jacob Lawrence, Hughie Lee-Smith, Samella Lewis, Percy B. Martin, Tom Miller, Evangeline Montgomery, Keith Morrison, Joseph Norman, Mary Lovelace O'Neal, Anita Philyaw, Stephanie Pogue, John T. Riddle, Faith Ringgold, Alison Saar, Betye Saar, Preston Sampson, Frank Smith, Vincent Smith, Lou Stovall, James L. Wells, William T. Williams, John Wilson. [Traveled to: Mobile Museum of Art, Mobile, AL; David Driskell Center, University of Maryland.] 4to (11 x 8.5 in.), pictorial wraps. First ed. COLLINS, JIMMIE LEE and GLENN B. OPITZ. Women Artists in America: Eighteenth Century to Present. Chattanooga, 1973. Unpag. (426 pp.), illus. Lists Elizabeth Catlett, Meta Fuller, May Jackson, Lois Mailou Jones, Edmonia Lewis, Pauline Powell, Elizabeth Prophet, and Waring. The 1975 ediition adds: Barbara Chase-Riboud, Betye Saar, Jewel Simon. The 1980 edition adds: Carole Byard, Catti, Norma Morgan, Minnie Evans, Suzanne Jackson, Virginia Kiah, Valerie Maynard, Delilah Pierce, Mavis Pusey, Faith Ringgold, Lucille (Malkia) Roberts, Ann Tanksley, Alma Thomas. 8vo, cloth. COLLINS, LISA GAIL and MARGO CRAWFORD, eds. New Thoughts on the Black Arts Movement. New Brunswick: Rutgers University Press, 2006. 402 pp., 40 illus., chapter notes, notes on contributors, index. Contributors include: Collins, Crawford, Kellie Jones, Mary Ellen Lennon, Erina Duganne, Cherise Smith, Lee Bernstein, and others. Includes: Billy (Fundi) Abernathy, Sylvia Abernathy, Muhammad Ahmad, Benny Andrews, Amiri Baraka, Camille Billops, Betty Blayton, Gloria Bohanon, Ed Brown, Margaret Burroughs, Elizabeth Catlett, Ben Caldwell, Dana Chandler, Edward Christmas, Dan Concholar, Houston Conwill, Kinshasha Conwill, Robert Crawford, Alonzo Davis, Dale Davis, Roy DeCarava, Murry Depillars, Dj. Spooky (Paul D. Miller), Jeff Donaldson, Emory Douglas, Louis Draper, David Driskell, Melvin Edwards, Albert Fennar, Reginald Gammon, Ray Gibson, Sam Gilliam, Tyree Guyton, David Hammons, Maren Hassinger, James Hinton, Richard Hunt, Barbara Jones-Hogu, Suzanne Jackson, Jacob Lawrence, Norman Lewis, Samella Lewis, Tom Lloyd. Clarence Major, Edward McDowell, Dindga McCannon, Senga Nengudi, John Outterbridge, Joe Oversotree, Gordon Parks, Judson Powell, Noah Purifoy, Sr., Herbert Randall, Betye Saar, Beuford Smith, Marvin Smith, Morgan Smith, Edward Spriggs, SUN RA, Curtis Tann, Askia Touré, James Vanderzee, Ruth Waddy, Bill Walker, Timothy Washington, Charles White, Randy Williams, William T. Williams, Deborah Willis, and Hale Woodruff. The texts explore the racial and sexual politics of the era, links with other contemporaneous cultural movements, prison arts, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, and more. 8vo (26 x 18 cm.; 9.9 x 7.1 in.), cloth, d.j. COLUMBIA (SC). Columbia Museum of Art. The Chemistry of Color: Contemporary African-American Artists. February 5-May 9, 2010. Exhib. cat., illus. Approximately 72 works by 41 artists. Includes: Benny Andrews, James Atkins, Romare Bearden, Willie Birch, James Brantley, Moe Brooker, Beverly Buchanan, Barbara Bullock, Nanette Carter, Yvonne Pickering Carter, Gregory Coates, Allan Edmunds, Sam Gilliam, Curlee Raven Holton, Edward Hughes, Jacob Lawrence, Alvin D. Loving, Jr., Lynn Marshall-Linnemeier, Howardena Pindell, Faith Ringgold, Betye Saar, Charles Searles, Andrew Turner, Richard J. Watson, Stanley Whitney, William T. Williams, among many others. [Seemingly the same exhibition exhibited in Philadelphia in 2005 under the title The Chemistry of Color: African American Artists in Philadelphia, 1970-1990. The Harold A. and Ann R. Sorgenti Collection of Contemporary African-American Art; and Hudson River Museum, Yonkers, NY, April-May, 2011.] Columbia (SC). Columbia Museum of Art. Through A Master Printer: ROBERT BLACKBURN and the Printmaking Workshop. March-May, 1985. 28 pp. exhib. cat., 68 b&w illus. by as many artists, many African American. Curated by Nina Parris. Included: Emma Amos, Benny Andrews, Ellsworth Ausby, John T. Biggers, Camille Billops, Robert Blackburn, Vivian Browne, Carole Byard, Elizabeth Catlett, Nadine DeLawrence-Maine, Melvin Edwards, Robin Holder, Manuel Hughes, Mohammed Omer Khalil, Spencer Lawrence, Whitfield Lovell, Richard J. Powell, Mavis Pusey, Aj Smith, Mei-Tei-Sing Smith, Maxwell Taylor, Phyllis Thompson, Charles White, Michael Kelly Williams, Hale Woodruff, Richard Yarde. [Traveled to: Arkansas Art Center, Little Rock, August-October; Mississippi Museum of Art, Jackson, MS, January-March, 1986.] Small oblong 4to, self-wraps. First ed. CONWILL, KINSHASHA HOLMAN. Another Perspective. In Search of an 'Authentic' Vision. Decoding the Appeal of the Self-Taught African-American Artist. Washington, DC: National Museum of American Art, Smithsonian Institution, 1991. In: American Art 5 (Fall 1991):(2)-9, color illus. A discussion of the comparative appeal of black self-taught versus professionally trained artists. Includes: William Dawson, William Edmondson, James Hampton, Lonnie Holley, Charlie Lucas, Sister Gertrude Morgan, Nellie Mae Rowe, James Thomas, Bill Traylor, Joseph Yoakum. Melvin Edwards, Maren Hassinger, Howardena Pindell. Horace Pippin, Harriet Powers, Romare Bearden, Willi Posey, Alison Saar, Betye Saar, Faith Ringgold. 4to, wraps. COOKS, BRIDGET R. Exhibiting Blackness: African Americans and the American Art Museum. Amherst: University of Massachusetts Press, 2011. 240 pp., color illus., notes, index. The narrative begins in 1927 with the Chicago "Negro in Art Week" exhibition, and in the 1930s with the Museum of Modern Art's exhibition of "William Edmondson" (1937) and "Contemporary Negro Art" (1939) at the Baltimore Museum of Art; the focus, however, is on exhibitions held from the 1960s to present with chapters on "Harlem on My Mind" (1969), "Two Centuries of Black American Art" (1976); "Black Male" (1994-95); and "The Quilts of Gee's Bend" (2202). Numerous artists, but most mentioned only in passing: Cedric Adams, Charles Alston, Emma Amos, Benny Andrews, Edward M. Bannister, Richmond Barthé, Romare Bearden, numerous Bendolphs (Annie, Jacob, Mary Ann, Mary Lee, Louisiana) and Loretta Bennett, Ed Bereal, Donald Bernard, Nayland Blake, Gloria Bohanon, Leslie Bolling, St. Clair Bourne, Cloyd Boykin, Kay Brown, Selma Burke, Bernie Casey, Roland Charles, Barbara Chase-Riboud, Claude Clark, Linda Day Clark, Robert Colescott, Dan Concholar, Emilio Cruz, Ernest Crichlow (footnote only), Alonzo Davis, Selma Day (footnote only), Roy DeCarava, Aaron Douglas, Emory Douglas, Robert M. Douglass, Jr., David Driskell, Robert S. Duncanson, William Edmondson, Elton Fax (footnote only), Cecil L. Fergerson, Roland Freeman, Meta Vaux Warrick Fuller, Reginald Gammon (footnote only), K.D. Ganaway, Sam Gilliam, David Hammons, William A. Harper, Palmer Hayden, Vertis C. Hayes, Barkley L. Hendricks, James V. Herring, Richard Hunt, Rudy Irwin, May Howard Jackson, Suzanne Jackson, Joshua Johnson, William H. Johnson, Lois Mailou Jones, Gwendolyn Knight, Wifredo Lam, Artis Lane, Jacob Lawrence, Edmonia Lewis, Norman Lewis, Samella Lewis, Alvin Loving (footnote only), William Majors (footnote only), Richard Mayhew, Reginald McGhee, Archibald J. Motley, Jr., Richard Mayhew, Willie Middlebrook, Ron Moody, Lottie and Lucy Mooney, Flora Moore, Scipio Moorhead, Norma Morgan, Archibald J. Motley, Jr., Sara Murrell (footnote only), Otto Neals (footnote only), Odili Donald Odita, Noni Olubisi, Ademola Olugebefola, John Outterbridge, Gordon Parks, six Pettways (Annie E., Arlonzia, Bertha, Clinton, Jr., Jesse T., Letisha), James Phillips, Howardena Pindell, Horace Pippin, Carl Pope, James A. Porter, Nancy Elizabeth Prophet, Noah Purifoy, Martin Puryear, Okoe Pyatt (footnote only), Robert Reid (footnote only), John Rhoden, John Riddle, Faith Ringgold (footnote only), Betye Saar, Raymond Saunders (footnote only), Augusta Savage, William E. Scott, Georgette Seabrook, James Sepyo (footnote only), Taiwo Shabazz (footnote only), Gary Simmons, Lorna Simpson, Merton Simpson (footnote only), Albert Alexander Smith, Arenzo Smith, Frank Stewart, Henry Ossawa Tanner, Alma Thomas, Danny Tisdale, Melvin Van Peebles, James Vanderzee, Annie Walker, Kara Walker, Augustus Washington, Timothy Washington, Carrie Mae Weems, James Lesesne Wells, Charles White, Pat Ward Williams, William T. Williams, Deborah Willis, Fred Wilson, Ernest C. Withers, Beulah Ecton Woodard, Hale Woodruff, Lloyd Yearwood, Annie Mae and Nettie Pettway Young. 8vo (9 x 6 in.), wraps. COOPERSTOWN (NY). New York State Historical Association, Fenimore Art Museum. Through the Eyes of Others: African Americans and Identity in American Art. Thru December 31, 2008. Group exhibition. Curated by Gretchen Sullivan Sorin. The exhibition's purpose was to juxtapose 19th-century views of American life with contemporary interpretations by prominent African American artists to examine how we, as Americans, have constructed and interpreted race. Not only a dated concept but a show in which (according to several reviews) the black perspective was represented by fewer than ten works. Included: Romare Bearden, Margaret Burroughs, Elizabeth Catlett, Whitfield Lovell, Faith Ringgold, Betye Saar, Lorna Simpson and Hale Woodruff. [Traveled to: New York State Museum, Albany, September 8, 2009-January 6, 2010.] CORAL GABLES (FL). Metropolitan Museum and Art Center. We the Women. March 6-27, 1988. Group exhibition. Included: Faith Ringgold. COTTINGHAM, LAURA (Dir.). Not For Sale: Feminism and Art in the USA During the 1970s: Video Essay (Video). New York: Hawkeye Productions, 1998. A "video essay" by New York feminist art critic Laura Cottingham. Featuring over 100 artists, in all media, but especially video and performance art, collaboration pieces and feminist political art installations. Contains images and footage drawn from the personal archives of artists active in the Feminist Art Movement during the '70s. Edited by Sally Sasso and by filmmaker Leslie Singer. Music by Yoko Ono. Includes: Adrian Piper, Senga Nengudi, Howardena Pindell, Faith Ringgold. The groundbreaking work that gave equal weight to New York and Los Angeles. [Distributed by ARTEXT, Cambridge, MA.] VHS-NTSC: color, sd.; 90 min. CUPERTINO (CA). Euphrat Gallery, De Anza College. The Power of the Cloth: Political Quilts 1845-1986. March 3-April 19, 1987. 63 pp. exhib. cat., 22 color illus. Texts by Libby Westie, Stewart Burns, Ricky Clark, Judy Goddess, Laurel Herbenar Bossen. Group exhibition. Included: Faith Ringgold. DALLAS (TX). Crescent Gallery. Narrative Images. 1987. Group exhibition. Included: Faith Ringgold. [Traveled to: Traveled to Museum of South Texas, Corpus Christi, TX; Tyler Museum of Art, Tyler, TX; San Angelo Museum, San Angelo, TX.] DAVIES, CAROL BOYCE, ed. Encyclopedia of the African Diaspora: Origins, Experiences and Culture. ABC-CLIO, 2008. 3 vols. 1110 pp. Marked by a more than usual indifference to the visual arts, entries of erratic quality and less than desirable levels of research or scholarship. The essay on African Diaspora Art was allotted 17 pages to cover a period of 35,000 years and makes a courageous attempt to do so. It is not supported by any entries on individual artists, and many of the artists mentioned are not in the index. The entry is also plagued with inexcusable misspellings of numerous artists' names. The essay on Diaspora photography is also beset by the requirement of inappropriate brevity; the author desperately spends most of the allotted space listing the names of a fairly subjective selection of photographers, some with birth dates, others not. Other essays are depressingly vacuous - the essay on the Black Arts Movement, allotted 2 pages, spends only 31 lines on vague remarks about the movement which the reader is led to think is attributable to events that took place in the Nile Valley thousands of years before. What can you say about a book that devotes more space to rap and hip-hop than to Barbados. Not a book worth consulting? 4to (10.3 x 7.3 in.), cloth. DEACON, DEBORAH. The Art and Artifacts Collection of the Schomburg Center for Research in Black Culture: A Preliminary Catalogue. 1981. In: Bulletin of Research on the Humanities Issue 84, no. 2, 1981:145-65. DETROIT (MI). Charles H. Wright Museum of African American History. Absolutely Masterful: Great Artists in Detroit Collections. January 14-April 29, 2007. Group exhibition of approximately 70 works of twentieth century art created by African American artists, housed in Detroit collections. Included: Elizabeth Catlett, Aaron Douglas, Faith Ringgold, Hale Woodruff, Benny Andrews, and many more. DETROIT (MI). Charles H. Wright Museum of African American History. In the Spirit of Martin: The Living Legacy of Dr. Martin Luther King, Jr. Washington, DC: SITES and Atlanta: Tinwood Books, 2002. 224 pp., 200 color illus., glossary of people, places, and events, artist biogs., contributor biogs. The catalogue for a traveling exhibition containing a wide range of visual artists' responses to the life of Martin Luther King. Intro. by Nikki Giovanni; texts by Helen Shannon, Walter Leonard, Stanley Crouch, June Jordan, Julius Lester, John Lewis, Bernice Johnson Reagon, and others. Includes 120 works by important African American and white artists. Included are artists as diverse as Charles Alston, Romare Bearden, Phoebe Beasley, Anthony Bonair, John T. Biggers, Willie Birch, Elizabeth Catlett, Thornton Dial, Sr., James A. Dixon, L'Merchie Frazier, Reginald Gammon, Reginald Gee, Sam Gilliam, Chester Higgins, Jr., Jacob Lawrence, Glenn Ligon, Kerry James Marshall, Lev T. Mills, Gordon Parks, Martin Puryear, Faith Ringgold, Raymond Saunders, Beuford Smith, Alma W. Thomas, Charles White, Jack Whitten, John Wilson. [Traveled to the Bass Museum of Art, Miami Beach, FL, September 7-December 1, 2002; Frederick R. Weisman Art Museum, Minneapolis, MN, January 19-April 6, 2003; International Gallery, Smithsonian Institution, Washington, DC, May 15-July 27, 2003; Memphis Brooks Museum of Art, Memphis, TN, August 30-November 9, 2003; and Montgomery Museum of Fine Art, Montgomery, AL, January 3-March 28, 2004.] 4to (31 cm.), cloth, d.j. First ed. DETROIT (MI). Charles H. Wright Museum of African American History. Visions of Our 44th President. 2012. Group exhibition. Included 44 African American artists who painted and decorated the same white (plastic?) bust of President Obama, sculpted by Matthew Gonzalez. Included: Najar Abdul-Musawwir, Nina Chanel Abney, Mason Archie, Arthur Bacon, Phoebe Beasley, Charles Bibbs, Hebru Brantley, Larry Poncho Brown, Barbara Bullock, Nanette Carter, Melvin Clark, Kevin Cole, D. Delreverda-Jennings, Louis Delsarte, Najee Dorsey, Ted Ellis, Tatyana Fazlalizadeh, Gail Fulton-Ross, Tyrone Geter, Paul Goodnight, Tyree Guyton, Barkley Hendricks, Mildred Howard, Preston Jackson, Dayo Laoye, Tamara Madden, Allie McGhee, Angelbert Metoyer, Wangechi Mutu, Kadir Nelson, Joyce Owens, Charly Palmer, Howardena Pindell, Faith Ringgold, Cory Saint Clair, Preston Sampson, Joyce J. Scott, Gilda Snowden, Felandus Thames, Carrie Mae Weems, Pheoris West, Philemona Williamson, Shirley Woodson. [Traveling exhibition.] DOSS, ERIKA. Twentieth-Century American Art. Oxford University Press, 2002. 288 pp., 151 illus. (including 91 in color). Although it includes a chapter on "Feminist art and Black art," this by no means summarizes the level of inclusion of black artists at every point throughout the text. There are many glaring omissions (John Biggers, Mildred Howard, Lois Mailou Jones, Martin Puryear, Bob Thompson, etc.) and some odd summary comments (for example, Norman Lewis's work is described as "improvisatory environments"), but it's hard to quibble with the first survey of American art to give more than token acknowledgement to the work of African American artists. Over fifty artists and 17 illustrations are included: Emma Amos, Benny Andrews, Amiri Baraka, Jean-Michel Basquiat (illus.), Romare Bearden, Elizabeth Catlett, Dana Chandler, Michael Ray Charles (illus.), Barbara Chase-Riboud, Robert Colescott (illus.), Thornton Dial (illus.), Aaron Douglas, Emory Douglas, Melvin Edwards (illus.), Sam Gilliam, Coco Fusco (illus.), David Hammons (illus.), Palmer Hayden, Lonnie Holley, Cliff Joseph, Malvin Gray Johnson, Sargent Johnson (illus.), William H. Johnson, Cliff Joseph, Byron Kim, K.O.S., Jacob Lawrence (illus.), Norman Lewis (illus.), Alvin Loving, Kerry James Marshall, Archibald J. Motley (illus.), Chris Ofili, Lorraine O'Grady, Joe Overstreet, Gordon Parks, Adrian Piper, Nancy Elizabeth Prophet, Gary Rickson, Faith Ringgold (illus.), Alison Saar (illus.), Betye Saar (illus.), Augusta Savage, Gary Simmons, Lorna Simpson, Alma Thomas, Iké Udé, James Vanderzee, Kara Walker, Carrie Mae Weems (illus.), Charles White, Pat Ward Williams (illus.), Fred Wilson (illus.), Hale Woodruff. Karamu House, the Black Arts Movement and Spiral are mentioned in passing. 8vo (9.2 x 6.5 in..), wraps. DRISKELL, DAVID C. The Other Side of Color: African American Art in the Collection of Camille O. and William H. Cosby, Jr. San Francisco: Pomegranate, 2001. 240 pp., 105 b&w and color illus., excellent quality color plates throughout, biogs. of 47 artists, bibliog., index. Texts by David C. Driskell, Camille O. Cosby and William H. Cosby, Jr., Rene Hanks (biogs.) An astounding collection of over 300 major works of African American painting, sculpture, graphics, etc. that is not truly represented in this publication. Large 4to (34 cm.), cloth, d.j. First ed. DUBIN, STEVEN C. Arresting Images: Impolitic Art and Uncivil Actions. New York: Routledge, 1992. 374 pp., 27 illus., 2 in color, index. Essays on cultural, political and social issues in contemporary art. Extensive coverage of censorship, racism, homophobia, and neo-McCarthyism in America. Chapter 5 focuses on Dread Scott [a.k.a. Scott Tyler] and his installation What Is the Proper Way to Display a U.S. Flag. Other African American artists included: Betye Saar (her Aunt Jemima images), Robert Colescott, David Hammons, Faith Ringgold, Adrian Piper, Tim Rollins + K.O.S. 8vo, cloth, dust jacket. First ed. DUNBAR, PAUL LAURENCE. Jump Back, Honey. New York: Jump at the Sun, 1999. Children's book. Unpag. (40 pp.), color illus. Poems selected and with an introduction by Andrea Davis Pinkney. Includes: "A Boy's Summer Song," "The Sparrow," and "Little Brown Baby." Illustrated by Ashley Bryan, Carole Byard, Jan Spivey Gilchrist, Brian Pinkney, Jerry Pinkney and Faith Ringgold. 4to (26 cm.), cloth, d.j. First ed. DURHAM (NC). NCCU Art Museum, North Carolina Central University. Black Women Artists: North Carolina Connections. 1990. Exhib. cat. Includes important text by Lynn Igoe: "Black Women Artists: An Introduction." Provides an extensive list of exhibits featuring black women artists since the first such show in 1947 at the Barnett Aden Gallery, Washington, DC. Artists mentioned includes the usual 50-60 names: Edmonia Lewis, Meta Warrick Fuller, May Howard Jackson, Bertina Lee, Betty Blayton, Barbara Chase-Riboud, Harriet Powers, Minnie Evans, Clementine Hunter, Sister Gertrude Morgan, Eva Hamlin Miller, Jacqueline Fonvielle-Bontemps, Betye Saar, Alison Saar, Lezley Saar, Nellie Mae Rowe, Liani Foster, Barbara Tyson Mosley, Camille Billops, Alma Thomas, Maren Hassinger. Checklist of women artists includes: Emma Amos, Gwendolyn Bennett, Camille Billops, Betty Blayton, Kay Brown, Margery Wheeler Brown, Vivian Browne, Beverly Buchanan, Selma Burke, Margaret Burroughs, Carole Byard, Yvonne Pickering Carter, Elizabeth Catlett, Barbara Chase-Riboud, Minnie Evans, Meta Warrick Fuller, Maren Hassinger, Varnette P. Honeywood, Margo Humphrey, Clementine Hunter, May Howard Jackson, Suzanne Jackson, Louise Jefferson, Marie Johnson-Calloway, Lois Mailou Jones, Barbara Jones-Hogu, Edmonia Lewis, Samella Saunders Lewis, Dindga McCannon, Geraldine McCullough, Allie McGhee, Valerie Maynard, Evangeline J. Montgomery, Norma Morgan, Sister Gertrude Morgan, Inez Nathaniel-Walker, Senga Nengudi (Sue Irons), Delilah Pierce, Howardena Pindell, Adrian Piper, Stephanie Pogue, Georgette Powell, Harriet Powers, Nancy Elizabeth Prophet, Faith Ringgold, Malkia (Lucille) Roberts, Nellie Mae Rowe, Alison Saar, Betye Saar, Augusta Savage, Jewel Simon, Ann Tanksley, Alma Thomas, Ruth Waddy, Laura Wheeler Waring. The exhibition includes many of the same artists but also a number of artists not in Igoe's essay or checklist. Exhib. checklist lists the following: Marvette Pratt Aldrich, Brenda Branch, Mable Bullock, Selma Burke, Elizabeth Catlett, Collins, Davis, Minnie Evans, Olivia Gatewood, Gail Hansberry, Lana Thompson Henderson, Hill, Lois Mailou Jones, Eva Hamlin Miller, Norma Morgan, Stephanie Pogue, Mercedes Barnes Thompson. Ebony Editors. A New Pigment and a New Vision. 1991. In: Ebony 46, no. 10 (August 1991):78, 80- . Mentions: Tina Allen, Ernie Barnes, Romare Bearden, John Biggers, Jeff Donaldson, Melvin Edwards, Joshua Johnson, Richard Hunt, Jacob Lawrence, Geraldine McCullough, Archibald J. Motley, Horace Pippin, Martin Puryear, Faith Ringgold, Henry Ossawa Tanner, Charles White. Images of Ringgold's "Church Picnic-Story Quilt," the Wall of Respect, Bearden's "Two of Them" (collage) and Ernie Barnes's "Sugar Shack." 4to, wraps. ELAM, HARRY J., JR. and KENNELL JACKSON, eds. Black Cultural Traffic: Crossroads in Global Performance and Popular Culture. Ann Arbor: University of Michigan Press, 2005. 416 pp., index. Texts on the global traffic in "blackness" by 26 contributors, including an international and interdisciplinary mix of scholars, critics, and practicing artists. 8vo (9 x 6.3 in.), cloth, d.j. First ed. ESTELL, KENNETH. African America: Portrait of a People. Detroit: Visible Ink, 1994. Section on Fine and Applied Arts pp. 593-655 mentions a sizeable number of artists (with many misspellings): Scipio Moorhead, Eugene Warburg, Bill Day [presumably Thomas Day], Charles Alston, Benny Andrews, Henry Bannarn, Edward M. Bannister, Richmond Barthé (photo), Jean-Michel Basquiat, Romare Bearden, John Biggers, Camille Billops, Robert Blackburn, curator Horace Brockington, Elmer Brown, Eugene Brown, Kay Brown, Linda Bryant, Selma Burke, Margaret Burroughs, E. Simms Campbell, Elizabeth Catlett, Cathy Chance, Dana Chandler, Gylbert Coker, Robert Colescott, Houston Conwill, Michael Cummings, Ernest Crichlow, Emilio Cruz, Roy DeCarava (with photo), Beauford Delaney, Aaron Douglas, David Driskell, Robert Duncanson, William Edmondson, Elton Fax, (with photo), Meta Warrick Fuller, Sam Gilliam, David Hammons, Philip Hampton, Florence Harding (as Harney), Palmer Hayden, James V. Herring, George Hulsinger, Richard Hunt, Clementine Hunter, Zell Ingram, Venola Jennings, Larry Johnson, Lester L. Johnson, Malvin Gray Johnson, Sargent Johnson, William H. Johnson, Joshua Johnston, Ben Jones, Emeline King, Jacob Lawrence (with photo); Hughie Lee-Smith, Edmonia Lewis, Norman Lewis, Samella Lewis, Ionis Bracy Martin, Cheryl McClenny, Geraldine McCullough, Evangeline J. Montgomery, Jimmy Mosely, Juanita Moulon, Archibald Motley (with photo), Otto Neals, Senga Nengudi, Ademola Olugebefola, Hayward Oubré, John Outterbridge, Gordon Parks, Marion Perkins, Delilah Pierce, Howardena Pindell, Jerry Pinkney, Horace Pippin, James Porter, Florence Purviance, Martin Puryear, Faith Ringgold, Betye Saar, Charles Sallee, Augusta Savage, William E. Scott, Charles Searles, Lorna Simpson, Willi Smith (with photo), William E. Smith, Edward Spriggs, F. [Doc] Spellmon, Nelson Stevens, Henry Ossawa Tanner, Jean Taylor, Alma Thomas, Bob Thompson, Dox Thrash, James VanDerZee, Laura Waring, Faith Weaver, Edward T. P. Welburn, Charles White, Randy Williams, William T. Williams (with photo), John Wilson, Hale Woodruff, Dolores Wright, Richard Yarde, and George Washington Carver. Also mentions fashion designers Stephen Burrows (photo), Gordon Henderson, Willi Smith. 4to, cloth. EXETER (NH). Lamont Gallery, Phillips Exeter Academy. American Visions. January 8-March 3, 2007. Group exhibition. Artists include: Benny Andrews, Barkley Hendricks, Richard Mayhew, Faith Ringgold, Aminah Brenda Lynn Robinson. All works loaned by ACA Galleries, NY. FAILING, PATRICIA. Black Artists Today: A Case of Exclusion. 1989. In: ARTnews 88, no. 3 (March 1989):124-31, illus. Mentions: Charles Abramson, Benny Andrews, Jean-Michel Basquiat, Romare Bearden, Frederick Brown, Beverly Buchanan, Elizabeth Catlett, Ed Clark, Robert Colescott, Robert Dilworth, Melvin Edwards, Sam Gilliam, David Hammons, Maren Hassinger, Candace Hill, Richard Hunt, Oliver Jackson, Martha Jackson-Jarvis, Calvin Jones, Ken Jones, Lisa Jones, Jacob Lawrence, Hughie Lee-Smith, Joe Lewis, James Little, Al Loving, Geraldine McCullough, Senga Nengudi, Lorraine O'Grady, John Outterbridge, Howardena Pindell, Adrian Piper, Charles Ethan Porter, Leslie Price, Martin Puryear, Faith Ringgold, Alison Saar, Betye Saar, Joyce Scott, Lorna Simpson, Raymond Saunders, Kaylynn Sullivan Twotrees. 4to, wraps. FAIRFIELD (CT). Thomas J. Walsh Art Gallery. Interludes: Romare Bearden, Richard Mayhew, Faith Ringgold, Benny Andrews, Barkley Hendricks. 1999. Group exhibition. FARRINGTON, LISA E. Creating Their Own Image: The History of African-American Women Artists. New York: Oxford University Press, 2005. 354 pp., 150 color plates, 100 b&w illus. A history of African American women artists, from slavery to the present day. Draws on numerous interviews with contemporary artists. The following are included with illustration(s): Laylah Ali, Emma Amos, Xenobia Bailey, Camille Billops, Betty Blayton, Chakaia Booker, Kay Brown, Vivian E. Browne, Beverly Buchanan, Selma Burke, Carole Byard, Carol Ann Carter, Nanette Carter, Elizabeth Catlett, Yvonne Parks Catchings, Barbara Chase-Riboud, Luiza Francis Combs, Josie Covington, Renée Cox, Sarah Mapps Douglass, Sharon Dunn, Gaye Ellington, Minnie Evans, Meta Warrick Fuller, Ellen Gallagher, Deborah Grant, Alyne Harris, Bessie Harvey, Robin Holder, Margo Humphrey, Clementine Hunter, May Howard Jackson, Martha Jackson-Jarvis, Marie Johnson-Calloway, Lois Mailou Jones, Barbara Jones-Hogu, Elizabeth Keckly, Pamela Jennings, Jean Lacy, Ruth Lampkins, Edmonia Lewis, Samella Lewis, Valerie Maynard, Dindga McCannon, Geraldine McCullough, Vicki Meek, Sister Gertrude Morgan, Lorraine O'Grady, Mary Lovelace O'Neal, Winnie Owens-Hart, Howardena Pindell, Adrian Piper, Stephanie Pogue, Georgette Seabrooke Powell, Harriet Powers, Debra Priestly, Nancy Elizabeth Prophet, Helen Evans Ramsaran, Nellie Mae Rowe, Betye Saar, Gail Shaw-Clemons, Mary T. Smith, Faith Ringgold, Alison Saar, Betye Saar, Joyce J. Scott, Lorna Simpson, Sylvia Snowden, Renée Stout, Freida High W. Tesfagiogis, Alma Thomas, Annie E. Anderson Walker, Kara Walker, Adell Westbrook, Laura Wheeler Waring, Carrie Mae Weems, Joyce Wellman, Philemona Williamson, Deborah Willis, Beulah Ecton Woodard. Others such as Margaret Burroughs, Catti, Tana Hargest, Kira Lynn Harris, Cynthia Hawkins, Jennie C. Jones, Adia Millett, Julie Mehretu, Camille Norment, Aminah Robinson, Nadine Robinson, Gilda Snowden, Ann Tanksley, Shirley Woodson, are briefly mentioned in passing. [Review: April F. Masten, Illuminating the Color Line Artist by Artist," Reviews in American History Vol. 35, No. 2 (June 2007):265-272; Renée Ater, "Creating Their Own Image: The History of African-American Women Artists," NWSA Journal Vol. 19, No. 1 (Spring 2007):211-217.] 4to (11 x 8 in.), cloth, d.j. First ed. FARRINGTON, LISA E. Textiles Transformed: The New American Fine Art Quilt. c.2007. traveling exhibition catalogue, biogs., bibliog., glossary. 11 artists who use textiles and other media to transpose the traditional quilt into unique compositions. African American artists include: Faith Ringgold, Grace Matthews, and Carolyn Mazloomi. FARRIS, PHOEBE, ed. Women Artists of Color: A Bio-Critical Sourcebook to Twentieth Century Artists in the Americas. Westport (CT): Greenwood, 1999. xx, 496 pp., afterword, notes, cultural resource list, index. Includes 25 African American women artists; biographical essay, exhibs. artist's statement and bibliog. for each artist. The choices are fairly predictable, with only a few surprise additions such as installation artist Marie T. Cochran and ceramicist Sana Musasama. However, the essays are substantial and the reference material is useful. 8vo, cloth, no d.j. (as issued). First ed. FAX, ELTON. Seventeen Black Artists. New York: Dodd, Mead & Company, 1971. xiv, 306 pp., 44 b&w illus., index. Includes Elizabeth Catlett, John Wilson, Lois Mailou Jones, Charles White, Eldzier Cortor, Rex Goreleigh, Charlotte Amevor, Romare Bearden, Jacob Lawrence, Roy DeCarava, Faith Ringgold, Earl Hooks, James E. Lewis, Benny Andrews, Norma Morgan, John Biggers and John Torres. Small 4to (8.4 x 5 in.), yellow cloth, d.j.. FINE, ELSA HONIG. The Afro-American Artist: A Search for Identity. New York: Holt Rinehart and Winston, 1973. x, 310 pp., 342 b&w illus., 38 color plates, bibliography and notes, index. Survey of work from the colonial period through the 1970s. Approx. 100 artists represented. An important reference work with many women artists included: Charles Alston, Benny Andrews, Malcolm Bailey, Edward Bannister, Amiri Baraka, Richmond Barthé, Romare Bearden, Henry Bibb, Betty Blayton, Grafton Tyler Brown, Kay Brown, Dana Chandler, Barbara Chase-Riboud, Eldzier Cortor, Ernest Crichlow, Emilio Cruz, Thomas Day, Beauford Delaney, Joseph Delaney, Jeff Donaldson, Aaron Douglas, Robert M. Douglass, Jr., Robert S. Duncanson, Melvin Edwards, Frederick J. Eversley, Allan Freelon, Meta Vaux Warrick Fuller, Reginald Gammon, Sam Gilliam, Henry Gudgell, David Hammons, Marvin Harden, William A. Harper, Palmer Hayden, Felrath Hines, Alvin C. Hollingsworth, Julien Hudson, Richard Hunt, Bill Hutson, Walter C. Jackson, Daniel Larue Johnson, Malvin Gray Johnson, Marie Johnson, Milton Derr (as Milton Johnson), Joshua Johnston, Ben Jones, Lois Mailou Jones, Cliff Joseph, Jacob Lawrence, Hughie Lee-Smith, Edmonia Lewis, James Lewis, Norman Lewis, Tom Lloyd, Al Loving, Richard Mayhew, Donald McIlvaine, Scipio Moorhead, Norma Morgan, Archibald Motley, George Neal, Joe Overstreet, Horace Pippin, James A. Porter, Patrick Reason, Robert Reid, Gary Rickson, Faith Ringgold, Raymond Saunders, William E. Scott, Christopher Shelton, Thomas Sills, Merton Simpson, William H. Simpson, John H. Smith, Tony Smith, Henry Ossawa Tanner, Alma Thomas, Bob Thompson, Lovett Thompson, Neptune Thurston, Ulysses Vidal, Bill Walker, Eugene Warburg, Charles White, William T. Williams, A. B. Wilson, Hale Woodruff. [Excellent quality reprint in sturdy cloth binding with all original color plates was issued by Hacker, NY, 1982.] Small, 4to, black cloth with silver lettering, d.j. First ed. FINE, ELSA HONIG. Women and Art: A History of Women Painters and Sculptors from the Renaissance to the 20th Century. 1978. xiii, 240 (2), 144 b&w illus., 4 color plates, bibliog., index. Survey of the work of over 90 European and American women artists up to 1978, with brief biographies for each. Women of color include: Edmonia Lewis and brief mention of Faith Ringgold. FINEBERG, JONATHAN. Art Since 1940: Strategies of Being. New York: Abrams, 1995. 496 pp., 557 illus. in color and b&w, list of illus., index. Includes 8 African American artists: Basquiat and Bearden (3 color plates each, photo of Basquiat), Robert Colescott (1 color plate), Martin Puryear (2 b&w illus.), and the remainder with 1 b&w illus. each: David Hammons, Faith Ringgold, Betye Saar, Renée Stout. Wifredo Lam is mentioned in passing, but without illus. 4to, cloth, d.j.First ed. FLOMENHAFT, ELEANOR. Women Only! In Their Studios. 2006. Group exhibition of women artists including 20 major women artists who emerged in the 50s-70s. Four are African American: Camille Billops, Elizabeth Catlett, Howardena Pindell, Faith Ringgold, Flo Oy Wong. [Texas Tech University, February 19-April 16, 2006; Polk Museum of Art, July 15-October 15, 2006; Muskegon Museum of Art, Muskegon, MI, September 13-November 11, 2007.] FORT LAUDERDALE (FL). Fort Lauderdale Museum of Art. Burning Issues: Contemporary African American Art. October 25, 1996-January 5, 1997. 23 pp. exhib. cat., color illus. Group exhibition. Curated by Laurence Palmer; text by A. M. Weaver. Includes: Radcliffe Bailey, Camille Billops, Michael Cummings, David Hammons, Lyle Ashton Harris, Glenn Ligon, Kerry James Marshall, Gary Moore, Faith Ringgold, Alison Saar, Jeffrey Henson Scales, Lorna Simpson, Yvonne Edwards Tucker, Carrie Mae Weems, Fred Wilson. 8vo (21 cm.), wraps. First ed. Freeman, Linda (Prod.) and David Irving (Dir.). I Can Fly Part I: Kids and Creativity (Video). Chappaqua (NY): L&S Video Inc.. Documentary film designed for school children. Features: Jacob Lawrence, Faith Ringgold, Elizabeth Catlett and performances by internationally acclaimed theatrical troupes: BLUE MAN GROUP, de la GUARDA and STOMP! Hosted by teenager Austin Eve Irving. Written and directed by David Irving; created and produced by Linda Freeman. VHS-NTSC: color; sd; 28 min. Freeman, Linda (Prod.) and David Irving (Dir.). I Can Fly Part IV: Kids and African American Art (Video). Chappaqua (NY): L&S Video Inc.. Documentary film designed for school children. Features: Jacob Lawrence, Faith Ringgold, Alison Saar, Benny Andrews, Elizabeth Catlett, Romare Bearden. Written and directed by David Irving; created and produced by Linda Freeman. VHS-NTSC: color; sd; 28 min. FREEMAN, ROLAND L. A Communion of the Spirits: African-American Quilters, Preservers and Their Stories. Nashville: Rutledge Hill Press, 1996. xviii, 396 pp., color plates, index, bibliog. Pref. by David B. Levine. Chronological autobiographical memoir by the photographer / quilt collector author, intertwined with an extensive national survey of African American quiltmakers. The groundbreaking book on this topic, designed to accompany a traveling exhibition of quits, curated by Freeman. Also includes mention of: Rosa Parks, Maya Angelou, Sonia Sanchez, Alice Walker, Nikki Giovanni, Bernice Johnson Reagon, and Faith Ringgold. Includes: Alice Beasley, Adriene Cruz, Nora Lee Ezell who was recognized in 1992 as a Master Traditional Artist; & Gussie Wells; The African-American Quilters of Baltimore; Sacred Sisters and brothers Mentoring Group in Franklin County, Ohio; Dorothy Moore Banks of Richmond, California who uses her quilt to teach African-American history in her classes; Damian Mazloomi & his mother, Dr. Carolyn Mazloomi, Anita H. Knox in Tarrant County Texas & Lula Mae Brown & her daughter Ruby Jean Brown in Logan County, Oklahoma. Carole Harris, Jim Smoote, II, Joseph White, Marlene O'Bryant-Seabrook, Gwendolyn Magee, Charlotte Hill O'Neal, Viola Canady, and many others. 4to, (10.2 x7.5 in.), red cloth, pictorial d.j. First ed. FRYE, DANIEL J. African American Visual Artists: an annotated bibliography of educational resource materials. Lanham, MD: Scarecrow Press, 2001. xvi, 378 pp. Many misspellings of artists' names. 8vo (23 cm.), cloth. GARDEN CITY (NY). Adelphi University Center Gallery. Personal Totems: About, By, For and Of Woman Of Color. January 21-February 22, 2007. Group exhibition by members of the National Association of Women Artists. Curated by Faith Ringgold. Seemingly an exhibition of white artists. GARDEN CITY (NY). Firehouse Gallery, Nassau Community College. The Impact of Slavery: It’s More Than Just Another Art Show. November 12-December 20, 1994. Group exhibition. Included: Faith Ringgold, Vincent Smith, et al. GARDEN CITY (NY). Firehouse Gallery, Nassau Community College. Vexillology: The American Symbol in Art. September 2-October 1, 2003. Exhib. brochure, illus. Text by Lynn Rozzi Casey. Group exhibition. Included: Emma Amos, Faith Ringgold, and Dread Scott (whose historic work "What is the Proper Way to Display a US Flag?" was attacked yet again - this time by local elected officials and some veterans groups.) GAZE, DELIA. Dictionary of Women Artists Vols. 1 & 2. 1997. 1512 pp. Includes: Emma Amos, Beverly Buchanan, Elizabeth Catlett, Barbara Chase-Riboud, Meta Vaux Fuller, Lois Mailou Jones, Edmonia Lewis, Howardena Pindell, Faith Ringgold, Betye Saar, Augusta Savage, Clarissa T. Sligh, Alma Thomas. Brief mention of a few others such as Alison Saar and Carrie Mae Weems. GRAND FORKS (ND). North Dakota Museum of Art. Frontiers in Fiber: The Americans. January 15-February 15, 1988. Exhib. cat. Group exhibition that toured for two years in Asia. Included: Patricia Ravarra, Faith Ringgold, Betye Saar, et al. [Traveled in Asia for two years, including: Ishikawa Industrial Center, Kanazawa, Japan; Kyoto National Museum of Art, Kyoto, Japan; Taipei Fine Arts Museum, American Institute, Taiwan, August 13-October 2, 1988; Walker Hill Art Center, Seoul, Korea; Thailand Cultural Center, Bangkok, Thailand; National Art Galleries, Kuala Lumpur, Malaysia; in Guangzhou in the People's Republic of China; National Art Gallery, Jakarta, Indonesia; Metropolitan Museum of Art, Manila, Phillipines; Hong Kong Art Center, Hong Kong; National Art Gallery, Singapore.] GREENE, DENISE A. (Dir.). Not a Rhyme Time: 1963-1986 (Video). New York: Blackside, Inc., in association with Thirteen/WNET, PBS Video, 1999. Focuses on the inroads made by African American artists in the performing arts from the 1960s-1980s. Includes: Romare Bearden, Benny Andrews, Howardena Pindell, Faith Ringgold, poets Gwendolyn Brooks, Amiri Baraka, authors Alice Walker, August Wilson, among others. Produced and directed by Denise A. Greene; written by Sheila Curran Bernard, Denise A. Greene. VHS-NTSC: color, sd.; 57 min. GREENSBORO (NC). H.C. Taylor Gallery, North Carolina A&T State University. 15 Afro-American Women. March 1-31, 1970. Unpag. exhib. cat., illus., brief biogs. and photos of artists. Includes: Betty Blayton, Lorraine Bolton, Edith Brown, Margaret Burroughs, Iris Crump, Inge Hardison, Lois Mailou Jones, Eva Hamlin Miller, Norma Morgan, Delilah Pierce, Faith Ringgold, Lucille (Malkia) Roberts, Ann Tanksley, Alma Thomas, and Barbara Zuber. Wraps. GRINNELL (IA). Grinnell College. A View of Her Own. 1987. Group exhibition. Included: Faith Ringgold. HAIN, MARK, ed. Pennsylvania Academy of the Fine Arts: 200 Years of Excellence. Philadelphia: University of Pennsylvania Press, 2005. 312 pp., 220 color plates, notes, index. Texts by 7 critics on aspects of the Academy's history, collections, curriculum and buildings. Color plates of work by Benny Andrews, Romare Bearden, Elizabeth Catlett, Jacob Lawrence, Horace Pippin, Faith Ringgold, Betye Saar, Raymond Saunders, Henry Ossawa Tanner, Bob Thompson, Dox Thrash. Also mentioned in the text is the presence of work by Sam Gilliam and Howardena Pindell in the collection. Most of the African American work was acquired in 2004 as the gift of Harold A. and Ann R. Sorgenti; eight works by Horace Pippin were bequeathed in 1979. 4to (12 x 9.1 in.), cloth, d.j. HAJOSY, DOLORES. Gallery 62: An Outlet . . . A Bridge. 1985. In: Black American Literature Forum 19, No. 1 (Spring 1985):22-23. Mentions artists in 1978 inaugural exhibition at Gallery 62: Charles Alston, Richmond Barthé, Romare Bearden, William Braxton, Selma Burke, Aaron Douglas, Palmer Hayden, Jacob Lawrence, Archibald Motley, Augusta Savage, William E. Scott, Albert A. Smith, Henry O. Tanner, Charles White, Hale Woodruff. Mentions the many other artists subsequently shown in Gallery 62 exhibitions: Jules Allen, Emma Amos, Toyce Anderson, Aleta Bass, Carole Byard, Adger Cowans, Virginia Cox, Nicholas Davis, Avel DeKnight, Nadine DeLawrence-Maine, Louis Delsarte, James Denmark, Tom Feelings, Manuel Hughes, Bill Hutson, Oliver Johnson, Ben Jones, Richard Leonard, James Little, Fern Logan, Jacqueline Patten, John Pinderhughes, John Rhoden, Faith Ringgold, Arthur Robinson (presumably Leo A. Robinson?), Betye Saar, Sidney Schenck, Coreen Simpson, Beauford Smith, George Smith, John Spaulding, Charles Stewart, Frank Stewart, Sharon Sutton, Jon Thomas, Leon Waller, Joyce Wellman, George Wilson, Maryam Zafar. HAMBURG (Germany). Kunsthaus. American Woman Artist Show. April 14-May 14, 1972. 50 pp. exhib. cat., illus. Includes: Faith Ringgold, Howardena Pindell. [Sponsored by GEDOK Gemeinschaft der Künstlerinnen und Kunstfreunde Hamburg.] 8vo (21 cm.), wraps. HAMPTON (VA). Hampton University. The International Review of African American Art Vol. 14, no. 3 (Stereotypes Subverted? Or for Sale?). 1997. Important multi-article discussion of the use of racial stereotypes in the visual arts. Articles by Karen C.C. Dalton, Michael D. Harris and Lowery Sims (The Past is Prologue but is Parody and Pastiche Progress?); Phyllis J. Jackson (IN) forming the Visual: (RE) Presenting Women of African Descent; Robert G. O'Meally (Jazz Albums as Art: Some Reflections); Joanne Nerlino (The Visual Art of Miles Davis); Cece Bullard (Afrodisiac: A Taste of Black Erotic Art). Images by Kara Walker, Michael Ray Charles, Betye Saar, Jean-Michel Basquiat, Joanne Scott, Murray N. Depillars, Joyce J. Scott, Freida High, Robert Colescott, Manuel Hughes; Camille Billops, Angela Franklin, Tom Miller, Wendell Brown; Meta Warrick Fuller, Renée Stout, Carrie Mae Weems, Kira Lynn Harris, Deborah Willis, Faith Ringgold, Renée Cox, Clarissa Sligh, Adrian Piper, Pat Ward Williams, Sandra Rowe, Noni Olabisi, Lorna Simpson; Charles Alston, Miles Davis, John T. Biggers, Gwendolyn Aqui, Larry Poncho Brown; photos of the Tougaloo art colony (including Johnnie Mae Gilbert, Ricky Callaway, Emmit Patton, Yvonne Tucker, James Powell); Willis Bing Davis, José Bedia, Richard Wyatt (adv). 4to, wraps. HAMPTON (VA). Hampton University. The International Review of African American Art Vol. 17, no. 3 (1998). 2000. This issue focuses on collectors, including former and current NBA players and musicians who are art collectors. Obituary for John T. Biggers. Images of wrok by: Phoebe Beasley (cover), Jacob Lawrence, John Biggers, Norman Lewis, Benny Andrews, Elizabeth Catlett, Charles White, Luther Hampton, Robert Colescott, John Wesley Hardrick, Kevin Cole, Charles Alston, Sam Gilliam, Vincent Smith, Alvin Loving; Jr., Edward Clark, Nanette Carter, Leroy Campbell, Dewey Crumpler, Mildred Howard, José Bedia, Edgar Arceneaux, David Newton, Whitfield Lovell, Hughie Lee-Smith, Robert Tomlin, John Henry Adams, Laura W. Waring, Clementine Hunter, Charles E. Porter, Aaron Douglas, Philemonia Williamson, Hale Woodruff, Ann Tanksley, Jonathan Green, Romare Bearden, Ernie Barnes, Tom Miller, Faith Ringgold, Ernest Crichlow, Ayokunle Odeleye, Amalia Amaki, Mary Jane McKnight, Howardena Pindell, William Carter, Margaret Burroughs, white artist Charles Cullen, J. Clinton Devillis, Meta Vaux Fuller, Samuel O. Collins, Nina Buxenbaum, Larry Walker; photographs listed by an unidentifiable artist listed as "Van Dyke Brown"(?) which is a photo process; plus documentary photographs of collectors and artists. 4to, wraps. HAMPTON (VA). Hampton University. The International Review of African American Art Vol. 19, no. 4 (2004): Special Tribute to Charles Alston. 2004. This issue includes "What are the factors that contribute to outstanding success in visual art? What is the worth of the art?" Discussion by art historians Richard Powell and Nicole Gilpin Hood, curators Valerie Mercer and Jacqueline Serwer, collector Harriet Kelley, appraiser Michael Chisolm, art advisor Halima Taha, and gallery directors Eric Hanks, George N’Namdi, Michael Rosenfeld and Sande Webster. This issue also includes: "Charles Alston - an appreciation" by Lemoine Pierce; "Rescuing Two Harlem Renaissance Artists: Malvin Gray Johnson and Allan Freelon" by Kenneth Rodgers; "Courting Art ( NBA players who collect and the aesthetics of the game)" by Steve Prince; art news and reviews. Artists include: Charles Alston (17 works), William H. Johnson, Jacob Lawrence, Jean-Michel Basquiat, Kerry James Marshall (4), Romare Bearden (3), Horace Pippin (2), Robert S. Duncanson, Robert Colescott, Sam Gillian, Norman Lewis, Faith Ringgold, Richard Mayhew, Henry Tanner, Michael Massenburg, Edward Clark, Nanette Carter, Al Loving, Eric Mack, James Brantley, Beauford Delaney, Archibald J. Motley, Jr., Malvin Gary Johnson, Allan Freelon, Williams T. Williams, Elizabeth Catlett, Charles Sebree, Steve Prince, Chakaia Booker (3), Laylah Ali, Julie Mehretu, Terry Adkins, Nadine Robinson, Jean Shin, Hale Woodruff (2), Ben Jones, Lorraine Bolton, Marianetta Porter, Chandra Cox, Linda Bolton, John Biggers, John Wilson, Samella Lewis (2), Coco Fuso, Mark Blackshear, Herbert Gentry, Elisabeth Atnafu, John Vachon, and Barbara Norfleet. 4to, wraps. HANOVER (NH). Hood Museum of Art, Dartmouth College. Word and Image. March 26-August 4, 2013. Group exhibition curated by twenty-two studio art majors from the Class of 2013. Includes: Faith Ringgold and Fred Wilson, perhaps others. HARLEY, RALPH L., JR. Checklist of Afro-American Art and Artists. 1970. In: Serif 7 (December 1970):3-63. What could have been the foundation of future scholarship is unfortunately marred by errors of all kinds and the inclusion of numerous white artists. All Black artists are cross-referenced. HARTFORD (CT). Amistad Foundation, Wadsworth Atheneum. Martin Luther King Jr.: Life, Times, and Legacy. November 14, 2007-April 27, 2008. Group exhibition. Artists included: Elizabeth Catlett, Jeff Donaldson, David Driskell, Terence Hammonds, Wadsworth Jarrell, Gordon Parks, Alexis Peskine, Sheila Pree-Bright, Faith Ringgold, Betye Saar, Moneta Sleet, and others. HELLER, JULES and NANCY G. HELLER, eds. North American Women Artists of the Twentieth Century: A Biographical Dictionary. New York: Garland, 1995. 612 pp., 100 b&w illus., 1500 aritsts' biogs. Includes approx. 49 African American artists: Emma Amos, Ellen Banks, Erlena Bland, Betty Blayton-Taylor, Vivian Browne, Beverly Buchanan, Selma Burke, Margaret Burroughs, Lilian Thomas Burwell, Yvonne Pickering Carter, Elizabeth Catlett, Barbara Dewayne Chase-Riboud, Barbara Chavous, Minnie Jones Evans, Meta Warrick Fuller, Maren Hassinger, Margo Humphrey, Clementine Hunter, May Howard Jackson, Suzanne Fitzallen Jackson, Vera Jackson, Marie E. Johnson-Calloway, Lois Mailou Jones, Viola Burley Leak, Edmonia Lewis, Samella Sanders Lewis, Louise Martin, Geraldine McCullough, Evangeline J. Montgomery, Winnie Owens-Hart, Louise Parks, Howardena Pindell, Adrian Piper, Stephanie Elaine Pogue, Nancy Elizabeth Prophet, Faith Ringgold, Malkia Roberts, Alison Saar, Betye Saar, Augusta Christine Savage, Georgette Seabrooke, Jewel Woodard Simon, Clarissa Sligh, Sylvia Snowden, Renée Stout, Alma Thomas, Denise Ward-Brown, Laura Wheeler Waring, Adell Westbrook. Stout 4to, cloth. HENKES, ROBERT. The Art of Black American Women: Works of Twenty-Four Artists of the Twentieth Century. Jefferson: (NC) McFarland & Co., 1993. 274 pp., 193 illus. (13 in color); 6-8 b&w illus. for each artist, brief color plate section, biog., awards, exhibs., bibliog., index of names/places. Includes: Lois Mailou Jones, Shirley Woodson, Howardena Pindell, Vivian Browne, Norma Morgan, Freida High W. Tesfagiorgis, Elizabeth Catlett (extensive entry), Jewel Simon, Faith Ringgold, Emma Amos, Robin Holder, Cynthia Hawkins, Camille Billops, Delilah Pierce, Yvonne Catchings, Gilda Snowden, Malkia Roberts, Ann Tanksley, Alma W. Thomas, Clementine Hunter, Viola Burley Leak, Mary Reed Daniel, Adell Westbrook and Nanette Carter. 4to (10.2 x 7.5 in.), cloth. HIGGINBOTHAM, EVELYN BROOKS, et al, Eds. The Harvard Guide to African-American History. 2001. 923 pp., visual arts bibliography of approximately 80 books in addition to the monographs mentioned in the text. Review of publications cites only four monographs from the 1940s-1971 (Rodman's Horace Pippin; Lois Mailou Jones Peintures; Images of Dignity; Mathews' Henry Ossawa Tanner) along with mention of the illustrated books by Elton Fax and John T. Biggers (on their trips to Africa), Allan Rohan Crite and Oliver Harrington. Only five additional books from the 1970s are mentioned, one of which is referred to as "that unusual publication, an artist's autobiography," but fails to note that the book is for children and that children's literature biographies of successful African American men were published in droves during the 70s, even in the form of history comic books. The author of this section states that roughly 50 monographic publications (including books and exhibition catalogues) were published during the 1990s. A highly misleading body count; we count well over 1000. Text includes mention of publications from the 1970s-90s on Charles Alston, Edward Mitchell Bannister, Romare Bearden, John Biggers, Elizabeth Catlett, Aaron Douglas, Thomas Day, Beauford Delaney, Thornton Dial, Robert S. Duncanson, Melvin Edwards, Minnie Evans, Elton Fax, Tom Feelings, Amos Ferguson, David Hammons, Oliver Harrington, Palmer Hayden, Clementine Hunter, William H. Johnson, Joshua Johnston, Lois Mailou Jones, Raymond Lark, Jacob Lawrence, Norman Lewis, Archibald Motley, Elijah Pierce, Horace Pippin, James A. Porter, Faith Ringgold, Ellis Ruley, Philip Simmons, Renée Stout, Henry Ossawa Tanner, Alma Thomas, Bill Traylor, James W. Washington, Jr., James Lesesne Wells, and several others. A highly biased list omitting most major artists under 45. HILTON HEAD (SC). Coastal Discovery Museum. Stitched from the Soul. January-March, 2001. Exhibition of African American quilts and story quilts through the end of March, curated by Joe Adams of the America. Oh, Yes! gallery from his personal collection of folk art quilts as well as quilts from local artisans. Quiltmakers include: Chris Clark, Thomas Mack, Juliette Grant, Faith Ringgold, et al. HINE, DARLENE CLARK and KATHLEEN THOMPSON. A Shining Thread of Hope: The History of Black Women in America. New York: Broadway Books, 1998. 368 pp. Only passing notice of visual artists with brief mention of Selma Burke, May Howard Jackson, Edmonia Lewis, Georgette Powell, Harriet Powers, Elizabeth Prophet, Augusta Savage, Faith Ringgold, and others. 8vo, cloth, d.j. HOLLAND (MI). DuPree Art Center, Hope College. Dark Decor. January 10-March 6, 1992. Group exhibition. Included: Faith Ringgold. [Traveled to: San Jose Museum of Art, San Jose, California, July 12-October 11; Florida Gulf Coast Art Center, Belleair, Florida, December 11-February 7, 1993.] HOLMES, OAKLEY N., JR. Black artists in America. Part four [Film]. (1975), 1991. Artists in this segment include: Betty Blayton, Vivian Browne, Herbert Gentry, Lois Mailou Jones, Jacob Lawrence, Faith Ringgold, Hale Woodruff. Re-release on video (transfer from original 16mm. film.) VHS-NTSC: sd.; 45 min. HOLMES, OAKLEY N., JR. Black artists in America. Part two [Film]. (1971), 1991. Producer: Oakley N. Holmes; music by Billy Taylor. Sole documentation of the 1971 national panel on African-American art. Major African-American sculptors, painters, curators, historians, and museum directors reveal the complex aspects of their unique status in the United States. An historical introduction by Romare Bearden is accompanied by rare footage of the Black art shows of the 1930s. Artists in the film include: Romare Bearden, Benny Andrews, Dana Chandler, Art Coppedge, Ernest Crichlow, Joseph Delaney, Melvin Edwards, Alvin C. Hollingsworth, Nigel Jackson, Cliff Joseph, Norman Lewis, Richard Mayhew, Louise Parks, Faith RInggold, George Smith, Edward Spriggs, Ed Taylor, Hale Woodruff. Re-release on video (transfer from original 16mm. film.) VHS-NTSC. Sd, col. 41 min. HOLMES, OAKLEY N., JR. The Complete Annotated Resource Guide to Black American art: Books, doctoral dissertations, exhibition catalogs, periodicals, films, slides, large prints, speakers, filmstrips, video tapes, Black museums, art galleries, and much more. Spring Valley, NY: Black Artists in America, 1978. iii, 275 pp. A bibliographical reference superceded by Igoe who incorporated all of this information. AAVAD has not yet consulted or copied this information into the database, except where the reference appeared through other sources. Note: numerous misspellings of artists' names. 8vo (23 cm.), glossy printed wraps; text mimeographed. First ed. hooks, bell. Yearning: race, gender, and cultural politics. Boston: South End Press, 1990. 236 pp., bibliog. Powerful essays and interviews on racism and sexism in literature, film and culture. Includes Chapter 12: Aesthetic Inheritances, history worked by hand - on the aesthetics of her grandmother Sarah Hooks Oldham's quiltmaking. Passing mention is made of Harriet Powers, Mahulda Mize and Faith Ringgold. [Reprinted in Belonging: A Culture of Place. Routledge, 2008.] 8vo (23 cm.), 1/4 cloth, d.j. First ed. HOUSTON (TX). DiverseWorks. Coast to Coast; a women of color national artists' book project. 1988. 79 pp. exhib. cat., 72 b&w illus. Curated by Faith Ringgold and Clarissa Sligh; text by Faith Ringgold. Includes: Emma Amos, Vivian E. Browne, Elizabeth Catlett, Janet Henry, Fern Logan, Vicki Meek, Adrian Piper, Faith Ringgold, Cheryl Shackleton, Gail Shaw-Clemons, Clarissa T. Sligh, Deborah Willis. [Traveled to The Kitchen, New York; College of Wooster, Wooster (OH), January 1989; Center for Book Arts, June 14-Aug. 5; Eubie Blake Center, Baltimore, MD; Flossie Martin Gallery, Radford University, Radford, VA, 1990.] 8vo (22 x 19 cm.; 7.25 x 8.75 in.), wraps. First ed. HUNTINGTON (NY). Heckscher Museum of Art. As We See Ourselves: Artists' Self Portraits. June 22-August 5, 1979. 40 pp. exhib. cat., illus., bibliog. Text by Katherine Lochridge. Included: Faith Ringgold. 8vo (21 cm.), wraps. HUNTINGTON (NY). Heckscher Museum of Art. The Artist's Mother: Portraits & Homages. November 14, 1987-January 3, 1988. 63 pp. exhib. cat., b&w and color illus., bibliog. Curated by Barbara Coller. Texts by John E. Gedo and Donald Kuspit. Group exhibition. Included: Benny Andrews, Faith Ringgold. [Traveled to: The National Portrait Gallery, Washington, DC, March 26-June 5, 1988.] 4to (28 cm.), wraps. First ed. INNIS, DORIS FUNNYE and JULIANA WU. Profiles in Black: Biographical Sketches of 100 Living Black Unsung Heroes. New York: CORE, 1976. Biographical sketches with photos of each. Artists included: Margaret Burroughs, Vincent Smith, Faith Ringgold. ITHACA (NY). Herbert F. Johnson Museum of Art, Cornell University. Blackness in Color: Visual Expressions of the Black Arts Movement (1960 to present). August 26-October 22, 2000. Exhibition in celebration of the 30th anniversary of the Africana Studies and Research Center at Cornell University. Artists included: Emma Amos, Nii Ahene ’La Mettle-Nunoo, Akili Ron Anderson, Ellsworth Ausby, Abdullah Aziz, Romare Bearden, G. Falcon Beazer, John Biggers, Camille Billops, Bob Blackburn, Carole Blank, Skunder Boghossian, Kay Brown, Vivian E. Browne. Viola Burley Leak, Carole M. Byard, Elizabeth Catlett, Dana Chandler, Eldzier Cortor, Adger Cowans, Renée Cox. Pat Davis, Murry DePillars, Jeff Donaldson, David Driskell, Melvin Edwards, Miriam B. Francis, Reginald Gammon, David Hammons, Michael Harris, Gaylord Hassan, Frieda High Wasikhongo Tesfagiorgis, Linda Hiwot, Robin Holder. Jamillah Jennings, Lois Mailou Jones, Napoleon Jones-Henderson, Barbara J. Jones-Hogu, Charlotte Kā (Richardson), Wifredo Lam, Carolyn Lawrence, Jacob Lawrence, Norman Lewis, Al Loving, Valerie Maynard, Dindga McCannon, Geraldine McCullough, Muhammad Mufutau, Otto Neals, Malangatana Ngwenya, Ademola Olugebefola, Gordon Parks, James Phillips, Okoe Pyatt, Abdul Rahman, Faith Ringgold, Ibrahim El-Salahi, Betye Saar, Charles Searles, James Sepyo, Taiwo Shabazz, Lorna Simpson, Merton Simpson, Nelson Stevens, Leo Franklin Twiggs, Cheryl Warrick, Carrie Mae Weems, Charles White, Emmett Wigglesworth, Grace Williams, William T. Williams. ITHACA (NY). Herbert F. Johnson Museum, Cornell University. The Novel Picture: Interactions Between Text and Image. April 1-June 11, 2006. Group exhibition. Included: Faith Ringgold (quilt and accompanying book printed on felt, "Seven Passages to a Flight,") Lorna Simpson, Kara Walker's die-cut book and Carrie Mae Weems ("Not Manet's Type," a series of nude self-portraits with accompanying text.) JAMAICA (NY). Jamaica Arts Center. Masters and Pupils: The Education of the Black Artist in New York: 1900-1980. December 13, 1986-February 28, 1987. Recto: Color poster, exhibition announcement and list of artists; verso: exhib. brochure. (8 pp.) text, 8 b&w illus. Foreword by William P. Miller, Jr.; important text by Kellie Jones, synopsizing the 'artists' history' of studio education, passed from artist to artist. Discussion of the educational role of the National Academy of Design, Cooper Union, the Harlem Art Center, Art Students League, City College, and other educational venues. Artists include: Charles Abramson, Charles Alston, Candida Alvarez, Emma Amos, Romare Bearden, Camille Billops, Robert Blackburn, Elizabeth Catlett, Ernest Crichlow, Beauford Delaney, Joseph Delaney, Aaron Douglas, Rex Goreleigh, William H. Johnson, Jacob Lawrence, Joe Lewis, Norman Lewis, Hughie Lee-Smith, Whitfield Lovell, Tyrone Mitchell, Sana Musasama, Faith Ringgold, Augusta Savage, Vincent Smith, Charles White, Jack Whitten, Randy Williams, William T. Williams, Hale Woodruff and important white instructors such as Charles Hawthorne, Robert Gwathmey, Carl Holty, George Negroponte, Winold Reiss, Vaclav Vytlacil, and others. [Traveled to: Metropolitan Life Gallery, NY, March 10-April 24, 1987.] Single folded sheet poster-catalogue, printed on both sides. JEGEDE, DELE. Encyclopedia of African American Artists (Artists of the American Mosaic). Westport (CT): Greenwood, 2009. 280 pp., b&w illus. and 8 pp. color plates, brief bibliogs. after biographical entries, short general bibliog., index. 66 artists included, some with full entries, some additional artists named in passing. Not remotely encyclopedic. Includes: Charles Alston, Olu Amoda, Emma Amos, Benny Andrews, George Andrews, Herman Kofi Bailey, Edward M. Bannister, Richmond Barthé, Jean-Michel Basquiat, Romare Bearden, John T. Biggers, Elmer Simms Campbell, George Washington Carver, Elizabeth Catlett, Sonya Clark, Robert Colescott, Larry Collins, Ed Colston, Achamyele Debela, Roy DeCarava, Gebre Desta, Buddie Jake Dial, Thornton Dial, Sr., Jeff Donaldson, Aaron Douglas, David Driskell, Melvin Edwards, Victor Ekpuk, Ben Enwonwu, Tolulope Filani, Sam Gilliam, Palmer Hayden, Alvin C. Hollingsworth, Charnelle Holloway, George Hughes, Richard Hunt, Wadsworth Jarrell, William H. Johnson, Joshua Johnson, Lois Mailiou Jones, Ronald Joseph, Byron Kim, Wosene Worke Kosrof, Jacob Lawrence, Edmonia Lewis, Cynthia Lockhart, Frank (Toby) Martin, Richard, Mayhew, Carolyn Mazloomi, Julie Mehretu, Archibald Motley, Wangechi Mutu, Barbara Nesin, Odili Donald Odita, Christopher Okigbo, Bruce Onobrakpeya, Kolade Oshinowo, Gordon Parks, Thomas Phelps, Horace Pippin, Willi Posey (under Jones), Ellen Jean Price, Martin Puryear, Femi Richards, Faith Ringgold, Aminah Brenda Lynn Robinson, Betye Saar, Augusta Savage, John T. Scott, Gerard Sekoto, Thomas Shaw, Lorna Simpson, Edgar Sorrells-Adewale, SPIRAL, Renée Stout, Henry Ossawa Tanner, Fatimah Tuggar, Obiora Udechukwu, James Vanderzee, Ouattara Watts, Carrie Mae Weems, Charles White, William T. Williams, Hale Woodruff. 4to (10.1 x 7.2 in.), boards. JERSEY CITY (NJ). Jersey City Museum. A Force of Repetition. July 21-September 23, 1990. Exhib. cat., illus. Text by Alison Weld. Included: Faith Ringgold, Lorna Simpson, William T. Williams. JERSEY CITY (NJ). Jersey City Museum. In Some Ways It's All Familiar: Landscapes. July 28-September 25, 2010. Group exhibition drawn from the museum's permanent collection. Included: Faith Ringgold. JOHNSON CITY (TN). Carroll Reese Museum, East Tennessee State University. Justice and the Palette. 1968. Exhib. cat., Group exhibition. Included: Faith Ringgold. JOHNSON, PEARLIE MAE. African American Quilts: An Examination of Feminism, Identity, and Empowerment in the Fabric Arts of Kansas City Quilters. Ann Arbor: UMI, 2008. 265 pp., list of 50 illus. bibliography. [Ph.D. dissertation; University of Missouri-Kansas City.] An in-depth interpretative analysis of fabric arts created by African American quilters in Kansas City; other fabric artists included in passing. JONES, AMELIA, ed. A Companion to Contemporary Art Since 1945. Wiley-Blackwell, 2006. 648 pp., illus. Primarily a series of survey texts on decades and topics. No in-depth commentary on any individual artist, but the texts do include: Jean-Michel Basquiat, Sonia Boyce, Samuel Fosso, Coco Fusco, Lyle Ashton Harris, Isaac Julien, Chris Ofili, Joe Overstreet, Adrian Piper, Keith Piper, Faith Ringgold, Betye Saar, Raymond Saunders, Yinka Shonibare, Renée Stout, Iké Udé, Kara Walker, Fred Wilson. Passing mention of Beauford Delaney, Allan DeSouza, Jeff Donaldson, David Hammons, Moshekwa Langa, Norman Lewis, Lorraine O'Grady, Olu Oguibe, William Pope.L, Chéri Samba, Lorna Simpson, Ernest C. Withers. 8vo (9.5 x 6.5 in.), cloth, dust jacket. First ed. KASSEL (Germany). Museum Fridericianum. Documenta IV. June 27-October 6, 1968. 2 vols. xxviii, 328; xxiv,160 pp. exhib. cat., color and b&w illus., biogs. Included: Faith Ringgold. KATONAH (NY). Katonah Museum of Art. Re/righting History: Counternarratives by Contemporary African-American Artists. March 14-May 16, 1999. 36 pp. exhib. cat., 20 full page color plates (including cover plate) 11 b&w illus., notes. Curated by Barbara Bloemink; text by Lisa Gail Collins. Artists includes: Emma Amos, Camille Billops, Beverly Buchanan, Michael Ray Charles, Willie Cole, Robert Colescott, Tony Gray, Kerry James Marshall, David McGee, Lorraine O'Grady, Adrian Piper, Faith Ringgold, Lezley Saar, Joyce Scott, Lorna Simpson, Kara Walker, Carrie Mae Weems, Pat Ward Williams, Deborah Willis. 4to, pictorial stiff wraps. First ed. KATONAH (NY). Katonah Museum of Art. The Re-Constructed Figure: The Human Image in Contemporary Art. June 25-September 17, 1995. 28 pp. exhib. cat., illus. Group exhibition of 11 artists, Curated and text by John Beardsley. Included: Robert Colescott, Faith Ringgold. KELLEY, ROBIN D. G. To Make Our World Anew: A History of African Americans. Ohio University Press, 2000. 670 pp., illus. Briefest possible mention of visual artists. Romare Bearden, Jacob Lawrence, Elizabeth Catlett, Robert Colescott, Martin Puryear, David Hammons, Faith Ringgold, Adrian Piper, Dawoud Bey, Michael Ray Charles, Ellen Gallagher, Lyle Ashton Harris, Kerry James Marshall, Alison Saar, Gary Simmons, Lorna Simpson, Kara Walker, Carrie Mae Weems. 8vo (9.5 x 6.8 in.), cloth, d.j. KIM, ELAINE H., MARGO MACHIDA, and SHARON MIZOTA. Fresh talk, daring gazes: Conversations on Asian American Art. Berkeley: University of California Press, 2003. xxiii, 210 pp., b&w and color illus., bibliog., index. A complex compendium of essays on the imaginary of Asian America, not exclusively by Asian American artists. Images with plate commentaries include numerous black artists and critics: Faith Ringgold, Deborah Willis, Albert Chong:, Kobena Mercer, Lowery Stokes Sims, Odili Donald Odita, Homi K. Bhabha, Allan DeSouza, Ellen Gallagher, Arturo Lindsay. 8vo (27 cm.) KING-HAMMOND, LESLIE and bell hooks. Gumbo Ya Ya: An Anthology of Contemporary African American Women Artists. New York: Midmarch Arts Press, 1995. 351 pp., over 300 illus. (11 in color), photo and /or illus., biogs., exhibs., and brief critical text for each artist, index. Intro. by Leslie King-Hammond. Essential reference listing of 152 women artists with brief entries by African American scholars and curators; more than a dozen others are mentioned in passing (see below primary list.) It should be mentioned that most performance artists, filmmakers, video artists, folk artists, quilters, most photographers, illustrators, and other categories such as the entire new generation of artists established in the decade preceding publication are omitted. Artists included in the primary listings: Emma Amos, Rose Auld, Xenobia Bailey, Mildred Baldwin, Ellen Banks, Trena Banks, Phoebe Beasley, Camille Billops, Betty Blayton, Lula Mae Blocton, Kabuya P. Bowens, Brenda Branch, Kay Brown, Vivian E. Browne, Beverly Buchanan, Selma Burke, Millie Burns, Margaret Burroughs, Carole Byard, Carol Ann Carter, Nanette Carter, Yvonne Pickering Carter, Yvonne Catchings, Elizabeth Catlett, Catti, Robin Chandler, Barbara Chase-Riboud, Marie Cochran, Virginia Cox, Pat Cummings, Mary Reed Daniel, Juette Day, Nadine DeLawrence, Julee Dickerson-Thompson, Marita Dingus, Yanla Dozier, Tina Dunkley, Malaika Favorite, Violet Fields, Ibibio Fundi, Olivia Gatewood, Jan Spivey Gilchrist, Michele Godwin, Gladys Barker Grauer, Renée Green, Ethel Guest, Cheryl Hanna, Inge Hardison, Bessie Harvey, Maren Hassinger, Cynthia Hawkins, Janet Henry, Candace Hill-Montgomery, Adrienne Hoard, Robin Holder, Jenelsie Holloway, Jacqui Holmes, Varnette Honeywood, Mildred Howard, Margo Humphrey, Irmagean, Suzanne Jackson, Martha Jackson-Jarvis, Marie Johnson-Calloway, Marva Lee Pitchford Jolly, Lois Mailou Jones, Barbara Jones-Hogu, Kai Kambel, Margaret Slade Kelly, Gwendolyn Knight, Ruth Lampkins, Artis Lane, Viola Leak, Dori Lemeh, Mary Le Ravin, Rosalind Letcher, Edmonia Lewis, Samella Lewis, Marcia Lloyd, Fern Logan, Lynn Marshall-Linnemeier, Valerie Maynard, Dindga McCannon, Geraldine McCullough, Vivian McDuffie, Joanne McFarland, Vicki Meek, Yvonne Meo, Eva Hamlin Miller, Corinne Howard Mitchell, Evangeline Montgomery, Norma Morgan, Lillian Morgan-Lewis, Jeanne Moutoussamy-Ashe, Deborah Muirhead, Sana Musasama, Marilyn Nance, Senga Nengudi, Lorraine O'Grady, Mary Lovelace O'Neal, Winifred Owens-Hart, Sandra Payne, Janet Taylor Pickett, Delilah Williams Pierce, Howardena Pindell, Adrian Piper, Rose Piper, Stephanie Pogue, Georgette Seabrooke Powell, Debra Priestly, Mavis Pusey, Helen Ramsaran, Patricia Ravarra, Faith Ringgold, Malkia Roberts, Aminah Robinson, Sandra Rowe, Alison Saar, Betye Saar, Eve Sandler, Joanne Scott, Joyce J. Scott, Cheryl Shackleton, Yolanda Sharpe, Gail Shaw-Clemons, Jewel Simon, Coreen Simpson, Lorna Simpson, Clarissa Sligh, Gilda Snowden, Sylvia Snowden, Shirley Stark, Janet Stewart, Renée Stout, Elisabeth Sunday, Ann Tanksley, Vivian Tanner, Anna Tate, Evelyn Terry, Freida High Tesfagiorgis, Alma Thomas, Barbara Thomas, Mildred Thompson, Renée Townsend, Yvonne Tucker, Ruth Waddy, Denise Ward-Brown, Fan Warren, Bisa Washington, Mary Washington, Joyce Wellman, Adell Westbrook, Linda Whitaker, Pat Ward Williams, Philemona Williamson, Deborah Willis, Shirley Woodson, [OTHERS mentioned in passing or in footnotes include the following: May Howard Jackson, Meta Warrick Fuller, Nancy Elizabeth Prophet, Annie Walker, Laura Waring, Irene Clark, Clementine Hunter, Harriet Powers, Gladys-Marie Fry, Cuesta Benberry, Rosalind Jeffries [as Roslind], Sister Gertrude Morgan, Inez Nathaniel-Walker, Nellie Mae Rowe, Mary T. Smith, Grannie Dear Williams. Mentions artists the editors hoped to include, but who weren't for various reasons: Amalia Amaki, Jacqueline Bontemps, Ora Williams Carter, Marva Cremer, Pat Davis, Terry Furchgott, Kira Harris, Ruth Beckman Holloman, May Howard, Dolores Johnson, Jean Lacy, Toni Lane, Laurie Ourlicht, Virginia Smit, Ming Smith, Phyllis Thompson, Deborah Wilkins, and Viola M. Wood.] 4to (11 x 8.5 in ), wraps. First ed. KIRKHAM, PAT, ed. Women Designers in the USA, 1900-2000: Diversity and Difference. New Haven: Yale University Press, 2002. 400 pp. Covers many kinds of design from Anni Albers to Amish quiltmaking. Chapter 4 "Three Strikes Against Me" by Pat Kirkham and Shauna Stallworth is on African American designers of furniture, fabric and wallpaper, and other materials; Chapter 6 by Jacqueline M. Atkins focuses on quilt design; Chapter 7 by Valerie Steele is on fashion designers. Mentions Anna Russell Jones, the first African American woman to graduate from the Philadelphia School of Design for Women (now Moore College of Art and Design) in 1925; the early design career of Lois Mailou Jones; notes the de-emphasis on design among theorists of the Harlem Renaissance; Ruth Carter, twice nominated for an Oscar as costume designer for most of Spike Lee's films and Spielberg's Amistad; quiltmakers Carolyn Mazloomi and Anna Williams of Baton Rouge; film production designers Chrisi Zea, Patricia Norris; Winifred Mason, thought to be the first black commercial jewelry designer; designers of jewelry and objects Evangeline Montgomery, Phyllis Bowdwin, Renee Beggsmith, and Joyce Scott; and many others. 4to (12.1 x 9.1 in.), cloth, d.j. First ed. LA JOLLA (CA). Grove Gallery, University of California-San Diego. Cultural Diversity in the American Theatre: Moving Toward the Twenty-first Century. November 8-11, 1990. Conference with associated exhibition by Faith Ringgold and performance work "Performances Four," by artists Marga Gomez, Lane Nishikawa, Anna DevereSmith and James Luna. LA JOLLA (CA). Grove Gallery, University of California-San Diego. In King's Image. March 14-April 27, 1991. Group exhibition. Included: Faith Ringgold. LA JOLLA (CA). Mandeville Art Gallery, University of California-San Diego. Faculty Exhibition. 1984. Group exhibition. Included: Faith Ringgold. LA JOLLA (CA). Museum of Contemporary Art San Diego. Social Configuration. 1992. Group exhibition. Included: Faith Ringgold. LAGOS (Nigeria). National Museum and Theatre. Second World Black and African Festival of Art and Culture [FESTAC 77]. January 15-February 12, 1977. 64 pp. exhib. cat. Group exhibition. American participants included: Adger Cowans, Tyrone Mitchell, Gordon Parks, Noah Purifoy, Faith Ringgold, Haywood "Bill" Rivers, Vincent Smith, William T. Williams, Melvyn Ettrick (representing Jamaica). Also included: Dudley Charles (Guyana), Gizaw Tadesse, Mesfin Tadesse, Cherenet Tassew, and thousands of other participants, et al. [Reviews: African Arts Vol. 11, Issue 1 (October 1977); Black Scholar 9, 1 (September, 1977):34-37; and a recent evaluation by Denis Ekpo, "Culture and Modernity Since Expo '77," in Afropolis: City/Media/Art:149-157.] LANGFORD, MARTHA. Scissors, Paper, Stone: Expressions of Memory in Contemporary Photographic Art. McGill-Queen's University Press, 2007. 342 pp., color illus. In English. Extensive discussion of June Clark. Buseje Bailey, Adrian Piper and Faith Ringgold mentioned in passing. Small 4to (9.2 x 8.3 in.), boards, d.j. LEESON, LYNN HERSHMAN (Dir.). Women Art Revolution [Film]. 2010. Documentary film about feminism of the 70s. Interviews, art, archival film and video footage. The usual talking heads format with overly quick screen shots of the art. Includes: Howardena Pindell, Adrian Piper and Faith Ringgold. Unfortunately, for all its massive funding and high production quality, Hershman's film is largely a derivative repeat of some of the information in Laura Cottingham's feature-length "Not For Sale: Feminism and Art in the USA During the 1970s: Video Essay" which contains far more substantial excerpts of the performance work of the period and dozens more artists, gives more time and focus to Pindell and Piper and was made a decade before feminism became a fashionable new field of study. [Debut at Sundance New Frontier; theatrical premier IFC Center, New York.] [Distributed by Zeitgeist Films.] LEWIS, SAMELLA. African American Art & Artists. Berkeley: University of California Press, 1990. 302 pp., 204 illus., many in color, substantial bibliog. A history of African American art from the seventeenth-century to the '90s. Revised and updated from Lewis's original publication Art: African American (1978). [See also entry on expanded edition, 2003]. Foreword by Floyd Coleman. Artists include: the slaves of Thomas Fleet, Boston,.Scipio Moorhead, Neptune Thurston, G.W.Hobbs (white artist), Joshua Johnston, Julien Hudson, Robert M. Douglass, Jr., Patrick Henry Reason, David Bustill Bowser, William Simpson, Robert S. Duncanson, Eugene Warburg, Edward Mitchell Bannister, Grafton Tyler Brown, Nelson A. Primus, Charles Ethan Porter, (Mary) Edmonia Lewis, Henry Ossawa Tanner, Meta Vaux Warrick (Fuller), William Edouard Scott, Laura Wheeler Waring, Aaron Douglas, Hale Woodruff, Palmer Hayden, Archibald Motley, Jr., Malvin Gray Johnson, Ellis Wilson, Sargent Claude Johnson, Augusta Savage, Richmond Barthé, William H. Johnson, James Lesesne Wells, Beauford Delaney, Selma Burke, Lois Mailou Jones, Alma Thomas, James A. Porter, William E. Artis, William Edmondson, Horace Pippin, Clementine Hunter, David Butler, Charles Alston, Norman Lewis, Romare Bearden, Hughie Lee-Smith, Eldzier Cortor, Jacob Lawrence, Charles White, Elizabeth Catlett, John Wilson, John Biggers, Ademola Olugebefola, Herman Kofi Bailey, Raymond Saunders, Lucille Malkia Roberts, David Driskell, Floyd Coleman, Paul Keene, Arthur Carraway, Mikelle Fletcher, Varnette Honeywood, Phoebe Beasley, Benny Andrews, Reginald Gammon, Faith Ringgold, Cliff Joseph, David Bradford, Bertrand Phillips, Manuel Hughes, Phillip Lindsay Mason, Dana Chandler, Malaika Favorite, Bob Thompson, Emilio Cruz, Leslie Price, Irene Clark, Al Hollingsworth, William Pajaud, Richard Mayhew, Bernie Casey, Floyd Newsum, Frank Williams, Louis Delsarte, William Henderson, Daniel LaRue Johnson, Joe Overstreet, Adrienne W. Hoard, Sam Gilliam, Mahler Ryder, Oliver Jackson, Eugene Coles, Vincent Smith, Calvin Jones, Pheoris West, Noah Purifoy, Ed Bereal, Betye Saar, Ron Griffin, John Outterbridge, Marie Johnson, Ibibio Fundi, John Stevens, Juan Logan, John Riddle, Richard Hunt, Mel Edwards, Allie Anderson, Ed Love, Plla Mills, Doyle Foreman, Barbara Chase-Riboud, Artis Lane, John Scott, William Anderson, Martin Puryear, Thomas Miller, Fred Eversley, Larry Urbina, Ben Hazard, Sargent Johnson, Doyle Lane, Willis (Bing) Davis, Curtis Tucker, Yvonne Tucker, Bill Maxwell, Camille Billops, James Tatum, Douglas Phillips, Art Smith, Bob Jefferson, Evangeline Montgomery, Manuel Gomez, Joanna Lee, Allen Fannin, Leo Twiggs, James Tanner, Therman Statom, Marion Sampler, Arthur Monroe, James Lawrence, Marvin Harden, Raymond Lark, Murray DePillars, Donald Coles, Joseph Geran, Ron Adams, Kenneth Falana, Ruth Waddy, Van Slater, Joyce Wellman, William E. Smith, Leon Hicks, Marion Epting, Russell Gordon, Stephanie Pogue, Devoice Berry, Margo Humphrey, Howard Smith, Jeff Donaldson, Lev Mills, Carol Ward, David Hammons, Michael Kelly Williams, Laurie Ourlicht, Gary Bibbs, Houston Conwill, Mildred Howard, Martha Jackson-Jarvis, Alison Saar, Lorenzo Pace. 4to (28 cm.), wraps. 2nd edition (Revised). Reprinted 1994. LEWIS, SAMELLA. Art: African American. Los Angeles: Hancraft, 1990. x (ii), 298 pp., 294 illus. (104 in color), bibliog. Excellent survey of African American art as of the mid-70s, with a discriminating selection of plates. Unfortunately very poor quality reproductions. [All 169 artists are cross-referenced, although not separately listed here.) 4to, wraps. Second revised ed. 1990 LEWISBURG (PA). Center Gallery, Bucknell University. Since the Harlem Renaissance: 50 Years of Afro-American Art. April 13-June 6, 1984. 124 pp. exhib. cat., 96 illus. (19 in color), exhib. checklist of 133 works by 77 artists, bibliog. Text includes interviews with 12 of the artists: Benny Andrews, Romare Bearden, David Driskell, Sam Gilliam, Lois Mailou Jones, James Little, Al Loving, Howardena Pindell, Faith Ringgold, Frank E. Smith, Jack Whitten, William T. Williams. Intro. mentions the following artist interviews which were not used but which are on deposit with the Hatch-Billops Collection: Jeff Donaldson, Mel Edwards, Bill Hutson, Richard Mayhew, Joe Overstreet. Excellent survey with many dozens of additional artists mentioned in passing. [Traveled to: SUNY, Old Westbury, November 1-December 9; Munson-Williams- Proctor Institute, Utica , NY, January 11-March 3, 1985; University of Maryland, College Park, MD, March 27-May 3; Museum of Art, Pennsylvania State University, July 19-September 1, 1985; The Chrysler Museum, Norfolk, VA, September 22-November 1, 1985.] 4to (31 cm.; 12 x 9 in.), wraps. First ed. LINCOLN (MA). DeCordova Museum and Sculpture Park and Museum of the National Center of Afro-American Artists. Aspects of the 70's: African American Art of the 70's. May 17-June 15, 1980. Aspects of the 70's was a multi-institutional collaboration on 6 individual exhibitions, each with a catalogue. [Topics: Directions in Realism, Mavericks, Painterly Abstraction, Sitework, African American Art of the '70s, Photography: Recent Directions.] Each exhib. catalogue approx. 20 pp., illus., biogs. African American Art of the 70's, curated by Barry Gaither, was the only show to include black artists. Included: Benny Andrews, Kwasi Asantey, Ellen Banks, Dana Chandler, Floyd Coleman, Sam Gilliam, Barkley Hendricks, Oliver Jackson, Marie C. Johnson, Elliot Knight, Marcia Lloyd, Joe Overstreet, Robert Reed [as Reid], Faith Ringgold, Mahler Ryder, Betye Saar, Charles Searles, Alfred Smith, Jr., Edgar Sorrells-Adewale [as Sorrell], Pheoris West, Richard Yarde. 4to (31 cm.), stapled multi-colored wraps., in original specially designed cardboard folder (as issued). First ed. LIPPARD, LUCY. From the Center: Feminist Essays on Women's Art. New York: Dutton, 1976. 304 pp., color and b&w illus., index. Includes: Howardena Pindell, Adrian Piper, Faith Ringgold, et al. Sq. 8vo, wraps. LIPPARD, LUCY. Get the Message?: A Decade of Art For Social Change. New York: E.P. Dutton, 1984. 343 pp., approx. 120 b&w illus. Chapters on Feminism and class consciousness, Acting Up, Voicing Opposition. Primary attention to activist performance art, installation work, mural art, artists' books, etc. Important compendium focusing on Lippard's most radical writing of the '70s for feminist and other magazines, exhibition catalogs, etc. Includes: Faith Ringgold, Lorna Simpson, Adrian Piper, Lorraine O'Grady. 8vo, wraps. First ed. (as issued). LIPPARD, LUCY R. Mixed Blessings: New Art in A Multicultural America. New York: Pantheon, 1990. viii, 278 pp, illus., notes, bibliog., index. [Reissued in 2000 with new introduction.] African American artists include: Charles Abramson, Emma Amos, Benny Andrews, Trena Banks, Jean-Michel Basquiat, Romare Bearden, Willie Birch, Fred Brathwaite, Beverly Buchanan, Carole Byard, Albert Chong, Robert Colescott, Houston Conwill, Aaron Douglas, Beauford Delaney, Joseph Delaney, Murry DePillars, Thornton Dial, Melvin Edwards, Meta Warrick Fuller, David Hammons, Bessie Harvey, Maren Hassinger, William L. Hawkins, Candace Hill-Montgomery, Lonnie Holley, Clifford Jackson, Martha Jackson-Jarvis, Rosalind Jeffries, Noah Jemison, William H. Johnson, K.O.S., Ben Jones, Jacob Lawrence, James Lewis, Joe Lewis, Samella Lewis, Tyrone Mitchell, Keith Morrison, Lorraine O'Grady, John Outterbridge, Joe Overstreet, Lorenzo Pace, Howardena Pindell, Adrian Piper, Willie Posey, Martin Puryear, Faith Ringgold, Nellie Mae Rowe, Alison Saar, Betye Saar, Juan Sanchez, Joyce Scott, Coreen Simpson, Lorna Simpson, Clarissa Sligh, George Smith, Mary T. Smith, James (Son Ford). Thomas, Danny Tisdale, Kaylynn Sullivan TwoTrees, Christian Walker, Pat Ward Williams. Numerous others named in passing or mentioned briefly in the footnotes. Sq. 8vo, cloth backed boards, d.j. First ed. LOGAN, FERN, MARGARET R. VENDRYES and DEBORAH WILLIS. The Artist Portrait Series: Images of Contemporary African American Artists. Carbondale: Southern Illinois University Press, 2001. xviii, 122 pp., 61 b&w illus., index. Foreword by Margaret Rose Vendryes; intro. by Deborah Willis. Portrait images by photographer Fern Logan. Subjects include: Candida Alvarez, Emma Amos, Benny Andrews, Ellsworth Ausby, Romare Bearden, Dawoud Bey Camille Billops, Bob Blackburn, Vivian Browne, Selma Burke, Nanette Carter, Elizabeth Catlett, Ed Clark, Eldzier Cortor, Adger Cowans, Ernest Crichlow, Roy DeCarava, Louis Delsarte, Joseph Delaney, Melvin Edwards, Herbert Gentry, Rosa Guy, Manuel Hughes, Richard Hunt, Bill Hutson, Lois Mailou Jones, Gwendolyn Knight (as Gwendolyn Lawrence), Jacob Lawrence, Samella Lewis, James Little, Al Loving, Fern Logan, Andrew Lyght, Richard Mayhew, Arthur Mitchell, Tyrone Mitchell, Jeanne Moutoussamy-Ashe, Gordon Parks, Howardena Pindell, John Pinderhughes, Faith Ringgold, Betye Saar, Coreen Simpson, Merton Simpson, Charles Smalls, Vincent Smith, Frank Stewart, Raymond Bo Walker, Jack Whitten, William T. Williams, Mel Wright, and others. 4to (27 cm.; 10 x 8 in.), cloth, d.j. First ed. LONDON (UK). Whitechapel Art Gallery. Back to Black: Art, Cinema, and the Racial Imaginary. June 7-September 4, 2005. 200 pp. exhib. cat., 185 illus. (64 in color), bibliog. Curated by Dr. Petrine Archer-Straw, David A. Bailey, Richard J. Powell. Texts by curators and Mora Beauchamp-Byrd, Kathleen Cleaver, Manthia Diawara, Kodwo Eshun, Paul Gilroy, Kellie Jones. Artists and filmmakers (including many white film directors) on show include: Theodoros Bafaloukos (white director of "Rockers"), Ernie Barnes, Romare Bearden, Dawoud Bey, Everald Brown, Vanley Burke, fashion designer Stephen Burrows, Marcel Camus (French director of "Black Orpheus"), Elizabeth Catlett, Larry Cohen, William Crain (director of "Blacula"), Ossie Davis, Haile Gerima, Christopher Gonzalez, Guy Hamilton, David Hammons, Barkley L. Hendricks, Perry Henzell (white director of "The Harder They Come"), Gavin Jantjes, Kapo, Kofi Kayiga, Patrick Lichfield, Donald Locke, Ed Love, Edna Manley, Arthur Marks, Gilbert Moses III, Horace Ové, Joe Overstreet, Gordon Parks, Adrian Piper, Faith Ringgold, Eddie Romero, Betye Saar, Barry Shear, Peter Simon, Melvin Van Peebles, Osmond Watson, Charles White, Aubrey Williams, Llewellyn Xavier. 4to (26 cm.), cloth. First ed. LONG ISLAND CITY (NY). P.S. 1 Contemporary Art Center. Special Projects (Winter 1982). January 17-March 14, 1982. Group exhibition. Included: Faith Ringgold. LONG ISLAND CITY (NY). P.S. 1, Contemporary Art Center. Figuratively Sculpting. October 18-December 31, 1981. Group exhibition. Included: Faith Ringgold. LONG, RICHARD, et al. African American Works on Paper from the Cochran Collection. Lagrange, 1991. 74 pp., 47 full-page illus. (6 in color), biogs. of 64 artists in this substantial collection. Intro. by Richard Long; texts by Judith Wilson, Camille Billops, Robert Blackburn. Includes 66 major 20th-century artists (including 16 women artists and a few less well-known artists): Charles Alston, Emma Amos, Benny Andrews, Trena Banks, Romare Bearden, John Biggers, Camille Billops, Betty Blayton, Moe Brooker, Vivian Browne, Beverly Buchanan, Selma Burke, Nanette Carter, Elizabeth Catlett, Ed Clark, Eldzier Cortor, Ernest Crichlow, Allan Rohan Crite, John Dowell, Allan Edmunds, Melvin Edwards, Elton Fax, Herbert Gentry, Sam Gilliam, Maren Hassinger, Manuel Hughes, Richard Hunt, Wilmer Jennings, Lois Mailou Jones, Mohammad Khalil, Ronald Joseph, Jacob Lawrence, Norman Lewis, James Little, Whitfield Lovell, Al Loving, Richard Mayhew, Norma Morgan, Frank Neal, Mary Lovelace O'Neal, Joe Overstreet, Howardena Pindell, Stephanie Pogue, Richard Powell, Mavis Pusey, Faith Ringgold, Aminah Robinson, Betye Saar, Al Smith, Walter Agustus Simon, Morgan Smith, Marvin Smith, Vincent Smith, Luther Stovall, Alma Thomas, Mildred Thompson, James Lesesne Wells, Charles White, Jack Whitten, Walter Williams, William T. Williams, John Wilson, Hale Woodruff, Hartwell Yeargans. [16+ venue touring exhibition beginning at: Lamar Dodd Art Center, LaGrange College, La Grange, GA, March 3-31, 1991; Columbia Museum of Art, Columbia, SC; Lauren Rogers Museum, Laurel, MI; Hickory Museum of Art, Hickory, NC; Museum of the South, Mobile, AL; Museum of Arts and Sciences, Macon, GA; Greenville Museum of Art, Greenville, SC; Danville Museum of Fine Arts and History, Danville, VA; Gadsden Museum of Art, Gadsden, AL; Polk Museum of Art, Lakeland, FL; Gibbes Museum of Art, Charleston, SC; Cleveland Institute of Art, Cleveland, OH; York County Museum of Art, Rock Hill, SC; Pensacola Museum of Art, Pensacola, FL; Marietta-Cobb Museum of Art, Marietta, GA; Indiana State University, Terre Haute, IN; Miami Univeristy Museum of Art, Oxford, OH; Washington and Lee University, Lexington, VA; Jacksonville Museum of Art, Jacksonville, FL; William and Mary College, Williamsburg, VA; Northwest Visual Arts Center, Panama City, FL; Gertrude Herbert Institute, Augusta, GA; Springfield Art Museum, Springfield, MO; Beach Museum of Art, Manhattan, KS; Montgomery Museum of Art, Montgomery, AL; New Visions Gallery, Atlanta, GA.] 4to (28 x 22 cm.), wraps. First ed. LOS ANGELES (CA). Los Angeles Museum of Contemporary Art. WACK: Art and the Feminist Revolution. April 4-June 18, 2007. 400 pp., 475 color illus. Work in all media by over 120 international artists from 1965-80. Conelia H. Butler and Lisa Gabriel Mark, eds. Texts by Butler, Judith Russi Kirshner, Catherine Lord, Marsha Meskimmon, Richard Meyer, Helen Molesworth, Peggy Phelan, Nelly Richard, Valerie Smith, Abigail Solomon-Godeau and Jenni Sorkin. African American artists include: Senga Nengudi, Lorraine O’Grady, Howardena Pindell, Faith Ringgold, Betye Saar. [Travelied to P.S.1, New York; Vancouver Art Gallery, Vancouver, British Columbia.] [Review: Art Sperlinger, Art Monthly, June, 2007.] 4to (10.5 x 9 in.), boards, d.j. LOS ANGELES (CA). Women's Building. Artist as Shaman. 1985. Group exhibition. Included: Faith Ringgold. LOUISVILLE (KY). Museum of History and Science. Always There: The African-American Presence in American Quilts. February 7-March 31, 1992. 132 pp., 45 illus. (37 in color), bibliog. Ground-breaking text by Cuesta Benberry. Important original research by a leading quilt historian. Covers slave-made ante-bellum quilts through quilters of the 20th century, African American quiltmaking outside the U.S., a biography of Elizabeth Keckly, and addresses numerous other topics. 19th century quiltmakers include: Fanny Cork, Susie King Taylor, Sarah Miller, Mimma Thompson Perkins, James Perkins, Emma Perkins Wilbourn, Eva Perkins. Some of the 20th century and contemporary quiltmakers mentioned include: quilt designer Benjamin Irvin, Lila A. Kelley-Brown, Lizzie Shavers, Mary Bell Berry (portrait); Caroline Coleman, Jessie Telfair, Yvonne Wells, Peggie Hartwell, Anita Holman Knox, Viola Canady, the Quilters of Gee's Bend, Carole Harris, Dorothy Nelle Sanders, Luella Jones, Jean Linden, Lilian Beattie, Dorothy Holden, Carolyn Mazloomi, Bill Williams, Michael Cummings, Jim Smoote, Marie Wilson, Frances M. Jolly, Johanna Davis. The final section focuses on artists, including: Romare Bearden, John Biggers, Tyrone Geter, Paul Goodnight, Varnette Honeywood, Jerry Pinkney, Horace Pippin, Faith Ringgold, Dorothy Nelle Sanders, Mary Effie Newton. [Traveled to: San Diego Historical Society, San Diego, CA; Museum of American Folk Art, New York, NY; The Valentine Museum, Richmond, VA; Anacostia Museum, Washington, DC; Spencer Museum of Art, Lawrence, KS; Minnesota Museum of American Art, Minneapolis, MN; Museum of American Life and Culture, Dallas, TX.] 4to (28 cm.), wraps. First ed. LUBBOCK (TX). Museum of Texas Tech University. Picture Stories: A Celebration of African American Illustrators. February 19-April 16, 2006. Group exhibition of twelve artists. Included: Adjoa Burrowes, Bryan Collier, Leo and Diane Dillon, E.B. Lewis, Floyd Cooper, Daniel Minter, James Ransome, Faith Ringgold, Leonard Jenkins, and Eric Velasquez. [Traveled to Bergstrom-Mahler Museum, Neenah, WI, May 21-July 2, 2006, Hearst Center for the Arts, Cedar Falls, IA, December 27, 2006 -March 4, 2007; Muscatine Art Center, Muscatine, IA, October 28-December 23, 2007; Eric Carle Museum of Picture Book Art, March 24-June 17, 2007.] LUCIE-SMITH, EDWARD. Race, Sex, and Gender in Contemporary Art. New York, Abrams, 1994. 224 pp., 100 color illus., 15 b&w, notes, bibliog., index. Includes chapters on Afro-American, Afro-Brit., feminist art, African and Asian art, and more. Uniquely interesting book. Black artists include: Benny Andrews, Jean-Michel Basquiat, Romare Bearden, Frank Bowling, Aaron Douglas, Robert Duncanson, Sam Gilliam, Palmer Hayden, William H. Johnson, Lois Mailou Jones, Jacob Lawrence, Glenn Ligon, Ronald Moody, Regenia A. Perry, Adrian Piper, Martin Puryear, Faith Ringgold, Betye Saar, Chéri Samba, John Scott, Henry Ossawa Tanner. 4to (11.3 x 8.5 in.), cloth, d.j. LYNCHBURG (VA). Anne Garry Pannell Center Art Gallery, Sweet Briar College. Contemporary African American Women Artists. February 22-April 14, 1996. Group exhibition. Included: Beverly Buchanan, Lori Greene, Mavis Pusey, Faith Ringgold, Lorna Simpson, and others. MADISON (NJ). Phyllis Rothman Gallery, Fairleigh Dickinson University. American Icon. Thru July 21, 1989. Group exhibition featuring 9 artists. Curated by Arie Galles. Included: Toyce Anderson [flag image] and Faith Ringgold [Who's Bad.] [Review: Vivien Raynor, "Celebrating the New World," NYT, July 2, 1989.] MADRID (Spain). Museo Nacional Centro de Arte Reina Sophia. Cocido y Crudo / Cooked and Raw. December 14-March 6, 1994. 331 pp. exhib. cat., extensive color illus., bibliog. International superstar group exhibition. Curated and text by Dan Cameron, Jerry Saltz, Mar Villaespesa, Gerardo Mosquera, Jean Fisher. Blockbuster group exhibition. Included: Renée Green, Kcho, Keith Piper, Faith Ringgold, Fred Wilson. 4to (28 cm.), wraps. MANCHESTER (NH). Currier Gallery of Art. Community of Creativity: A Century of MacDowell Colony Artists. September 13-December 2, 1996. 103 pp. exhib. cat., color and b&w illus., checklist of approx. 55 works of painting and sculpture, bibliog., index. Texts by Andrew Spahr, Robert Storr, Tom Wolfe. Includes: Candida Alvarez, Benny Andrews, Glenn Ligon, Richard Mayhew, Faith Ringgold, Richard Yarde. [Traveled to National Academy of Design, NY, January 17-March 23, 1977; Wichita Art Museum, Wichita, KS, April 20-June 15, 1977.] 4to (28 cm.), wraps. MARCUS, LEONARD S. Storied City. New York: Dutton, 2003. 144 pp. Marcus has created and narrated twenty walking tours of New York City based on children's literature and illustrated with maps, photographs, and book art. Covers over 200 of the better books written about New York City for young readers. Includes Faith Ringgold, et al. And issued in guidebook size. Narrow 8vo (8.5 x 4.3 in.), wraps. MEMPHIS (TN). National Civil Rights Museum. Reflections of a King. January-March 30, 1993. Group exhibition. Included: Seitu Jones, Faith Ringgold, Jack Whitten, et al. MIAMI (FL). Florida International University, North Miami Campus. Contemporary Black Art: A Selected Sampling. September 23-October 2, 1977. Unpag. exhib. cat., illus. 34 artists included: Benny Andrews, Ellsworth Ausby, Romare Bearden, Ed Clark, Art Coppedge, Melvin Edwards, Sam Gilliam, Barkley Hendricks, Richard Hunt, Bill Hutson, Jacob Lawrence, Al Loving, Robert McKnight, Tyrone Mitchell, Earl Miller, Mavis Pusey, Faith Ringgold, Bill Rivers, Betye Saar, Raymond Saunders, John Andrew Smith, Vincent Smith, Lou Stovall, Alma Thomas, Phyllis Thompson, Luther Vann, Paul Waters, Pheoris West, Charles White, Franklin White, William A. White, Walter Williams, Roland Woods, Purvis Young. [Traveled to Florida International Univ. Tamiami Campus, October 4-22, 1977.] 4to, wraps. First ed. MIDDLEBURY (VT). Middlebury College. Every Picture Tells A Story. January 15-April 18, 2004. Group exhibition. Included: Faith Ringgold, William H. Johnson. MILLER, LYNN F. and SALLY S. SWENSON. Lives and Works: Talks with Women Artists. Metuchen, NJ: Scarecrow Press, 1981. 2 vols., biog. notes, bibliogs., index. Vol. 1: 224 pp., b&w photos, includes Howardena Pindell, Faith Ringgold, Betye Saar. Interviews with 15 feminist artists active in the '70s. 8vo, cloth. MILWAUKEE (WI). Fine Arts Gallery, University of Wisconsin-Milwaukee. Present Tense. January 22-February 23, 1992. 42 pp. exhib. cat., 19 full-page color plates, bibliog. Text by Leslie Vansen (Wit, Dissonance and Celebration). Artists included: Terry Adkins, Beverly Buchanan, Colin Chase, Deborah Dancy, Melvin Edwards, Sam Gilliam, Margo Humphrey, Martha Jackson-Jarvis, Clarence Morgan, Deborah Muirhead, Howardena Pindell, Faith Ringgold, Alison Saar, Raymond Saunders, Joyce Scott, Renée Stout, Pat Ward Williams, Cheryl Warrick, Carrie Mae Weems, Philemona Williamson. 4to (28 cm.), wraps. First ed. MINNEAPOLIS (MN). Walker Art Center. The Spectacular of Vernacular. 2011. Group exhibition. Curated by Darsie Alexander. Includes: Kerry James Marshall, Faith Ringgold, Lorna Simpson, Kara Walker. [Traveled to: Contemporary Arts Museum, Houston, TX, July 30-September 18, 2011.] MINNEAPOLIS (MN). WARM Gallery. Diversity of Vision: Contemporary Works by African-American Women. September 8-October 13, 1990. 16 pp. exhib. cat. Group exhibition. Included: Beverly Buchanan, Robin M. Chandler, Howardena Pindell, Faith Ringgold, Elizabeth C. Scott, Joyce J. Scott, Evelyn Patricia Terry, and Grace Williams. 8vo (23 cm.), wraps. MONTANO, LINDA, ed. Performance Artists Talking in the Eighties. Berkeley: University of California Press, 2000. xvi, 537 pp., [32] pp. plates, b&w illus., biogs., index. Performance artist Montano interviewed over 100 performance artists from 1979-1989 on the question of how early childhood experiences associated with sex, food, money/fame, or death/ritual resurfaced in their work as artists. Introductions to each subject section by Christine Tamblyn, Moira Roth, Laura Cottingham, Lucy Lippard; afterword by Christine Stiles. Includes: Ana Mendieta, Lorraine O'Grady, Adrian Piper, Faith Ringgold. 8vo (24 cm.; 9.3 x 6.3 in.), cloth, d.j. First ed. MOORE, SYLVIA, ed. Yesterday and Tomorrow: California Women Artists. New York: Middlemarch, 1989. Includes one chapter of interest: Betty Kaplan Gubert, "Black Women Artists in California." (193-201, illus.) Artists mentioned: Varnette Honeywood, Betye Saar, Elizabeth Catlett, Mary Lovelace O'Neal, Alison Saar, Ruth Waddy, Suzanne Jackson, Samella Lewis, Mildred Howard, Faith Ringgold, Margo Humphrey, Marie Johnson-Calloway, Camille Billops, Maren Hassinger; also mentions Gylbert Coker, David Hammons, Lois Mailou Jones, Howardena Pindell. MORRISTOWN (NJ). Art in the Atrium. 14th Annual Exhibition: That's a Whole 'Notha Story. January 27-March 31, 2006. Group exhibition of work by African American artists. Curated by Viki Craig. 57 artists included: Alonzo Adams, Benny Andrews, Indira Bailey, Romare Bearden, Phoebe Beasley, Camille Billops, Lula Blocton, Chakaia Booker, Wendell T. Brooks, Bradford Brown, Eleta J. Caldwell, Leroy Campbell, Nanette Carter, Bryan Collier, Viki Craig, Jose Manuel Cruz, Quintard DeGeneste, Aaron Dobbs, David Driskell, Ife East, Benny Edwards, Stephen Ellis, Frank Frazier, Jerry Gant, Gladys Barker Grauer, Ben Frieson, Nora Green, Janice Hairston, Doreen Hardie, Marietta Betty Mayes Hicklin, Adrienne Hoard, Anne Johnson, Lois Mailou Jones, Darnell Jones-Bey, Tyrone King, Cassandra McIntyre, Margaret Slade Kelly, Jacob Lawrence, Norman Lewis, Julia Miller, Maceo Mitchell, Len Morris, Russell A. Murray, Rosalind Nzinga Nichol, Kaaren Patterson, Janet Taylor Pickett, Marsha Pickett, Zethray Penniston, Faith Ringgold, Ronald Ritzie, Sonia Sadler, Florence Statts, Cedric Smith, Delores Stewart, Bisa Washington, Joseph Milo Washington, Leroy White, Heather Williams. MORRISTOWN (NJ). Art in the Atrium. 16th Annual Exhibition: Creative Destinations. January 25-March 23, 2008. Group exhibition of work by African American artists. Featured artist: Faith Ringgold. Other artists: Alonzo Adams, Yvor Alleyne, Tinetta Bell, Terry Miller Brewin, Jackie R. Brown, Sterling Brown, Malissa Butler, Eleta Caldwell, Leroy Campbell, Bryan Collier, Jacqueline Collier, Viki Craig, Chris Cumberbatch, Quintard DeGeneste, Ife East, Stephen Ellis, Frank Frazier, Jerry Gant, Gladys Barker Grauer, Nora Green, Janice Jamison, Karen W. Johnson, Mia Leslie, Maceo Mitchell, (Leslie) Miah, Ming Smith Murray, Russell A. Murray, Rosalind Nzinga Nichol, Kaaren Patterson, Janet Taylor Pickett, Sandra Smith, Sonia Lynn Sadler, Sherry Shine, Gwen Verner, Bisa Washington, Joseph Washington. MORRISTOWN (NJ). Morris Museum. African-American Masters. February 13-April 1, 2007. Group exhibition. Included: Benny Andrews, Romare Bearden, Joseph Delaney, Robert Duncanson, Richard Hunt, Jacob Lawrence, Richard Mayhew, Faith Ringgold, Aminah Robinson, and Charles White. MORRISTOWN (NJ). Morris Museum. Celebrating Our Legacy: The 20th Anniversary Exhibition of Art in the Atrium. January 13-March 18, 2012. Group exhibition sponsored by Art in the Atrium, Inc. The exhibition featured the work of Norman Lewis and twenty-nine other African American artists: Alonzo Adams, Benny Andrews, Romare Bearden, Terry Boddie, Barbara Bullock, Bisa Butler, Leroy Campbell, Elizabeth Catlett, Willie Cole, Viki Craig, Jose Cruz, David Driskell, Sam Gilliam, Nora Green, Curlee Raven Holton, Norman Lewis, Thomas Malloy, Don Miller, Maceo Mitchell, Russell Aldo Murray, Rosalind Nzinga Nichol, Janet Taylor Pickett, Marsha Pickett, Faith Ringgold, William Tolliver, Cedric Smith, Jimmie Lee Sudduth, Bisa Washington, Charles White, Deborah Willis. MORRISTOWN (NJ). Morris Museum. New Jersey Then & Now. May 13-September 14, 2008. Group exhibition. Co-curated by Ann Aptaker and Mikaela Sardo Lamarche. Included: Jacob Lawrence, Faith Ringgold. MUNRO, ELEANOR. Originals: American Women Artists. New York: Simon and Schuster, 1979. 528 pp., over 200 b&w illus., 37 color plates, notes, bibliog., index. Mostly post-1940 period. African American representation includes only Alma Thomas, Faith Ringgold, Betye Saar, and Barbara Chase-Riboud. Stout 8vo, cloth, dust jacket. First ed. NACOGDOCHES (TX). Griffith Gallery, Steven F. Austin State University. Voices in Cloth: Story Quilts by Faith Ringgold, Linda Freeman and Grace Matthews. September 14-November 4, 2007. 20 pp. exhib. cat., color illus. Foreword by Tony Lewis; text by Lisa E. Farrington. [Traveled to: Queens Library Gallery, Jamaica, NY, June 30-September 14, 2008.] NEW BRUNSWICK (NJ). Douglass College Art Gallery, Rutgers University. Fragments of Myself / The Women: An Exhibition of Black Women Artists. November 17-December 12, 1980. 28 pp., b&w illus., bibliog. Artists include: Emma Amos, Camille Billops, Lula Mae Blocton, Vivian E. Browne, Jacqui Holmes, Margaret Kelly, Valerie Maynard, Janet Pickett, Howardena Pindell, Mavis Pusey, and Faith Ringgold. 8vo (22 x 14 cm), tan stapled wraps. First ed. NEW BRUNSWICK (NJ). Douglass College Art Gallery, Rutgers University. Primitivism in Women's Art. 1977. Group exhibition. Included: Faith Ringgold. NEW BRUNSWICK (NJ). Jane Voorhees Zimmerli Art Museum, Rutgers University. Alone Together: People in American Prints. February 10-July 29, 2007. Group exhibition. Included: Emma Amos and Faith Ringgold. NEW BRUNSWICK (NJ). Jane Voorhees Zimmerli Museum. Inspired by Literature: Art and Fine Books. Thru July 5, 2008. Group exhibition of a recent donation of artist's books published by the Limited Editions Club. Included books illustrated by John Biggers, Jacob Lawrence, Dean Mitchell, Faith Ringgold, and others. NEW BRUNSWICK (NJ). Walters Hall Gallery, Douglass College, Rutgers University. Designing Women. June 13-July 7, 1991. Group exhibition. Included: Faith Ringgold. NEW HAVEN (CT). Creative Workshop Gallery. The American Family: an exhibition of quilted and narrative works. September 10-November 28, 1993. Group exhibition. Curated by Faith Ringgold and Wendell George Brown. NEW HAVEN (CT). Institute of Sacred Music. Visual Exegesis: Religious Images by African American Artists from the Jean and Robert E. Steele Art Collection. April 2-25, 2008. Exhib. cat., illus. Group exhibition. Benny Andrews, John T. Biggers, Allan Rohan Crite, David C. Driskell, Annette Fortt, Michael Harris, Curlee Holton, Margo Humphrey, Reginald Jackson, Paul Keene, Jacob Lawrence, Grace Matthews, Valerie Maynard, Jefferson Pinder, Stephanie Pogue, Faith Ringgold, and John T. Scott. [Traveled in part (22 works by 14 artists) to: Dadian Gallery, Henry Luce III Center for the Arts and Religion at Wesley Theological Seminary, Washington, DC, October 13-December 12, 2008.] NEW ORLEANS (LA). Contemporary Arts Center. Art Fashion. 1990. Group exhibition. Included: Faith Ringgold. NEW ORLEANS (LA). Stella Jones Gallery. MAHALIA: Queen of Gospel Music. Thru December 31, 2011. Group exhibition featuring 55 local and national artists. Included: Sheleen Adenle-Jones, Katrina Andry, Georgette Baker, John Barnes, Jr., Ron Bechet, Peter Boutte, Rukiya, Nina I. Jones, Syd Carpenter, Shakur Carter, Elizabeth Catlett, Alonzo Davis, Jr., Najee Dorsey, Kim Dummons, Keith Duncan, Malaika Favorite, Gilbert Fletcher, Gail Fulton-Ross, Reginald Gammon, Charles Gilliam, Paul T. Goodnight, Jefferson Grigsby, Randall Henry, Robin Holder, Ekua Holmes, Letitia Huckaby, Wadsworth Jarrell, Augustus Jenkins, Charlie Johnson, Louise M. Johnson, Charlotte Ka, Roy Lewis, Donald Locke, Chris Malone, Lynn Marshall-Linnemeier, Grace Matthews, Charly Palmer, Cely Pedescleaux, Martin Peyton, Anita Philyaw, Letitia PO, Faith Ringgold, Ayo Scott, Charles Simms, Gailene St. Amand, Phyllis Stevens, Morris Thomas, Monica Tyran, Gerald White. [Review: http://nolavie.com/2011/10/stella-jones-gallery-sings-mahalia-jacksons-praise-38189.html] NEW ORLEANS (LA). Stella Jones Gallery. Twentieth Century Works on Paper by Artists of the Diaspora. Thru December 31, 2013. Group exhibition. Included: Elizabeth Catlett, Louis Delsarte, Richard Dempsey, Eugene Grigsby, Lois Mailou Jones, Hughie Lee-Smith, and Faith Ringgold (with Charly Palmer and E. Paul Julien in side galleries.) NEW YORK (NY).. The New York Public Library African American Desk Reference. Wiley, 1999. Includes a short and dated list of the usual 110+ artists, with a considerable New York bias, and a random handful of Haitian artists, reflecting the collection at the Schomburg: architect Julian Francis Abele. Josephine Baker, Edward M. Bannister, Amiri Baraka, Richmond Barthé, Jean-Michel Basquiat, Romare Bearden, John T. Biggers, Camille Billops, Bob Blackburn, Betty Blayton, Frank Bowling, Grafton Tyler Brown, Selma Burke, Margaret Burroughs, David Butler, Elizabeth Catlett, Barbara Chase-Riboud, Edward Clark, Robert Colescott, Ernest Crichlow, Emilio Cruz, William Dawson, Roy DeCarava, Beauford Delaney, Joseph Delaney, Aaron Douglas, John Dowell, Robert S. Duncanson, John Dunkley, William Edmondson, Melvin Edwards, Minnie Evans, Meta Vaux Warrick Fuller, Sam Gilliam, Henry Gudgell, David Hammons, James Hampton, William A. Harper, Bessie Harvey, Isaac Hathaway, Albert Huie, Eugene Hyde, Jean-Baptiste Jean, Florian Jenkins, Sargent Johnson, William H. Johnson, Joshua Johnston, Lois Mailou Jones, Lou Jones, Napoleon Jones-Henderson, Ronald Joseph, Jacob Lawrence, Hughie Lee-Smith, Edmonia Lewis, Georges Liautaud, Seresier Louisjuste, Richard Mayhew, Jean Metellus, Oscar Micheaux, David Miller, Scipio Moorhead, Archibald J. Motley, Abdias do Nascimento, Philomé Obin, Joe Overstreet, Gordon Parks, David Philpot, Elijah Pierce, Howardena Pindell, Horace Pippin, James A. Porter, David Pottinger, Harriet Powers, Martin Puryear, Gregory D. Ridley, Faith Ringgold, Sultan Rogers, Leon Rucker, Alison Saar, Betye Saar, Raymond Saunders, Augusta Savage, William Edouard Scott, Senegalese filmmaker Ousmane Sembene, Ntozake Shange, Philip Simmons, Lorna Simpson, Moneta J. Sleet, Vincent D. Smith, Micius Stéphane, Renée Stout, SUN RA, Alma Thomas, Neptune Thurston, Mose Tolliver (as Moses), Bill Traylor, Gerard Valcin, James Vanderzee, Melvin Van Peebles. Derek Walcott, Kara Walker, Eugene Warburg, Laura Wheeler Waring, James W. Washington, Barrington Watson, Carrie Mae Weems, James Lesesne Wells, Charles White, Jack Whitten, Lester Willis, William T. Williams, John Wilson, Hale Woodruff, Richard Yarde. 8vo (9.1 x 7.5 in.), cloth, d.j. NEW YORK (NY). A Gathering of the Tribes. A Gathering of the Tribes No. 11. c.2005. Featuring poetry by Sapphire, Hal Sirowitz, Fay Chang, Julie Ezelle Patton, Lois Ellaine Griffith, Gavin Moses; photography by Lloyd McNeill, and Gerard H. Gaskin; art by Faith Ringgold and Chitra Ganesh; and interviews with violinist Regina Carter, choreographer Bill T. Jones, and avant-garde composer Elliot Sharp. NEW YORK (NY). ACA Galleries. ACA Summer Show. July 10-September 13, 2003. Group exhibition. Includes: Benny Andrews, Romare Bearden, Alan Davie, Joseph Delaney, Robert S. Duncanson (River Landscape, 1872), Richard Mayhew, Faith Ringgold (A Family Portrait - storyquilt.) NEW YORK (NY). ACA Galleries. Group Exhibition. May 17-31, 1997. Large group exhibition. Included: Benny Andrews, Romare Bearden, Faith Ringgold. NEW YORK (NY). ACA Galleries. Inaugural Exhibition: 68 Years / 68 Masters. November 16-December 9, 2000. Group exhibition. Included: Benny Andrews, Romare Bearden, Richard Hunt, Jacob Lawrence, Richard Mayhew, Faith Ringgold, Charles White. NEW YORK (NY). ACA Galleries. Small and Everlasting (1897-2008): Paintings, Drawings, Sculpture. December 4, 2008-March 31, 2009. Group exhibition. Included: Romare Bearden, Faith Ringgold. NEW YORK (NY). ACA Galleries. Splash: Artists' Reflections on the Water. July 13-August 18, 2006. Group exhibition of paintings and works on paper depicting beaches, seascapes and water-related themes. Included: Benny Andrews, Romare Bearden, Faith Ringgold. NEW YORK (NY). ACA Galleries. Textures: the Written Word in Contemporary Art. May 4-June 15, 2013. Group exhibition. Curated by Mikaela Sardo Lamarche. Included: Jean-Michel Basquiat, Romare Bearden, Robert Colescott, Faith Ringgold, Aminah Robinson, Dondi White, Flo Oy Wong, NEW YORK (NY). ACA Galleries. The Human Figure. January 11-March 1, 2003. Group exhibition. Works by Benny Andrews, Romare Bearden, John Biggers, Beauford Delaney, Joseph Delaney, Barkley Hendricks, Norman Lewis, Richard Mayhew, Faith Ringgold, and Charles White. [www.acagalleries.com/exh_archive_files/human_figure_011103.htm] NEW YORK (NY). ACA Galleries. Two Black Women: Faith Ringgold and Aminah Brenda Lynn Robinson. February 6-March 20, 2010. Two-person exhibition. NEW YORK (NY). ACA Galleries. Visions of America: A Black Perspective. January 19-March 2, 2002. Group exhibition spanning the period of the Harlem Renaissance era to the present. Artists included: Benny Andrews, Romare Bearden, Beauford Delaney, Joseph Delaney, Aaron Douglas, Barkley Hendricks, Richard Hunt, Jacob Lawrence, Norman Lewis, Richard Mayhew, Faith Ringgold, Bob Thompson, Charles White, and Hale Woodruff. [12 images of work from the exhibition at the gallery website: http://www.acagalleries.com/exh_archive_files/visions_1.02.htm] NEW YORK (NY). ACA Galleries. Visions of America: A Black Perspective. February 5-March 15, 2011. Group exhibition. Included: Edward Bannister, Romare Bearden, John Biggers, Barbara Bullock, Aaron Douglas, Robert S. Duncanson, Barkley Hendricks, Norman Lewis, Alvin Loving, Richard Mayhew, Charles Ethan Porter, Faith Ringgold, Aminah Brenda Lynn Robinson, Charles Searles, Danny Simmons and Charles White. NEW YORK (NY). ACA Galleries. Voices of Conscience: Then and Now. December 13, 1995-January 27, 1996. Group exhibition. Included: Benny Andrews, Romare Bearden, Faith Ringgold, et al. NEW YORK (NY). ACA Galleries. Voices of Dissonance: A Survey of Political Art, 1930-2008. October 25-November 29, 2008. Group exhibition featuring numerous works by Faith Ringgold. NEW YORK (NY). ACA Galleries. Winter Group Exhibition. December 21, 1996-February 1, 1997. Group exhibition. Included: Benny Andrews, Romare Bearden, Faith Ringgold. NEW YORK (NY). Acts of Art, Inc. Black Artists in the New York Scene. n.d. (1974). Exhibition flier, illus., statement by Nigel Jackson. Includes 22 artists: Romare Bearden, Camille Billops, Vivian Browne, Art Coppedge, James Denmark, Alvin Hollingsworth, Manuel Hughes, Norman Lewis, Tyrone Mitchell, Dindga McCannon, Otto Neals, Enid Richardson, Gregory Ridley, Jr., Faith Ringgold, Donald J. Robertson, Ernestine Robertson, Virginia Smit, Vincent D. Smith, Lloyd Toone, Grace Y. Williams, Hale Woodruff. Folded sheet. NEW YORK (NY). Acts of Art, Inc. The Collection. September 19-October 20, 1975. Group exhibition of work by 23 artists. Included: Allen Blisch, Kay Brown, Gil Edwards, Nigel Jackson, Philip Martin, Ademola Olugebefola, Enid Richardson, Faith Ringgold, Robert Robinson, Ed Salter, Philippe G. Smith, Vincent D. Smith, Robert Threadgill, Lloyd Toone, Frank Wimberley, et al. Folding card NEW YORK (NY). Acts of Art, Inc. Where We At, Black Women Artists, 1971. June 22-July 30, 1971. Exhib. cat. Group exhibition featuring the work of Dinga McCannon, Faith Ringgold, and Kay Brown, women who later found the "Where We At" artists' collective to address the traditional exclusion of African American women artists from organizations such as Spiral. [Catalogue exists, but not seen.] NEW YORK (NY). Alternative Center for International Arts. Africa: Emergent Artists, Tribal Roots and Influences. May 16-June 24, 1978. 30 pp. exhib. cat., b&w illus. Curated by Geno Rodriguez, with notes and an introduction by Robert H. Browning. Artists include: Arthur Carraway, Chief Z.K. Oloruntoba, Skunder Boghossian, Melvin Edwards, Amir I.M. Nour, Muhammad Omer Khalil, El Loko, Faith Ringgold, Paul Waters, et al. 8vo (8.5 x 6.9 in. 22 cm.), stiff wraps. NEW YORK (NY). American Academy of Arts and Letters. Invitational Exhibition of Painting & Sculpture. March 11-April 4, 2004. Group exhibition. Included: Stephen Ellis, Whitfield Lovell, Faith RInggold. NEW YORK (NY). Art in General. Ancestors Known and Unknown: Box Works. January 20-February 24, 1990. 44 pp. exhib. cat. (pub.1991), illus. Texts by Lucy Lippard, Carole Byard, Clarissa T. Sligh (Women of Color?") and Yong Soon Min. Co-curated by Carole Byard and Clarissa Sligh. The second exhibition organized and published by Coast to Coast: Women Artists of Color. A traveling group exhibition that interprets the ancestral heritage of 82 women artists through works in the form of boxes that incorporate materials such as human hair, wire, cloth, bronze, encrusted earth, photography and collage. Included: Carole Byard, Colette Gaiter, Robin Holder, Sana Musasama, Faith Ringgold, Coreen Simpson, Clarissa Sligh, Sharon E. Sutton, et al. [Traveled to: Islip Art Museum, East Islip NY, March 1991; Barnes-Blackman Gallery Community Artists' Collective and T
  • Condition: New
  • Type: Artist Doll
  • Set Includes: Doll
  • Ethnicity: African American

PicClick Insights - Doll African American Artist Faith Ringgold Signed Tar Beach Very Rare PicClick Exclusive

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