1976 Film MOVIE POSTER Israel HIT SQUAD Hebrew SQUADRA ANTIFURTO Tomas MILIAN

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Seller: judaica-bookstore ✉️ (2,805) 100%, Location: TEL AVIV, IL, Ships to: WORLDWIDE, Item: 285654978928 1976 Film MOVIE POSTER Israel HIT SQUAD Hebrew SQUADRA ANTIFURTO Tomas MILIAN.

 

DESCRIPTION : Here for sale is an ORIGINAL beautifuly illustrated colorful ISRAELI Theatre POSTER . The theatre poster depicts a few typical IMAGES from the ITALIAN CRIME - ACTION ( poliziottesco -  Poliziotteschi )  movie : " HIT SQUAD " ( "Squadra antifurto   " in ITALIAN ) , Starring TOMAS MILIAN and others . The poster was issued in 1976 by the Israeli distributers of the film for its ISRAELI PREMIERE - RELEASE . Kindly note : This is an ISRAELI MADE poster - Designed , Printed and distributed only in Israel . The Hebrew text is very archaic . The Israeli distributors provided the film a newly fresh Hebrew title : " EXTERMINATOR BY LAW ". Size around 28" x 20" .   The poster is in very good condition.  . Folded. ( Please watch the scan for a reliable AS IS scan ) . Poster will be sent rolled in a special protective rigid sealed tube.

AUTHENTICITY : This poster is an ORIGINAL vintage 1976 theatre poster , NOT a reproduction or a reprint  , It holds a life long GUARANTEE for its AUTHENTICITY and ORIGINALITY.

PAYMENTS : Payment method accepted : Paypal & All credit cards .

SHIPPMENT : Shipp worldwide via registered airmail is $ 29 . Poster will be sent rolled in a special protective rigid sealed tube.  Will be sent around 5-10 days after payment .

Hit Squad (Italian: Squadra antifurto) is a 1976 Italian "poliziottesco"-comedy film directed by Bruno Corbucci. It is the second chapter in the Nico Giraldi film series starred by Tomas Milian.[3][4] Contents 1 Plot 2 Cast 3 Release 4 See also 5 Notes 5.1 Bibliography 6 External links Plot[edit] In the anti-theft team, Giraldi Marshal deals with criminals who commit thefts in apartments or steal cars. Among these is a band to which it belongs Blinds, a little thief inclined to confess things, Zagaja, a stutterer thief, and the Sicilians Rosario and Salvatore Trapani. Performed the theft in the villa of an American (former CIA), the thieves come into possession of documents about a system of bribes concerning some important personalities in the United States, the Deal Zebra Point. Having become in contact with emissaries of the US Ralf Douglas Blinds requires a sum of money for the return of the booklet: is killed. The murder of Zagaja puts Giraldi Marshal in alarm, which senses that Douglas had been robbed of something important: to ascertain what are stalked the Trapanese brothers who have since been in touch with the Douglas emissaries. The attempt failed and the two thieves are killed, but an emissary of Douglas leaves a trace: thanks to that Giraldi flies to New York where, tracked down Douglas, has him arrested. Cast[edit] Tomas Milian: Nico Giraldi Robert Webber: Mr. Douglas Lilli Carati: Vanessa Giuseppe Pambieri: Tapparella Giuliana Calandra: Lt. Ciampini Toni Ucci: Filotto Olimpia Di Nardo: Olimpia Trippetta Massimo Vanni: Gargiulo John P. Dulaney: Ballarin Vittorio Stagni: Er Zagaja Enzo Pulcrano: Salvatore Trapanese Benito Stefanelli: Avv. Gorniani Bombolo: Er Trippa Mimmo Poli: Vittorio Raganelli (Il Musulmano) Giancarlo Badessi: Maniac Anna Bonaiuto: Cameriera Tony Morgan: Gnappetta Nello Pazzafini: Capitano della nave Release[edit] Hit Squad was released on October 29, 1976 in Italy where it was distributed by Titanus.[2] The film grossed a total of 1,825,316,810 Italian lire on its theatrical release.[2]   ****  Tomas Milian (born Tomás Quintín Rodriguez-Varona Milian Salinas De La Fé y Alvarez De La Campa;[1] 3 March 1933 – 22 March 2017) was an Italian-Cuban-American actor and singer, known for the emotional intensity and humour he brought to roles in European genre films. A student of Lee Strasberg, Milian studied method acting at the Actors Studio in New York City. In Italy, he was discovered by director Mauro Bolognini and appeared in supporting roles in several drama films during the late-1950s and early-1960s, including as Raphael in Carol Reed's The Agony and the Ecstasy (1965). Throughout the late-1960s and early-1970s, Milian established himself as a dynamic leading actor in a series of Spaghetti Western films, most notably The Big Gundown (1966), Django Kill... If You Live, Shoot! (1967)[2][3], as well as Sergio Corbucci's parody of the genre The White, the Yellow, and the Black (1975). Following a decline in the popularity of Spaghetti Westerns, Milian transitioned to roles in poliziottesco films. After receiving acclaim for his performance as a psychotic killer in Almost Human (1974), he made appearances in Emergency Squad (1974), The Tough Ones (1976) and The Cynic, the Rat and the Fist (1977). After returning to the United States in 1985, Milian continued to perform supporting roles in film productions, including JFK (1991), Amistad (1997), Traffic (2000) and The Lost City (2005).[3] Milian died in 2017. Contents 1 Biography 1.1 Career 2 Filmography 3 References 4 Further reading 5 External links Biography[edit] Milian was born in Havana as the son of a Cuban general. His father was arrested and jailed: he later committed suicide on December 31, 1946. Milián then decided to leave Cuba and pursue his wishes of being an actor.[4] He settled in the United States to study at New York's Actors Studio[5] and later became an American citizen. In 1969, he became a naturalized Italian citizen.[4] Milian was bisexual; prior to his marriage to actress Margherita Valletti, he had relationships with both men and women.[6] Career[edit] After starting a career in the United States, Milian went to Italy in 1958 to take part in a theatre festival in Spoleto.[7] He eventually decided to relocate to Italy, where he lived for over 25 years, becoming a very successful performer. His first film part in Italy was in the 1959 picture La notte brava. Although his voice was usually dubbed due to his accent, Milián performed his lines in Italian (or in English, depending on the film). He initially starred in arthouse movies and worked with directors such as Mauro Bolognini and Luchino Visconti.[4] After five years of making what he deemed "intellectual" movies, Milián was unhappy with his contract with producer Franco Cristaldi and thought of going back to the United States. Needing money to start over, he took the opportunity to star as a bandit in a spaghetti western called The Bounty Killer. The film boosted his career,[8] and ultimately resulted in his staying in Italy. He became a star of the spaghetti western genre,[9] where he often played Mexican bandits or revolutionaries, roles in which he spoke in his real voice. He starred in The Ugly Ones (1966), The Big Gundown (1966), Django Kill... If You Live, Shoot! (1967), Face to Face (1967), Run, Man, Run (1968), Death Sentence (1968), Tepepa (1969), Compañeros (1970), Sonny and Jed (1972), Life Is Tough, Eh Providence? (1972) and Four of the Apocalypse (1975). As the spaghetti westerns dwindled, Milián remained a star in many genre films, playing both villains and heroes in various polizieschi movies. He starred with Barbara Bouchet in the giallo Don't Torture a Duckling.[3] In addition to his role in Almost Human (1974) and appearances in Emergency Squad (1974), The Tough Ones (1976) and The Cynic, the Rat and the Fist (1977), he also appeared in two film series - Bruno Corbucci's Nico Giraldi series (1976-1984, beginning with The Cop in Blue Jeans) and Umberto Lenzi's Er Monnezza films (1976-1980, beginning with Free Hand for a Tough Cop). His other films during this period include the giallo Don't Torture a Duckling (1972) and the non-genre films The Last Movie (1971), Luna (1979), Identification of a Woman (1982) and Monsignor (1982). He later turned to comedy, playing the recurrent characters of petty thief Monnezza and Serpico-like police officer Nico Giraldi in a variety of crime-comedy pictures. Although his voice was dubbed most of the time by Ferruccio Amendola, Milián wrote his own lines in Roman slang. Milián's inventive use of romanesco (Roman dialect) made him a cult performer in Italy. Bruno Corbucci, the director of many of these films commented, "At the cinemas as soon as Tomás Milián appeared on the screen, when he made a wisecrack and in the heaviest situations, then it was a pandemonium, it was like being at the stadium."[citation needed] As Milián used similar makeups and accents in portraying both characters, Monnezza and Nico were occasionally confused by Italian audiences, who sometimes referred erroneously to them both as Monnezza, or Er Monnezza (Da trash in Roman slang ), and still closely associate Milián with these performances.[10] Milián also appeared in non-genre pictures, such as Bernardo Bertolucci's La Luna, for which he won a Nastro d'Argento for Best supporting Actor, and Michelangelo Antonioni's Identification of a Woman.[11] As he grew older, Milián decided to go back to the United States. He appeared in Sidney Pollack's Havana, Steven Spielberg's Amistad, Steven Soderbergh's Traffic as well as Andy García's The Lost City, about Revolutionary Cuba. He has also played many roles on stage. In 2005, he portrayed Generalisimo Rafael Leonidas Trujillo Molina in the film version of Mario Vargas Llosa's novel The Feast of the Goat.[12] Milian was found dead from a stroke at his home in Miami on 22 March 2017.[13][14] On October 11, 2017 he received the Leone in Memoriam award at the 7º Almería Western Film Festival.[15] It was picked up by his friend Luis Santeiro.[16] Filmography[edit] Milian plays Alberto De Matteis in Silver Spoon Set (1960) Decoy, Ep. "Fiesta at Midnight" (1958, Michael Gordon) as Juan Ortega The Millionaire, Ep. "The Louise Benton Story" (1959, James Sheldon) as Second Sailor Bad Girls Don't Cry (1959, Mauro Bolognini) as Moretto Il bell'Antonio (1960, Mauro Bolognini) as Edoardo Silver Spoon Set (1960, Francesco Maselli) as Alberto De Matteis The Mishap (1961, Alberto Lattuada) as Thomas Plemian A Day for Lionhearts (1961, Nanni Loy) as Gino Migliacci Day by Day, Desperately (1961, Alfredo Giannetti) as Dario Dominici Boccaccio '70 (1962, Luchino Visconti) as Conte Ottavio Disorder (1962, Franco Brusati) as Bruno La banda Casaroli (1962, Florestano Vancini) as Gabriele Ingenis Ro.Go.Pa.G., "La ricotta" (1963, Pier Paolo Pasolini) as Centurione Mare matto (1963, Renato Castellani) as Efsio I Kill, You Kill (1965, Gianni Puccini) as Lorenzo Berti Time of Indifference (1965, Francesco Maselli) as Michele The Camp Followers (1965, Valerio Zurlini) as Lt. Gaetano Martino The Agony and the Ecstasy (1965, Carol Reed) as Raphael Madamigella di Maupin (1965, Mauro Bolognini) as Chevalier d'Albert I soldi (1965, Gianni Puccini) as Bob The Ugly Ones (1966, Eugenio Martin) as José Gómez The Big Gundown (1966, Sergio Sollima) as Cuchillo Sanchez Face to Face (1967, Sergio Sollima) as Beau Bennet Django Kill... If You Live, Shoot! (1967, Giulio Questi) as The Stranger Bandits in Milan (1968, Carlo Lizzani) as Comissario Walter Basevi Death Sentence (1968, Mario Lanfranchi) as O'Hara Run, Man, Run! (1968, Sergio Sollima) as Cuchillo Sanchez A Fine Pair (1968, Francesco Maselli) as Roger Tepepa (1969, Giulio Petroni) as Jesus Maria "Tepepa" Moran Beatrice Cenci (1969, Lucio Fulci) as Olimpio Calvetti Where Are You Going All Naked? (1969, Pasquale Festa Campanile) as Manfredo Compañeros (1970, Sergio Corbucci) as El Vasco Viva Cangaceiro (1970, Giovanni Fago) as Espedito The Cannibals (1970, Liliana Cavani) as Emone The Designated Victim (1971, Maurizio Lucidi) as Stefano Augenti The Last Movie (1971, Dennis Hopper) as the Priest Ripped Off (1972, Franco Prosperi) as the Stranger Sonny and Jed (1972, Sergio Corbucci) as Jed Trigado Don't Torture a Duckling (1972, Lucio Fulci) as Andrea Martelli Counselor at Crime (1973, Alberto De Martino) as Thomas Accardo Life Is Tough, Eh Providence? (1972, Giulio Petroni) as Provvidenza Emergency Squad (1974, Stelvio Massi) as Tomas Ravelli Almost Human (1974, Umberto Lenzi) as Giulio Sacchi Silent Action (1975, Sergio Martino) as Rienzi Syndicate Sadists (1975, Umberto Lenzi) as Rambo The White, the Yellow, and the Black (1975, Sergio Corbucci) as Sakura Four of the Apocalypse (1975, Lucio Fulci) as Chaco Folle à tuer [fr] (1975, Yves Boisset) Sex with a Smile (1976, Sergio Martino) as Cavaliere Marelli The Tough Ones (1976, Umberto Lenzi) as Vincenzo Moretto The Cop in Blue Jeans (1976, Bruno Corbucci), as Nico Giraldi The Twist (1976, Claude Chabrol) as The Detective Hit Squad (1976, Bruno Corbucci), as Nico Giraldi Young, Violent, Dangerous (1976, Romolo Guerrieri) as the Commissioner The Cynic, the Rat and the Fist (1977, Umberto Lenzi) as Luigi Maietto Free Hand for a Tough Cop (1977, Umberto Lenzi) as Sergio Marazzi Brothers Till We Die (1977, Umberto Lenzi) as Sergio Marazzi/The Hunchback Destruction Force (1977, Stelvio Massi) as Sergio Marazzi Squadra antitruffa (1977, Bruno Corbucci), as Nico Giraldi Little Italy (1978, Bruno Corbucci), as Nico Giraldi The Gang That Sold America (1979, Bruno Corbucci), as Nico Giraldi Assassinio sul Tevere (1979, Bruno Corbucci), as Nico Giraldi La Luna (1979, Bernardo Bertolucci) as Giuseppe Winter Kills (1979, William Richert) as Frank Mayo Il lupo e l'agnello (1980, Francesco Massaro) as Cuckoo Delitto a Porta Romana (1980, Bruno Corbucci), as Nico Giraldi Manolesta (1981, Pasquale Festa Campanile) as Gino Quirino Crime at the Chinese Restaurant (1981, Bruno Corbucci), as Nico Giraldi Uno contro l'altro, praticamente amici (1981, Bruno Corbucci) as Quinto Cecione Delitto sull'autostrada (1982, Bruno Corbucci), as Nico Giraldi Identification of a Woman (1982, Michelangelo Antonioni) as Niccolò Monsignor (1982, Frank Perry) as Father Francisco Cat and Dog (1982, Bruno Corbucci) as Tony Roma Crime in Formula One (1983, Bruno Corbucci), as Nico Giraldi Cop in Drag (1984, Bruno Corbucci), as Nico Giraldi King David (1985, Bruce Beresford) as Akiss Miami Vice "Bought and Paid For" (1985, John Nicolella) as Octavio Arroyo Salome (1986, Claude d'Anna) as Herod II The Equalizer "Shadow Play" (1987, Russ Mayberry) as Duran Distant Lights (1987, Aurelio Chiesa) as Bernardo Bernardi Cat Chaser (1989, Abel Ferrara) as Andres DeBoya Massacre Play (1989, Damiano Damiani) as Clem Da Silva Drug Wars: The Camarena Story (1990, Brian Gibson) as Florentino Ventura Revenge (1990, Tony Scott) as Cesar Havana (1990, Sydney Pollack) as Colonel Menocal Money (1991, Steven Hilliard Stern) as Robert Zarra JFK (1991, Oliver Stone) as Leopoldo Frannie's Turn (1992, various) as Joseph Escobar Murder, She Wrote, "Day of the Dead" (1992, Anthony Shaw) as Enrico Montejano Nails (1992, John Flynn) as Pedro Herrara Screenplay, "Bitter Harvest" (1992, Simon Cellan Jones) as Ramon Cires Love, Honor & Obey: The Last Mafia Marriage (1993, John Patterson) as Joe Profaci Marilyn & Bobby: Her Final Affair (1993, Bradford May) as Calro Rossi The Burning Season (1994, John Frankenheimer) as Darli Alves The Cowboy Way (1994, Gregg Champion) as Manny Huerta Fools Rush In (1997, Andy Tennant) as Tomas Fuentes Oz (1997, various) as Ricardo Alvarez Amistad (1997, Steven Spielberg) as Ángel Calderón de la Barca y Belgrano The Yards (2000, James Gray) as Manuel Sequeira Law & Order (2000, Christopher Misiano) as Colonel Emilio Pantoya For Love or Country: The Arturo Sandoval Story (2000, Joseph Sargent) as Sosa Traffic (2000, Steven Soderbergh) as General Arturo Salazar The Hire: Ambush (short, 2001, John Frankenheimer) Washington Heights (2002, Alfredo De Villa) as Eddie The Lost City (2005, Andy García) as Don Federico Fellove The Feast of the Goat (2005, Luis Llosa) as Rafael Leonidas Trujillo Fugly! (2014, Alfredo De Villa) as Gramps ****** Lilli Carati (23 September 1956 – 20 October 2014[1]) was an Italian actress. Contents 1 Biography 2 Films 3 References 4 External links Biography[edit] Lilli Carati was born in Varese (Lombardy). In 1974, she was named "Miss Elegance" at a beauty contest in Calabria and began working as a fashion model in Milan. She was first runner-up at Miss Italia contest of 1975 and moved on to cinema. Most of her box office hits were in the genre of "sex comedy," but she also appeared in films of different genres such as Squadra antifurto (1977, a crime story with Tomas Milian), Le evase – Storie di sesso e di violenze (1978, a prototypical exploitation film), and La fine del mondo nel nostro solito letto in una notte piena di pioggia (1978, a film by Lina Wertmüller). She also appeared in nude photos on the pages of Italian men's magazines like Playmen and Albo Blitz. Around 1990, she retired from public life. On 20 October 2014, she died of a brain tumour.[2] Films[edit] The first film she played the lead role was 1976 La professoressa di scienze naturali ("School Days") by Michele Massimo Tarantini. In this film, Carati plays a substitute teacher of natural science named Stefania Marini who soon gets one of her students, Andrea (Marco Gelardini), as her lover and a physician Baron Cacciapuopolo (Michele Gammino) as an admirer. In the end, she marries the Baron but keeps Andrea as a lover. Her next "school film" was La compagna di banco by Mariano Laurenti in 1977. In this film, Carati is a rich schoolgirl and a basketball player named Simona Girardi with a lover named Mario (Antonio Melidoni). Alvaro Vitali, a regular of school films, is present in both films as the main comic character. The same year she played Paola in the poliziotteschi film Gangbuster, opposite Ray Lovelock and Mel Ferrer. In 1978, in Candido Erotico (Copenhagen Nights) by Claudio de Molinis, she plays Charlotte, a young student who is drawn into confusion when she falls in love with her stepmother's lover, Carlo (Mircha Carven) who works as an actor in sex shows. Eventually, she discovers the ménage à trois involving her father, stepmother, and Carlo and decides to carry on with her relationship. Her greatest success came with Avere vent'anni ("To Be Twenty") by Fernando Di Leo in 1978. The film, about the story of two girls who leave home and move into a hippie commune in pursuit of freedom but end up in the hands of thugs to be violently murdered, later attained a cult status as expressed by its screening at Venice Film Festival in 2004. In this film, the side-kick to Carati (Tina) was Gloria Guida (Lia), a popular star of the 1970s. The film also contains a brief lesbian sex scene with the two actresses. In Il corpo della ragassa (1979) by Pasquale Festa Campanile, Carati plays Teresa Aguzzi, a naïve-looking but cunning country girl involved in a Pygmalion story set in 1950s Italy. The same year she appeared in Senza buccia (Skin Deep) by Marcello Aliprandi, a story of love relationships at a holiday hideout. In There Is a Ghost in My Bed (1980), an Italo-Spanish production by Claudio de Molinis, she played newlywed Adelaide Fumagalli who arrives at the "Black Castle" in England with her husband on honeymoon. The castle is home to the ghost of 17th century nobleman Sir Archibald, played by veteran actor Renzo Montagnani who played Teresa's father in Il corpo della ragassa. Sir Archibald plays his games to seduce Adelaide which will eventually end badly for himself. Il marito in vacanza (1981) by Alessandro Lucidi and Mario Lucidi would again bring Carati and Montagnani together. This time Montagnani is a professor who tries to seduce Lucia Coradini (Carati), a beautiful colleague. In 1984, Carati met director Joe d'Amato through her actress friend Jenny Tamburi and played in four D'Amato films, among which are L'alcova (The Alcove, 1984) and Il piacere (The Pleasure, 1985), both set in 1930s Italy and with Laura Gemser. In 1987 and 1988, she appeared in a number of adult films by Giorgio Grand, along with a team of performers including Rocco Siffredi. In 1989, she was in The Whore by Alex de Renzy and Henri Pachard. This film had the most elaborate plot among her porn films but she didn't play the lead role. The last appearance of Lilli Carati was in the role of an occultist in Violent Shit - The Movie (2015) by Luigi Pastore.[3] The film is a remake of Violent Shit by Andreas Schnaas. The work is dedicated to Lilli Carati, already dead on the day of the film's release. References[edit] ^ Morta Lilli Carati, icona sexy degli Anni 70, 21/10/2014, La Stampa ^ Addio a Lilli Carati, icona dei film sexy anni 70 (in Italian) ^ Violent Shit – The Movie Review (in Italian) ***** Robert Laman Webber (October 14, 1924 – May 19, 1989) was an American actor. He appeared in dozens of films and television series, roles that included Juror No. 12 in the classic 1957 film 12 Angry Men. Contents 1 Early life 2 Career 3 Personal life and death 4 Filmography 4.1 Film 4.2 Television and radio 5 References 6 External links Early life[edit] Webber was born in Santa Ana, California, the son of Alice and Robert Webber, who was a merchant seaman.[2] Webber graduated from Oakland Technical High School. He served in the United States Marine Corps during World War II, serving on Guam and Okinawa.[3][4] Career[edit] This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2018) (Learn how and when to remove this template message) Webber had a 40-year career as a character actor, during which he appeared as Juror No. 12 in 12 Angry Men (1957), as Dudley Moore's gay lyricist in 10 (1979), and the father of Cybill Shepherd's character in the hit series Moonlighting. Other notable turns were in the movies The Sandpiper, in which he played a supporting role as Elizabeth Taylor's character's former lover; The Nun and the Sergeant, in which he played the lead; The Dirty Dozen, where he played a general who disliked the character portrayed by Lee Marvin; a sadistic lowlife encountered by Paul Newman in the anti-hero detective drama Harper; a hitman in Sam Peckinpah's Bring Me the Head of Alfredo Garcia; and a killer in the Dean Martin spy spoof The Silencers. Other notable movies include The Great White Hope (1970), Midway (1976), Revenge of the Pink Panther (1978), Private Benjamin (1980), S.O.B. (1981), and Wild Geese II (1985). Several of the movies were directed by Blake Edwards. On television, Webber appeared in many of the popular dramas of the time, including four episodes of The Rockford Files and three of Cannon. Webber also appeared in Barnaby Jones in the episode titled “Final Judgment”. Personal life and death[edit] Webber was married to actress and model Miranda "Sammy" Jones on October 1, 1953, and was divorced in July 1958. He married his second wife, Del Mertens, on April 23, 1972.[citation needed] He died from Amyotrophic Lateral Sclerosis (also known as Lou Gehrig's disease) at age 64 in Malibu, California.[5] Filmography[edit] Film[edit] Highway 301 (1950) as William B. Phillips 12 Angry Men (1957) as Juror #12 The Nun and the Sergeant (1962) as Sgt. McGrath The Stripper (1963) as Ricky Powers Hysteria (1965) as Chris Smith The Sandpiper (1965) as Ward Hendricks The Third Day (1965) as Dom Guardiano The Silencers (1966) as Sam Gunther Harper (1966) as Dwight Troy Tecnica di un omicidio (1966) as Clint Harris Dead Heat on a Merry-Go-Round (1966) as Milo Stewart The Dirty Dozen (1967) as General Denton Don't Make Waves (1967) as Rod Prescott Every Man Is My Enemy (1967) as Tony Costa Manon 70 (1968) as Ravaggi The Big Bounce (1969) as Bob Rodgers The Great White Hope (1970) as Dixon Macédoine (1971) as Sandeberg $ (1971) as Attorney Bring Me the Head of Alfredo Garcia (1974) as Sappensly Flatfoot in Hong Kong (1975) as Sam Accardo Soldat Duroc, ça va être ta fête (1975) as Sergeant John Lewis Midway (1976) as Rear Admiral Frank Jack Fletcher Hit Squad (1976) as Mr. Duglas Death Steps in the Dark (1977) as Inspector Madame Claude (1977) as Howard The Accuser aka L'Imprécateur (1977) as Le cadre américain The Choirboys (1977) as Deputy Chief Riggs Casey's Shadow (1978) as Mike Marsh Revenge of the Pink Panther (1978) as Phillip Douvier Gardenia (1979) as Caruso 10 (1979) as Hugh Courage - Let's Run (1979) as Charley Tous vedettes (1980) as Harry Stabling Private Benjamin (1980) as Col. Clay Thornbush Sunday Lovers (1980) as Henry Morrison (segment "The French Method") S.O.B. (1981) as Ben Coogan Wrong Is Right (1982) as Harvey Who Dares Wins (1982) as General Ira Potter Wild Geese II (1985) as Robert McCann Nuts (1987) as Francis MacMillan Television and radio[edit] Starlight Theatre (1950) Out There (1951–1952) as Captain Bill Hurley Tales of Tomorrow (1952) Studio One (1952) as Skeets Eye Witness (1953) Suspense (1954) as James Forsythe Three Steps to Heaven (1953) as Chip Morrison Robert Montgomery Presents (1954) The Phil Silvers Show (1956) as Ego Kraft Television Theatre (1955–1957) Playhouse 90 (1958) as Malcolm Field The Rifleman (1959) as Wes Carney Alcoa Presents: One Step Beyond (1959) as Andrew Courtney Play of the Week (1960) Checkmate (1961) as Miles Archer The Investigators (1961) as Bert Crayne Thriller (1961) as Arthur Henshaw The Paradine Case (1962) as Andre Latour Alfred Hitchcock Presents (1959–1962) as Paul Brett, Harrison Fell, Edward Gibson Stoney Burke (1962) as Roy Hazelton The Dick Powell Show (1961–1962) as Captain John Wycliff Route 66 (1962) as Frank Bridenbaugh The Defenders (1962–1963) as Douglas, MichaelHillyer, Father Phelps, Naked City (1963) as Gordon Lanning The Greatest Show on Earth (1963) as Rudy The Nurses (1963) as Arthur Luskin Arrest and Trial (1963) as George Morrison Bob Hope Presents the Chrysler Theatre (1963) as Stuart Landsman Ben Casey (1963) as Slim The Fugitive (1964) as Harlan Guthrie Espionage (1964) as Jack Hanley Brenner (1964) Mr. Broadway (1964) as Hogan The Outer Limits (1964) as Ikar Kraft Suspense Theatre (1964–1965) as David Henderson, Robert Burke The Rogues (1965) as Guy Gabriel The Name of the Game (1968) as William McKendricks Journey to the Unknown (1969) as Manservant Special Branch (1969) as Mr. Snell The Bold Ones: The Lawyers (1969) as Sam Rand The Movie Murderer (1970) as Karel Kessler The Men From Shiloh, rebranded name of The Virginian (1970) as Jackson Reed San Francisco International Airport (1970) Hauser's Memory (1970) as Dorsey The Young Lawyers (1971) as Sergeant Fielder Mannix (1971) as Tom Carlson The Rivals of Sherlock Holmes (1971) as Commissioner of Oaths Thief (1971) as James Calendar Cutter (1972) as Meredith Banacek (1972) as Jerry Brinkman Mission: Impossible (1972) as Charles Rogan Love, American Style (1972) Banyon (1972) Search (1973) as Matthew Linden Hawkins (1973) as Carl Vincent Hawkins on Murder (1973) as Carl Vincent Griff (1973) as Alan Gilbert Double Indemnity (1973) as Edward Norton The Magician as Zellman Tenafly (1973) as Kent Kojak (1973) as David Lawrence Murder or Mercy (1974) as Dr. Eric Stoneman Ironside (1973–1974) as Del Hogan, Burton Cannon (1971–1974) as McMillan, Clay Spencer, Barney Shaw, 4x03 Voice From The Grave as Jake McVea (Hitman) The Manhunter (1974) The Streets of San Francisco (1974) as Al Cooper McCloud (1971–1975) as Jack Faraday, Fritz August Death Stalk (1975) as Hugh Webster Switch (1975) as Paul Sinclair S.W.A.T. (1975) as McVea, Mike Simon Police Woman (1975) as Julian Lord McMillan & Wife (1977) as Charles Meridio 79 Park Avenue (1977) as John Hackson DeWitt Barnaby Jones (1975–1978) as Maxwell Strager, Gene Gates The Young Runaways (1978) as Fred Lockhart Kaz (1978) The Rockford Files (1975–1979) as Senator Evan Murdock, Bob Coleman, Roman Clementi, Harold Jack Coombs Quincy, M.E. (1977–1979) as Dr. John Franklin The Streets of L.A. (1979) as Ralph Salkin Tenspeed and Brown Shoe (1980) as LaCrosse The Two Lives of Carol Letner (1981) as Ed Leemans Darkroom (1981) as Greg Conway Bret Maverick (1982) as Everest Sinclair Not Just Another Affair (1982) as Professor Wally Dawson Don't Go to Sleep (1982) as Dr. Cole Starflight: The Plane That Couldn't Land (1983) as Felix Duncan Shooting Stars (1983) as Woodrow Norton Getting Physical (1984) as Hugh Gibley No Man's Land (1984) as Will Blackfield Cover Up'' (1984) as Mason Carter Half Nelson (1985) In Like Flynn (1985) as Colonel Harper Assassin (1986) as Calvin Lantz The Ladies (1987) as Jerry Moonlighting (1986–1988) as Alexander Hayes Something Is Out There (1988) as Commissioner Estabrook  ***** Tomas Milian as the unconventional undercover cop with a pet mouse named 'Serpico'. Still difficult for an investigation commissioner Nico Giraldi, this time struggling with a gang who commits theft in luxury apartments in Rome. ****Poliziotteschi (Italian pronunciation: [polittsjotˈteski]; plural of poliziottesco) constitute a subgenre of crime and action films that emerged in Italy in the late 1960s and reached the height of their popularity in the 1970s.[1] They are also known as polizieschi all'italiana, Euro-crime, Italo-crime, spaghetti crime films, or simply Italian crime films. Influenced by both 1970s French crime films and gritty 1960s and 1970s American cop films and vigilante films[2], poliziotteschi films were made amidst an atmosphere of socio-political turmoil in Italy and increasing Italian crime rates. The films generally featured graphic and brutal violence, organized crime, car chases, vigilantism, heists, gunfights, and corruption up to the highest levels. The protagonists were generally tough working class loners, willing to act outside a corrupt or overly bureaucratic system.[3] Contents 1 Etymology of the noun 2 History 2.1 Directors include 2.2 Actors include 3 Selected films 4 See also 5 References 6 Further reading 7 External links Etymology of the noun[edit] In Italian, poliziesco is the grammatically correct Italian adjective (resulting from the fusion of the noun polizia "police" and the desinence -esco "related to", akin to the English "-esque") for police-related dramas, ranging from Ed McBain's police procedural novels to forensic science investigations. Poliziesco is used generally to indicate every detective fiction production where police forces (Italian or foreign) are the main protagonists. Instead the term poliziottesco, a fusion of the words poliziotto ("policeman") and the same -esco desinence, has prevailed (over the more syntactically-correct Poliziesco all'Italiana) to indicate 1970s-era Italian-produced "tough cop" and crime movies. The prevalence of Poliziottesco over Poliziesco all'Italiana closely follows the success of the term Spaghetti Western over Western all'Italiana, being shorter and more vivid – though in both instances the term that has come to be used more frequently by English-speaking fans of the genre (poliziotteschi, Spaghetti Westerns) was originally used pejoratively by critics, to denigrate the films themselves and their makers. History[edit] Although the subgenre has its roots in Italian heist films of the late 1960s, such as Bandits in Milan (Banditi a Milano, 1968) by Carlo Lizzani, it was also strongly influenced by such rough-edged American police thrillers of the late 1960s and early 1970s as Bullitt, Dirty Harry, The French Connection, Magnum Force, and Serpico; the 1970s wave of American vigilante films, including 1974's Death Wish; the increase of cynicism and violence in French crime films; the resurgence of mob films in the wake of The Godfather; French and American noir and neo-noir films; and the rise of exploitation films in the late 1960s and 1970s. More generally, the genre was also heavily influenced by real-life crime and unrest in 1970s Italy during the period known as the anni di piombo (political violence, kidnappings, assassinations, bank robberies, political militant terrorism, impending oil crisis, political corruption, organized crime-related violence, and recession).[4] Just as American police films, American crime thrillers, and American vigilante films of the time focused on the crime waves and urban decline in the United States of the 1960s and 1970s, poliziotteschi were set in the context of, or directly addressed, the sociopolitical tumult and violence of Italy's anni di piombo, or the "Years of Lead", a period of widespread social unrest, political upheaval, labor unrest, rising crime, political violence, and political terrorism from the 1960s to 1980s. During this period, paramilitary and militant political terrorist groups, both on the far left (e.g. the Red Brigades) and far right (e.g. the neo-fascist Nuclei Armati Rivoluzionari) engaged in kidnappings, assassinations, and bombings (such as the Piazza Fontana bombing and 1980 Bologna train station bombing). At the same time, there was a period of especially violent conflict and disorder within the Sicilian Mafia, kicked off with the "First Mafia War" of the 1960s and culminating in the "Second Mafia War" of the early 1980s. Italian organized crime groups such as the Sicilian Mafia, the Camorra, and especially the Roman Banda della Magliana were actively involved in both criminal and political activities during this time, carrying out bombings and kidnappings, making deals with corrupt politicians, and forming strong ties to extreme far right groups and neo-fascist terrorist organizations. Accordingly, poliziotteschi films such as Execution Squad (1972) often featured political extremists and paramilitary or terrorist groups alongside or in addition to the more commonly featured apolitical mafiosi and gangster criminal elements found in Italian crime films.[3][5][6][7][8] Due in part to the genre's often ostensibly negative portrayal of political activists and militants, especially leftist militants, and its seeming endorsement of vigilantism and "tough-on-crime" or "law and order" stances, some poliziotteschi films (such as 1976's The Big Racket) were criticized by then-contemporaneous critics and accused of exploiting conservative fears of rising crime and political upheaval while containing reactionary, pro-violence, or even quasi-Fascist ideological elements in their overarching message. These critiques were similar to those leveled at the 1970s American "vigilante films" of the same period, such as 1974's Death Wish, films by which the poliziotteschi genre were considerably influenced.[3][5][7][9][10] In retrospect, despite contemporaneous claims in the 1970s of overly conservative or reactionary themes within the genre, film historians such as Louis Bayman and Peter Bondarella contend that, in fact, poliziotteschi films generally presented a more multi-faceted, complex outlook on the political turmoil and crime waves of the time, as well as violence in general, with Bayman and author Roberto Curti in particular arguing that the genre generally used political conflicts and violence for largely apolitical tension-building and cathartic or emotional purposes rather than to promote any particular political agendas.[3][11] Curti notes that the genre's protagonists often simultaneously displayed both right-wing and left-wing views, and protagonists were often working class while villains were often wealthy right-wing conservatives.[3] The film Caliber 9 (1972), for instance, features protagonists of both right-wing and leftist ideologies and offers differing views on the causes of crime and the true antagonists of law-abiding Italian society, while Execution Squad reveals the actual antagonists of the film to be right-wing reactionary, "tough-on-crime" ex-police officers and vigilantes rather than the initially suspected leftist militants.[5][7] Rather than explicitly supporting violence or vigilantism, the genre just as often displayed a morally ambiguous or aloof position on these themes, or even presented vigilantism and violence as a no-win situation. Though poliziotteschi films have been viewed by some critics as condemning a "liberal" or "weak" judiciary system as ineffectual in its treatment of criminals, the genre also suggests a more general distrust of authority, whether left-wing or right-wing, by portraying right-wing law enforcement, politicians and businessmen as hopelessly corrupt and manipulative.[3][5] According to Bondarella, the "classic" poliziotteschi film reveals "almost universal suspicion of the very social institutions charged with protecting Italian society from criminal violence."[7] With directors such as Fernando Di Leo and Umberto Lenzi and actors such as Maurizio Merli and Tomas Milian, poliziotteschi films became popular in the mid-1970s after the decline of Spaghetti Westerns and Eurospy genres. The subgenre lost its mainstream popularity in the late 1970s as Italian erotic comedy and horror films started topping the Italian box office. Although based around crime and detective work, poliziotteschi should not be confused with the other popular Italian crime genre of the 1970s, the giallo, which, to English-speaking and non-Italian audiences, refers to a genre of violent Italian murder-mystery thriller-horror films. Directors and stars often moved between both forms, and some films could be considered under either banner, such as Massimo Dallamano's What Have They Done to Your Daughters? (1974). The poliziottesco subgenre gradually declined in popularity during the late 1970s. Screenwriter Dardano Sacchetti, who was unhappy with what he deemed the genre's "fascistic" undertones, credits himself for "destroying it from the inside", by making it evolve into self-parody. By the end of the decade, the most successful films associated with the genre were crime-comedy pictures, which gradually evolved towards pure comedy.[12] Directors include[edit] Mario Bianchi Alfonso Brescia Enzo G. Castellari Bruno Corbucci Damiano Damiani Alberto De Martino Massimo Dallamano Ruggero Deodato Lucio Fulci Mario Caiano Marino Girolami Romolo Girolami Umberto Lenzi Fernando Di Leo Carlo Lizzani Sergio Martino Stelvio Massi Giuliano Montaldo Elio Petri Sergio Sollima Duccio Tessari Actors include[edit] Mario Adorf Ursula Andress Carroll Baker Martin Balsam Helmut Berger Barbara Bouchet Sal Borgese Marcel Bozzuffi Charles Bronson Luciano Catenacci Adolfo Celi Giovanni Cianfriglia Joan Collins Richard Conte Joseph Cotten Alain Delon George Eastman Mel Ferrer Klaus Kinski Angelo Infanti Leonard Mann Luc Merenda Maurizio Merli Mario Merola Tomas Milian Gordon Mitchell Gastone Moschin Franco Nero Jack Palance Oliver Reed Fernando Rey Edward G. Robinson Luciano Rossi Antonio Sabàto Sr. Telly Savalas John Saxon Henry Silva Woody Strode Fabio Testi Massimo Vanni Gian Maria Volonté Eli Wallach Fred Williamson [13] Selected films[edit] Banditi a Milano (1968) Un detective (1969) Città violenta (1970) Indagine su un cittadino al di sopra di ogni sospetto (1970) La polizia ringrazia (1972) Milano calibro 9 (1972) La mala ordina (1972) Tony Arzenta (1973) La polizia incrimina la legge assolve (1973) The Violent Professionals (1973) Revolver (1973) La polizia sta a guardare (1973) Il Boss (1973) Piedone lo sbirro (1973) Milano rovente (1973) Squadra volante (1974) Il cittadino si ribella (1974) Milano odia: la polizia non può sparare (1974) La polizia chiede aiuto (1974) Fatevi vivi, la polizia non interverrà (1974) Milano: il clan dei calabresi (1974) Il poliziotto è marcio (1974) L'uomo della strada fa giustizia (1975) Mark il poliziotto (1975) Mark il poliziotto spara per primo (1975) La città gioca d'azzardo (1975) La città sconvolta: caccia spietata ai rapitori (1975) Il giustiziere sfida la città (1975) Roma violenta (1975) Napoli violenta (1976) Italia a mano armata (1976) l Padroni della città (1976) Squadra antiscippo (1976) Paura in città (1976) The Big Racket (Il grande racket, 1976) Uomini si nasce poliziotti si muore (1976) Roma a mano armata (1976) Il trucido e lo sbirro (1976) Quelli della Calibro 38 (1976) Il cinico, l'infame, il violento (1977) Napoli spara! (1977) La via della droga (1977) La malavita attacca... la polizia risponde! (1977) Napoli si ribella (1977) Torino violenta (1977) La belva col mitra (1977) Un poliziotto scomodo (1978) La banda del gobbo (1978) Il commissario di ferro (1978) Diamanti sporchi di sangue (1978) Da Corleone a Brooklyn (1979) Sbirro, la tua legge è lenta... la mia no! (1979) Poliziotto, solitudine e rabbia (1980) Luca il contrabbandiere (1980)          ebay5196

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