MONCLER GENIUS X NOIR KEI NINOMIYA FLORAL TECHNIQUE FLARED DRESS DRESS ICON XS SIZE : MONCLER/IT40-INT SMALL - FR36 - USA4 - UK8 - GER34 - MADE IN ITALY Brand new wit all tags - Ninomiya's Noir concept involved giant 3-D, computer-generated figures of twirling women in sequences that felt akin to witnessing the head-down birth of cyborgs. The digital collaboration with Setsuya Kurotaki ingeniously magnified the petaled, silver grommet-linked, knitted, and flower- shaped mesh techniques the designer had wrought out of standard Moncler black padded nylon and its logo template. “I had to make sure people felt the emotion, that the girls felt very displaced, like their identity is their work. It could be Down South; Arizona, even,” she said. “I didn't want to make a fashion movie; I wanted to make a film film. It was really exciting working with a creative team in a completely separate discipline from fashion.” Kei Ninomiya uses Moncler's down jacket as basis for all-black collection"The world is changing as fast as ever and the digital era has changed the consumer's attitude in a season-less perspective," he continued. Ninomiya – a protégé of Rei Kawakubo – heads up his own brand, Noir Kei Ninomiya, under the Comme des Garçons umbrella. He is known for creating garments in a restrained palette of black, using white or red as occasional highlights.The Japanese designer told Dezeen that his all-black collection for Moncler carefully blends his own aesthetic with the 66-year-old Italian brand's DNA."We use many very unusual processes to make clothes, such as connecting small modular parts," he said. "The biggest challenge was to find a way to adapt the down material to our style of creation.""They have deep respect for creation and were very open and flexible to our (Noir's) style of making things. It was really an interesting experience to work with them," continued Ninomiya."Moncler Genius is a challenge of innovation, and a progressive project in every respect. It allowed me the opportunity to develop new techniques of down. Progress always stems from the way things are made." MONCLER GENIUS 6 MONCLER NOIR NYLON TECHNIQUE DRESS - MONCLER - LEATHER EMBROIDERED DRESS BY NOIR KEI NINOMIYA 6 - Moncler Genius Moncler X Noir Kei Ninomiya Floral Detail Flared Dress - PLEATED DETAILING - EMBROIDERY - FLORAL PRINT - SLEEVELESS - BLACK - MADE IN ITALY - AUTUMN-WINTER - ELEGANT FESTIVE LOOK - COMPOSITION OF MATERIAL: 98% CO, 2% EA, 100% LEATHER -Round neckline -Sleeveless-Leather flower appliqués-Gathered nylon fabric details-Fitted-Gathered skirt panels -Samplesize: 40 IT-Made in Italy-Main 1: 100% Polyester-Details: Calf, Sheep - Main 2: 98% Cotton, 2% Elastane Moncler has taken a leap into a whole new strategy of engaging with collaborations, giving individual designers the license to extend their world views into big-budget, immersive experiences—a showcase devised by Remo Ruffini to shine light around its core product. It's hard to think of another brand that would set a brief of showing no product at a press event—but since the debut of the Genius Group project last season, the convention of run-throughs of clothes on racks has been ditched in favor of communicating through an impressive sequence of installations. This time, it was in the form of digital work played on the walls of a cavernous Milan warehouse gallery, individually authored by Craig Green, Fragment by Hiroshi Fujiwara, Noir Kei Ninomiya, and Simone Rocha, and anchored by an offering from Moncler's own sub-brand, Moncler 1952.Yes, we had a full preview of the clothes that will constitute the retail and online drops of products, but the event tonight was centered on sensation and fashion imagination. Rocha chose a gardening theme, reasoning that her Spring Moncler collection should logically center on protection from rain—she's Irish, so she knows all about that—rather than insulation from cold. There were flower jewels embedded in vinyl coats; ruffle-edged dresses; 3-D anemone and daisy embroideries; floppy-brimmed hats tied on with tulle scarves; and Wellington boots with broderie anglaise cut-outs. There were also gardening gloves inserted with lace and flower-shaped sunglasses to complete this collection of the quirky Victoriana symbolism Rocha is known for. But, oh, her film: Directed by Tyler Mitchell (who photographed Beyoncé for Vogue's September issue), it went deep. Shot with a group of girls in the scorching English summer in Wisley garden, with Rocha's cinematographer boyfriend, Eoin McLaughlin, it evoked a hypnotically beautiful, disturbingly morbid atmosphere, hovering somewhere between The Virgin Suicides, Picnic at Hanging Rock, and a cult surviving on the edge of extinction. seeing the characters tending the gardens, digging a trench—then a sudden lingering shot of a girl lying under a sheet of plastic, covered with flowers: there was a frisson of horror there. It's work that deserves a more public screening. Rocha stated she very much appreciated Moncler offering her the opportunity to stretch and experiment. “I had to make sure people felt the emotion, that the girls felt very displaced, like their identity is their work. It could be Down South; Arizona, even,” she said. “I didn't want to make a fashion movie; I wanted to make a film film. It was really exciting working with a creative team in a completely separate discipline from fashion.” Green's installation was a set of giant video projections of the mechanical contraptions he loves to construct. This time they were twirling, jumping, bouncing, windmilling sculptural frameworks for the vast rain ponchos that will be dead-cert cult objects for Moncler next season. “It's fun working with them because they have so much technical ability,” said Green. “The brief was to try colour, so we went for the most celebratory ones we could think of, looking at windsurfing sails, kites, and flags. So, it's summer—I burn terribly—so I thought of what could protect you: tents, hoods . . . .” Green's design language and his ability to fuse concept with real garments is truly unique. Fujiwara, designer of Fragment, is a Japanese hero of streetwear. His collection, printed with serial numbers and logos, was a practical fusion of American generics—varsity and jean jackets, plaid blazers, field jackets. Its title was World Tour, but Fujiwara's fantasy animation also had an apocalyptic undertow, with a hero eventually escaping earth to float in space.The Moncler 1952 collection comprised a more accessible urban wardrobe for men and women. Perhaps what's most striking about it is that it's a fully merchandised Ready to wear line now. The Moncler classic, generic Bady jacket still exists, of course. It's the thing that's bankrolling all of this artistic experimentation. Kei Ninomiya uses Moncler's down jacket as basis for all-black collection.Fashion brand Moncler has released an all-black collection designed by Kei Ninomiya, which was inspired by the Italian brand's classic down jacket.Launched this week, the 6 Moncler Kei Ninomiya Noir collection includes voluminous jumpers knitted from Nylon tubes, round skirts, stoles, cropped jackets, long coats and sturdy boots.The collection was created as part of the brand's Moncler Genius series, which was unveiled at Milan Fashion Week earlier this year.Moncler Genius is a year-long project that has seen eight emerging designers create eight capsule collections for the brand, all inspired by the classic Moncler down jacket. Described by the brand as "wearable geometry", Ninomiya's collection pairs techniques like knitting and embroidery with unexpected materials like shiny nylon and leather.Modular elements, such as leather flowers, are made using techniques such as intarsia, quilting, stitching, applique and ruffling. These elements are then multiplied and assembled to create complete forms.After being unveiled during Milan Fashion Week, Ninomiya's Noir collection is the second collection in the series to be launched in stores. Ninomiya - a protégé of Rei Kawakubo - heads up his own brand, Noir Kei Ninomiya, under the Comme des Garçons umbrella. He is known for creating garments in a restrained palette of black, using white or red as occasional highlights.The Japanese designer told Dezeen that his all-black collection for Moncler carefully blends his own aesthetic with the 66-year-old Italian brand's DNA."We use many very unusual processes to make clothes, such as connecting small modular parts," he said. "The greatest challenge was to find a way to adapt the down material to our style of creation.""They have deep respect for creation and were very open and flexible to our (Noir's) style of making things. It was really an interesting experience to work with them," continued Ninomiya."Moncler Genius is a challenge of innovation, and a progressive project in every respect. It allowed me the opportunity to develop new techniques of down. Progress always stems from the way things are made." Remo Ruffini, Chairman and CEO of Moncler, told Dezeen: "Kei represents the quintessence of craftsmanship and his sense of experimentalism is really outstanding. Moreover each designer worked on a specific collection to target the different Moncler audiences.""It was surprising to see the way Kei was able to create something new, developing new possibilities and shapes of down- wear never explored before," he continued.Other Moncler Genius designers include Hiroshi Fujiwara, who runs the Japan-based label Fragment. His Moncler Fragment collection was the first to launch last month.British designer Craig Green's collection is next up, followed by the brand's main line collection Moncler 1952, and then Irish designer Simone Rocha, whose Genius collection launches in September.Founder of skate-inspired label Palm Angels Francesco Ragazzi will launch his Moncler Palm Angels collection in October, the same month as Valentino's creative director Pierpaolo Piccioli's.The eighth Genius collection to hit stores will be Sandro Mandrino's, who has curated the Moncler Grenoble collection – Moncler's long-standing technical skiwear line.Kei Ninomiya uses Moncler's down jacket as basis for all-black collection .As the Genius collection's land in stores over the next four months, Moncler will continue to stock its mainline collections, but the Italian brand said that the Genius collections will be its main communication focus."Due to the natural evolution of the brand, inherent to its DNA, in February we launched a new strategy aimed at disrupting the traditional twice-yearly rhythm of the fashion shows, by rolling out collections once a month," said Ruffini of the brand's Genius series.Kei Ninomiya uses Moncler's down jacket as basis for all-black collection"The world is changing as fast as ever and the digital era has changed the consumer's attitude in a season-less perspective," he continued."Moncler's new direction aims to establish a constant dialogue with the consumers through monthly projects, talking to different audiences and remaining always relevant, while being able to evolve."The 6 Moncler Noir Kei Ninomiya collection was launched at Dover Street Market in Ginza on July 24th, 2018 at an event inspired by the garments' shiny black palette.Other fashion launches this year have included a series of dresses by Iris van Herpen that replicate feathers, and John Galliano's Artisanal AW 2018 women's collection for Maison Margiela, which features layers of sorbet-coloured garments worn back to front and iPhones clamped to model's calves. 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